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Are gardens anything more than collections of plants? Spaces for leisure activities? Extensions that protect the private house from the public road? Art objects appreciated by a relatively small group of connoisseurs? To consider such questions this guidebook invites readers on a tour of ten beautiful gardens as depicted in thousands of pages of fiction written by the most skillful of novelists over almost a millennium. From Murasaki Shikibu's Tale of Genji and the ever-mysterious 'Hypnerotomachia Poliphili', to such Chinese masterpieces as the 'Chin Ping Mei' and 'Cao Xuequin Story of the Stone', and on through the works of famous American, Australian, English, and European writers, these novels compound gardens as they exist within the culture of the time with the specific needs of fiction, tackling everything from planting plans to the activities that take place within the garden confines. 0When novelists write the garden it is revealed, again and again, as the site of peccadilloes that define the state of being human, and while these written gardens may not be places we would ever wish to visit, should they actually exist, a consideration of their role in defining humanity provides yet another way to experience and appreciate any real gardens we happen to encounter.
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Canadian literature has long been preoccupied with the wilderness and the landscape, but the garden has remained neglected terrain. In Garden Plots, Shelley Boyd focuses on private, domestic gardens tended by individual gardeners, to show how modest, everyday spaces provide fertile grounds for the imagination. Combining the history of gardening with literary analysis, Garden Plots explores the use of the garden motif in the works of five authors: Susanna Moodie, Catharine Parr Traill, Gabrielle Roy, Carol Shields, and Lorna Crozier. With works spanning the nineteenth to twenty-first centuries, these writers reveal the associations between the arts of writing and gardening, the evolving role of the female gardener, and the changes that take place in Canada's literary gardens over time. With the task of understanding our connection to the physical environment becoming increasingly important, Garden Plots explores the subtle relations between place and narrative. This fresh, literary approach to Canada's gardening culture reveals that gardens grow and change not simply in the earth, but also in the pages of our texts.
Canadian literature --- Gardens in literature. --- Women authors --- History and criticism.
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"This book demonstrates how the Romans constructed garden boundaries specifically in order to open up or undermine the division between a number of oppositions, such as inside/outside, sacred/profane, art/nature, and real/imagined. Using case studies from across literature and material and visual culture, Victoria Austen explores the perception of individual garden sites in response to their limits, and showcases how the Romans delighted in playing with concepts of boundedness and separation. Transculturally, the garden is understood as a marked-off and cultivated space. Distinct from their surroundings, gardens are material and symbolic spaces that constitute both universal and culturally specific ways of accommodating the natural world and expressing human attitudes and values. Although we define these spaces explicitly through the notions of separation and division, in many cases we are unable to make sense of the most basic distinction between 'garden' and 'not-garden'. In response to this ambiguity, Austen interrogates the notion of the 'boundary' as an essential characteristic of the Roman garden"--
Gardens, Roman --- Gardens --- Gardens in literature --- Latin literature. --- Social aspects
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Gardens --- Landscape --- Gardens in literature. --- Landscape in literature.
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Persian literature --- Gardens in literature --- Landscapes in literature
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Landscape in literature. --- Gardens in literature --- Péguy, Charles, - 1873-1914
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Gardens in literature. --- Epic poetry --- History and criticism.
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Byzantine literature --- Gardens in literature. --- History and criticism.
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