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Galanterie ist ein spannungsvolles Konzept: Es bezeichnet nicht nur sexuelle Libertinage, sondern meint vor allem ein höfisch geprägtes Verhaltensideal, das sich im Frankreich des 17. Jahrhunderts ausbildet. Wesentlich für die galante Conduite ist es, seine Affekte so zu kontrollieren und zu inszenieren, dass man im geselligen Umgang Gefallen erregt und seine Zugehörigkeit zur sozialen Elite sichert. Ein zentrales Medium der spielerisch-unterhaltsamen Vermittlung galanten Verhaltens ist die Literatur. Der Sammelband präsentiert aktuelle Ergebnisse der Galanterie-Foschung, die sich neuerdings als ein viel versprechender Ansatz für die Erforschung der Kultur um 1700 profiliert. In interdisziplinärer Perspektive diskutieren führende Experten Herkunft und Programmatik der Galanterie, ihren Transfer nach Deutschland und ihre Modellierung in bildender Kunst, Oper und Tanz, vor allem aber in der Literatur. Dabei werden etablierte Annahmen in Frage gestellt: Ist etwa Castigliones "Cortegiano" tatsächlich für das Konzept der Galanterie so prägend wie bislang angenommen? Oder gibt es verdeckte Traditionslinien, die ins Mittelalter zurückreichen? Wie galant war der deutsche Adel -- und wie ,weiblich' war Galanterie in Deutschland?
German literature --- Gallantry in literature. --- History and criticism. --- Early Modern Times. --- Gallantry.
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Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to nineteenth-century urban culture, were in fact already at work in early modern London and Paris. Newman challenges the notion of a rupture between premodern and modern societies and shows how London and Paris became cultural capitals. Drawing upon poetry, plays, and prose by writers such as Shakespeare, Scudéry, Boileau, and Donne, as well as popular materials including pamphlets, ballads, and broadsides, she examines the impact of rapid urbanization on cultural production. Newman shows how changing demographics and technological development altered these two emerging urban centers in which new forms of cultural capital were produced and new modes of sociability and representation were articulated.Cultural Capitals is a fascinating work of literary and cultural history that redefines our conception of when the modern city came to be and brings early modern London and Paris alive in all their splendor, squalor, and richness.
History of France --- History of the United Kingdom and Ireland --- Paris --- London --- Ascham, Roger. --- Bernini, Gianlorenzo. --- Bosse, Abraham. --- Cade's rebellion. --- Carroll, William. --- Chaucer, Geoffrey. --- Dewald, Jonathan. --- Ferguson, Frances. --- Harvey, Gabriel. --- Horace. --- Howard, Jean. --- Jerusalem. --- Jouhaud, Christian. --- Kermode, Frank. --- Latour, Bruno. --- Libanius. --- Lougée, Carolyn. --- Nuremberg Chronicle. --- aesthetic. --- antiquarianism. --- antiquities. --- bawd. --- book trade. --- bridges. --- consumer goods. --- consumerism. --- conversation. --- cultural materialism. --- displacement. --- engravings. --- entrepreneurialism. --- footnotes, scholarly. --- gallantry. --- globalization. --- guidebooks. --- identity politics. --- individualism. --- manuscript culture. --- mazarinades. --- metropolitan literature. --- modernity. --- new historicism. --- orient, the. --- ovidianism. --- parish registers. --- peripatetic. --- phonophobia. --- poststructuralism. --- ramism. --- salon culture. --- shame. --- situationists. --- Paris (France) --- London (England) --- History
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