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Bildband. --- Freskomalerei. --- Schwind, Moritz ((von)). --- Wartburg.
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Malerei. --- Peinture et décoration murales --- Freskomalerei.
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Art, Byzantine --- Orthodox Eastern church buildings --- Art byzantin --- Eglises orthodoxes (Edifices) --- Manastir Matejce --- Orthodoxe kerken. --- Kloosters. --- Klosterkirche --- Freskomalerei --- Kirchenbau --- Art, Byzantine. --- Orthodox Eastern church buildings. --- Klosterkirche. --- Freskomalerei. --- Kirchenbau. --- Manastir Matejče
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Cortona, da, Pietro --- Pitti Palace [Florence] --- Freskomalerei. --- Pietro, --- Pietro da Cortona, --- Cortona, Pietro ((da)) --- Palazzo Pitti. --- Florenz --- Cortona, Pietro ((da)).
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Decoration and ornament --- Decoration and ornament. --- Freskomalerei. --- Mural painting and decoration. --- Muurschilderingen. --- Myceense cultuur. --- Greece --- Greece. --- Tiryns (Extinct city). --- Tiryns.
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In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical paintings, the diagrammatic mode was one of a number of pictorial modes available to artists, patrons, and planners, with a unique ability to present complex content to viewers. While monumental diagrams may have sparked some of the experiences usually associated with diagrams in manuscripts, acting as machines for thought, scaffolds for memory, or tools for the visualization of complex concepts, their reception was also shaped by their presence in public spaces, their scale and aura as richly decorated works of monumental visual art, and their insertion into larger pictorial programs. Closely examining the visual and communicative strategies of these paintings expands the horizon of trecento art history beyond narrative and devotional painting, and shifts our understanding of all of the arts of the trecento, calling attention to issues of scale, visual rhetoric, pictorial ingenuity, and reception.
Diagramm --- Freskomalerei. --- Buchmalerei. --- Temperamalerei. --- Renaissance --- Peinture --- Enluminure --- Peinture et décoration murales --- Peinture d'icônes --- Geschichte 1300-1400 --- Italien. --- Italie --- Renaissance painting --- Late Middle Ages (c. 1300-1500) --- Italian Peninsula (c. 500-1500)
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Baptisteries
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Christian art and symbolism
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House churches
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Mural painting and decoration
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265.1
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902:28 <394.2>
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Ceilings, Painted
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Fresco painting
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Frescoes
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Frescos
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Murals
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Painted ceilings
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Painting, Decorative
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Wall decoration
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Wall-painting
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Art
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Decoration and ornament
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Interior decoration
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Painting
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Non-institutional churches
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Art, Christian
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Art, Ecclesiastical
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Arts in the church
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Christian symbolism
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Ecclesiastical art
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Symbolism and Christian art
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Religious art
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Symbolism
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Symbolism in art
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Church decoration and ornament
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Baptism
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Church buildings
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265.1 Doopsel
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Doopsel
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902:28 <394.2> Christelijke archeologie--Syria Magna. Antiochië
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Christelijke archeologie--Syria Magna. Antiochië
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Bible.
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11.47 cultural-historical background of the New Testament.
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Baptisteries.
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Christian art and symbolism.
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Freskomalerei.
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House churches.
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Ikonographie.
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Mural painting and decoration.
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Theologie.
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Tatianus
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