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Art --- Philosophy. --- Fried, Michael.
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Der Band macht den kunstkritischen Essay ,Shape as Form. Frank Stellas Irregular Polygons' des jungen Michael Fried von 1966 erstmals in voller Länge übersetzt zugänglich. In Auseinandersetzung mit der amerikanischen Malerei der 60er Jahre entwickelt Fried darin nicht nur einen Formbegriff, der quer steht zu allem, was in der Kunstgeschichte üblicherweise unter "Formalismus" verstanden wird, sondern auch eine theoretisch hochambitionierte, im unmittelbaren zeitgenössischen Kontext der Entstehung des Texts völlig ungewöhnliche Form und Verfahrensweise von Kritik. Daran schließen Beiträge an, die Frieds frühes Formdenken im Kontext seines Gesamtwerks verorten, mit verschiedenen in der Kunsttheorie seit 1800 entwickelten Form- und Kritikbegriffen in vergleichende Beziehung setzen und/oder zum Ausgang nehmen, Form anhand einzelner Werke der bildenden Kunst und Literatur von 1800 bis zur Gegenwart neu zu denken.
Amerikanische Malerei --- Kunsttheorie --- Kunstkritik --- Formkritik --- Formbegriff --- Fried, Michael --- Fried, Michael. --- Criticism and interpretation.
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Quelles relations l’histoire et la théorie de l’art entretiennent-elles avec le fantasme ? Et par quels mécanismes – tant psychanalytiques que philosophiques, historiques, sociaux ou politiques –s’articulent-elles au sein des discours sur l’art ? L’autrice, qui s’appuie sur les travaux de la philosophe française Sarah Kofman, aborde cette question en examinant les oeuvres, exemplaires à cet égard, de deux historiens-théoriciens de l’art considérés aujourd’hui comme des figures intellectuelles incontournables : l’Américain Michael Fried et le Français Georges Didi-Huberman. En étudiant ces deux « cas » de façon approfondie, elle met en évidence la formation de véritables « systèmes fantasmatiques » et, avec une approche psychanalytique et féministe inédite dans le domaine, montre comment le genre et la différence sexuelle – et plus particulièrement les structures et les motifs liés à la féminité ou à l’ambivalence sexuelle – sont des objets de négociations complexes, de conflits et de compromis à l’intérieur même de ces systèmes. À partir des positions hystériques, fétichistes, mélancoliques ou encore paranoïaques adoptées par Fried et Didi-Huberman dans leurs écrits, elle tire des conclusions plus générales au sujet de la théorie de l’art en tant que lieu privilégié du fantasme, où se fait jour un devenirfemme des plus équivoques.
Critiques d'art. --- Art --- Théorie féministe. --- Fantasmes --- Histoire. --- Dans l'art. --- Thèmes, motifs. --- Fried, Michael --- Didi-Huberman, Georges --- Critique et interprétation.
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Aesthetics of art --- Fried, Michael --- Greenberg, Clement --- Clark, Timothy James --- anno 1900-1999 --- Art criticism --- Art, Abstract. --- Modernism (Art) --- History --- Clark, T. J. --- Fried, Michael. --- Greenberg, Clement, --- Modernism (Art). --- Art, Abstract --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Abstract art --- Art, Non-objective --- Non-objective art --- Clark, Timothy J. --- Hardesh, K. --- Clark, T.J.
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Mark Linder shows how minimalist art of the 1960s was infiltrated by architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuperation of "the architecture of minimalism" in the contemporary work of John Hejduk and Frank Gehry.
Architecture minimal --- Minimal architecture --- Minimale architectuur --- Minimalism (Architecture) --- Minimalism in architecture --- Minimalisme in de architectuur --- Minimalist architecture --- Minimalistische architectuur --- Minimal architecture. --- Formalism (Art) --- Architectural criticism --- Architecture minimale --- Formalisme (Art) --- Critique d'architecture --- History --- Histoire --- 7.039 --- 72.036 --- Greenberg, Clement --- Rowe, Colin --- Fried, Michael --- Smithson, Robert --- Hejduk, John --- Gehry, Frank --- Hedendaagse kunststromingen. Post-moderne kunst --- Minimalisme (architectuur) --- Formalism (Art). --- Architecture --- Art --- Art for art's sake (Movement) --- Criticism --- 20th century --- Formalism (art) --- Formalisme (art) --- 20e siècle
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"In this richly illustrated book, Michael Fried-one of the most esteemed and influential art critics and art historians working today-has gathered eight major essays written between 1993 and 2013, on topics ranging from Jacques-Louis David, Théodore Géricault, and Caspar David Friedrich through Gustave Caillebotte and Roger Fry to recent films by Douglas Gordon and Thomas Demand. Gustave Courbet and Edouard Manet, too, are distinct presences along with, in the background, the great art critic Denis Diderot and, in the case of Friedrich, the philosopher Immanuel Kant. As always in Fried's writing, the emphasis falls equally on observation and argument: never have these artists (and one critic, Fry) been subjected to so searching a gaze, and never has the meaning of their respective enterprises been laid bare with comparable clarity and force. Another hallmark of Fried's work is its extraordinary originality, and that too is fully in evidence throughout this remarkable book, which will add to his reputation as one of the indispensable thinkers of our time"--
History --- Aesthetics of art --- Painting, Modern --- Video art --- Peinture --- Art vidéo --- Art, Modern. --- ART / Criticism & Theory. --- ART / History / Romanticism. --- LITERARY COLLECTIONS / Essays. --- Modern konst. --- Konstkritik. --- Konstanalys. --- Konst --- Historia. --- Caillebotte, Gustave, --- David, Jacques Louis, --- Manet, Edouard, --- Friedrich, Caspar David, --- Fry, Roger Eliot, --- Gordon, Douglas, --- Demand, Thomas, --- Fried, Michael, --- Manet, Édouard, --- Fry, Roger, --- Art vidéo --- David, Jacques Louis --- Géricault, Théodore --- Friedrich, Caspar David --- Caillebotte, Gustave --- Fry, Roger --- Gordon, Douglas --- Demand, David --- Diderot, Denis --- Kant, Emmanuel --- Courbet, Gustave --- Manet, Edouard --- Diderot, Denis, --- Diderot, Denis, 1713-1784
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Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."
