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Old French literature --- French literature --- French literature - To 1500
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Cette anthologie part d'un constat très simple : les textes médiévaux étudiés à l'Université par les étudiants de lettres sont majoritairement des œuvres qui ont été peu, voire pas, diffusées au Moyen Age et que le XIXe siècle a redécouvertes et canonisées. Mais que lisait-on vraiment aux XIVe et XVe siècles ? Frédéric Duval recense et présente les textes français dont on conserve le plus d'exemplaires confectionnés entre 1350 et 1500. Son anthologie s'adresse à la fois aux historiens et aux littéraires. En rassemblant un noyau de textes communs à la plupart des grandes bibliothèques princières de la fin du Moyen Age, elle met au service des premiers des sources d'une extrême richesse pour l'étude de la noblesse et de l'aristocratie. Aux seconds, elle donnera l'occasion de réévaluer un corpus de référence qui a forgé l'horizon d'attente des lecteurs et qui a souvent nourri les œuvres du Moyen Age aujourd'hui les plus célèbres.
Old French literature --- French literature --- Littérature française --- Littérature française --- French literature - To 1500
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French literature --- Littérature française --- French literature - To 1500 --- Littérature française
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French literature --- Godric, --- French literature - To 1500 --- Godric, - Saint, - -1170 --- Godricus erem. Finchalae
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Madness is a frequent theme in medieval French literature. It afflicts the two greatest heroes of the Arthurian world, Lancelot and Tristan, as well as numerous other knights and unlucky lovers in courtly tradition. It also appears in devotional literature, whether in the form of the 'holy fool' who impersonates madness as a kind of penance or in the motif of lunatics cured through the miraculous intervention of a saint. These texts manifest a wide range of attitudes towards madness, which may be associated with nobility and refinement of character, with chivalric or spiritual transcendence, with tragic illness and impairment, with comic ineptitude, or with sin and degradation. Tracing these various depictions allows for a study of how and why madness is used in different texts and different genres. This new book, from one of the leading critics in medieval studies, ties in with contemporary interest in the politics of identity, and literary constructions of identity. There are many studies of gender, sexuality, race and ethnicity, and class in medieval literature and society, but far fewer of madness. Yet madness is the ultimate 'queerness' or 'otherness', the limit of the human condition. Madness has been identified as an important topic in feminist criticism, but has been explored largely with regard to nineteenth- and twentieth-century studies. The cultural significance of madness in the Middle Ages is often misrepresented in contemporary discussions. Sylvia Huot redresses that imbalance.
Old French literature --- Thematology --- French literature --- Mental illness in literature --- Criticism and interpretation --- Themes, motives --- Mental illness in literature. --- History and criticism. --- Criticism and interpretation. --- Themes, motives. --- French literature - To 1500 - Criticism and interpretation --- French literature - To 1500 - Themes, motives
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French literature --- Littérature française --- Criticism, Textual --- History and criticism --- Critique textuelle --- Histoire et critique --- Roman de Renart --- Old French literature --- Criticism, Textual. --- French literature - To 1500 - Criticism, Textual --- French literature - To 1500 - History and criticism
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French literature --- To 1500 --- History and criticism --- Méla, Charles --- Literature, Medieval --- Méla, Charles, --- French literature - To 1500 - History and criticism --- Literature, Medieval - History and criticism --- Méla, Charles, - 1942 --- -French literature - To 1500 - History and criticism --- -French literature --- -Méla, Charles
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