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C'est la plus grande catastrophe nucléaire de ces trente dernières années. Le 11 mars 2011, à la suite d'un séisme et d'un tsunami d'une ampleur quasi inégalée, la centrale japonaise de Fukushima est hors de contrôle. Autour d'elle se crée une «zone interdite», contaminée par des rejets radioactifs très importants. Le jour même, François-Xavier Ménage est envoyé en tant que reporter au plus près de la catastrophe. Il retournera une dizaine de fois au Japon au cours des années suivantes, afin de saisir tous les rouages et les enjeux d'un accident dont les conséquences se font encore ressentir aujourd'hui. Ce livre retrace cinq ans d'un reportage saisissant. Auprès des «décontaminateurs», qui risquent leur vie pour neutraliser, parfois en vain, la radioactivité. Auprès des «kamikazes», ces habitants qui ont décidé de rester dans le périmètre dévasté, contre les recommandations des autorités. Auprès des antinucléaires. Auprès, aussi, des décideurs de l'époque, rongés par les regrets, qui évoquent mensonges et omissions, parfois au plus haut niveau de l'État... Autant de portraits qui permettent de mieux comprendre les répercussions d'un drame avant tout humain. Mais le débat se poursuit bien au-delà du Japon. Pourquoi la France est-elle pointée du doigt ? Comment l'hypothèse d'un accident similaire à celui de Fukushima est-elle évoquée par le gendarme du nucléaire ? Est-on vraiment à l'abri ?
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La 4e de couverture indique : "Le 11 mars 2011. au large du Japon, un séisme effroyable accouche d'un tsunami, qui vient frapper de plein fouet l'une des plus grandes centrales au monde Fukushima Daiichi. D'une violence inouïe, la catastrophe naturelle entraîne alors une catastrophe technologique. Dès le départ, un angoissant compte à rebours s'est enclenché... et les cinq premiers jours vont s'avérer décisifs. Dans un univers complètement dévasté, alors que les bâtiments sont plongés dans l'obscurité, le personnel de la centrale nucléaire se retrouve confronté aux explosions et aux radiations toxiques. Guidés par Masao Yoshida, le directeur du site, les employés feront preuve de beaucoup de courage, d'ingéniosité et d'un incroyable sens du sacrifice pour tenter d'éviter l'apocalypse. Quelques mois plus tard, une commission d'enquête auditionne Yoshida pour comprendre l'ampleur du désastre auquel ils ont dû faire face. Voici son récit."
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This book, published by the International Atomic Energy Agency (IAEA) in 2023, details the outcomes of a decade of remediation efforts in Japan following the Fukushima Daiichi nuclear disaster. It consolidates findings from four expert meetings held in collaboration with Japan's Ministry of the Environment, focusing on environmental recovery of off-site areas affected by radioactive contamination. The publication aims to improve living conditions for those impacted by the accident and shares technical assessments, advice, and lessons learned. Intended for a global audience, it serves as a resource for understanding the progress and challenges in nuclear safety and environmental remediation.
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This book provides a comprehensive analysis of the Fukushima Daiichi nuclear disaster, focusing on the health risks associated with radionuclide contamination and the ongoing crisis management. It explores the initial and long-term threats posed by radioactive isotopes like iodine-131 and cesium-137, and their impact on human health, particularly in children. The book aims to debunk misinformation about the disaster's severity and advocates for international collaboration and effective solutions to mitigate the environmental and health impacts. It is intended for readers seeking a factual understanding of nuclear pollution and its global implications, with insights into potential treatments and preventive measures.
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The Nuclear Culture Source Book' serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book s editor, Ele Carpenter, "The Nuclear Culture Source Book" features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. 00Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. 00Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
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Fukushima Nuclear Disaster, Japan, 2011. --- Nuclear energy --- Radiation.
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Fukushima Nuclear Disaster, Japan, 2011. --- Nuclear power plants --- Accidents
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"In RADIATION AND REVOLUTION, political critic and activist Sabu Kohso positions the 2011 Fukushima nuclear disaster as an impetus for a renewed planetary politics. For Kohso, the "Event" offers an insight into the tension of, one the one hand, the World, as defined by capitalist nation-states, and on the other hand, the Earth, which is driven by interconnected planetary flows and entanglements. Focusing particularly on the effect of the Fukushima disaster on revolutionary politics, Kohso outlines three conceptual and eschatological ways to think about the Event: Disaster, Catastrophe, and Apocalypse. In this schema, Disaster signifies the real experience of people in the world: the immediate devastation brought on by nuclear disaster and the consequential tsunami, and the ongoing havoc radionuclides wreak on the planet. Catastrophe points to the failure of political and social institutions, and the rearrangement of power in the wake of nuclear disaster. Lastly, Apocalypse speaks to the affective and agential aspects of the disaster, and how people experience the aftermath of Fukushima. While Kohso readily admits that eschatological views can be harnessed by capitalist nation-states as a means to reproduce under the guise of patriotism and redevelopment, he also crucially argues that eschatology has been used historically by revolutionary people as a means to think about a rebirth of the world. In the latter reading, which Kohso suggests we follow, eschatological views of disaster provide a space for people to imagine other types of planetary cohabitation that is not limited to capitalist nation-states. The book comprises four chapters and an epilogue. Chapter 1 focuses on the Disaster of the Event, and offers an account of the nuclear disaster drawn from the author's own observations, stories from friends, and published reports in Japan. Chapter 2 illuminates the context for the event, providing a geo-history of the Japanese nation-state as an insular territory constituted in response to catastrophes, both natural (atmospheric and tectonic) and man-made (Western colonialism). In this chapter, Kohso frames Japan as a prosperous society bookended by two nuclear disasters: Hiroshima/Nagasaki and Fukushima. Chapter 3 tackles the mechanism whereby nuclear production continues to proliferate despite the calamities it has caused. Here the sense of Apocalypse is the predetermined future of a radioactive planet, rather than the immediate end of the world-a course charted by 'nuclearized capitalism' or capitalism that ensures its endless reproduction by assimilating itself to the nuclear industry. Chapter 4 compares the revolutionary struggles of 1968 to those of the post-Fukushima world. In the epilogue, Kohso poses questions about the "End": What does the end of Japan look like? What does the end of the human world mean?"--
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