American poetry --- Language and languages in literature. --- Poetics. --- History and criticism --- Theory, etc. --- Adorno, Theodor. --- Altieri, Charles. --- Angelou, Maya. --- Arnold, Matthew. --- Ashbery, John. --- Baraka, Amiri. --- Bataille, Georges. --- Baudelaire, Charles. --- Benjamin, Walter. --- Black Mountain. --- Brathwaite, Edward Kamau. --- Bush, George. --- Caesar, Julius. --- Camus, Albert. --- Cicero. --- Clinton, Bill. --- Coolidge, Clark. --- Creeley, Robert. --- Davidson, Michael. --- Derrida, Jacques. --- Dunbar, Paul. --- Duncan, Robert. --- Eigner, Larry. --- English, Jim. --- Fagin, Larry. --- Flaubert, Gustave. --- Fried, Michael. --- Frost, Robert. --- Gates, Henry Louis. --- Gizzi, Peter. --- Grenier, Amy. --- Harryman, Carla. --- Heidegger, Martin. --- Hughes, Langston. --- Irby, Ken. --- Jaffer, Frances. --- Johnson, Lyndon. --- Joyce, James. --- Keats, John. --- Kissinger, Henry. --- Lacan, Jacques. --- Lewis, Joel. --- New American poetry. --- Objectivists. --- Sappho. --- group names. --- literariness. --- literary history. --- manifestos. --- new sentence. --- parataxis. --- phallus.
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Aesthetics, Modern --- Art and music. --- Arts, Modern --- Music and art. --- Music --- Popular culture. --- Sound in art. --- Sounds. --- Philosophy and aesthetics. --- Sound in art --- 7.01 --- 7.038 --- 78 --- Attali jacques --- Bourriaud Nicolas --- Brecht George --- Cage John --- Cardiff Janet --- concept art --- conceptuele kunst --- Derrida Jacques --- Dylan Bob --- eenentwintigste eeuw --- Ferrari Luc --- Fowler Jarrod --- Fried Michael --- geluidskunst --- Greenberg Clement --- Kahn Douglas --- Kirkegaard Jacob --- Kittler Friedrich --- Krauss Rosalind --- Kubisch Christina --- kunst --- kunst en muziek --- kunstfilosofie --- kunstkritiek --- kunsttheorie --- Lopez Francisco --- Lucier Alvin --- Lyotard Jean-François --- McLuhan Marshall --- Merleau-Ponty Maurice --- Michelson Annette --- Morris Robert --- muziek --- Nauman Bruce --- Phillips Sam --- Rauschenberg Robert --- Rosenfeld Marina --- Sanders Peirce Charles --- Schaeffer Pierre --- Snead James --- sound art --- twintigste eeuw --- Valie Export --- Vitiello Stephen --- Waters Muddy --- Younf La Monte --- Aesthetics --- History
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Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
Fiction --- American literature --- anno 1900-1999 --- 820-3 "18/19" --- American fiction --- -Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Engelse literatuur: proza--Hedendaagse Tijd --- History and criticism --- Technique --- Philosophy --- James, Henry --- -Influence --- History and criticism. --- Technique. --- 820-3 "18/19" Engelse literatuur: proza--Hedendaagse Tijd --- -Engelse literatuur: proza--Hedendaagse Tijd --- -Literature --- -820-3 "18/19" Engelse literatuur: proza--Hedendaagse Tijd --- Fiction writing --- Writing, Fiction --- Authorship --- James, Henry, --- Influence. --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- LITERARY CRITICISM / American / General. --- pastoral. --- naturalism. --- nativism. --- immigration. --- imagetext. --- high art. --- gender. --- education. --- detective novel. --- anthropology;avant-garde. --- Stein, Gertrud. --- Oliphant, Margaret. --- Mencken. --- McKeon, Michael. --- Malraux, Andre. --- Liveright, Horace. --- Levine, Lawrence. --- Kreyliug, Michael. --- Knopf. --- Joyce, James. --- Jameson, Fredric. --- Hemingway, Ernest. --- Grimwood, Michael. --- Gather, Willa. --- Fugitive-Agrarians. --- Fried, Michael. --- Debray, Regis. --- Conrad, Joseph. --- Bush, Ronald. --- Black Mask. --- Children --- Education, Primitive --- Education of children --- Human resource development --- Instruction --- Pedagogy --- Schooling --- Students --- Youth --- Civilization --- Learning and scholarship --- Mental discipline --- Schools --- Teaching --- Training --- Immigration --- International migration --- Migration, International --- Population geography --- Assimilation (Sociology) --- Colonization --- Anti-Catholicism --- Catholics --- Materialism --- Mechanism (Philosophy) --- Positivism --- Science --- Education --- Fugitive–Agrarians. --- anthropology. --- avant-garde. --- ROMAN AMERICAIN --- JAMES (HENRY), 1843-1916 --- ROMAN --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- INFLUENCE --- TECHNIQUE
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Art --- Minimal --- minimal art --- anno 1960-1969 --- Art, American --- Minimal art --- James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- galeries --- kunstkritiek --- neon --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Wagstaff Jr. Samuel J. --- 7.038 --- art history --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States --- Art [Modern ] --- 20th century
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