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Book
L'oeuvre d'Olivier Messiaen
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ISBN: 9782213636474 2213636478 Year: 2008 Publisher: Paris Fayard

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Abstract

L’importance de l’œuvre d’Olivier Messiaen n’a cessé de croître. Plus de quinze ans après sa mort, on peut mesurer l’empreinte qu’il laisse dans l’ensemble du xxe siècle – et au-delà.Dans un ouvrage paru en 1980, Harry Halbreich commentait avec science et admiration les différentes œuvres de son « cher maître ». Son étude se voit ici rééditée et poursuivie : il y traite les œuvres composées après 1980, et en particulier les monumentaux Eclairs sur l’Au-delà…, Livre du Saint Sacrement et l’opéra Saint François d’Assise.Le détail des analyses s’accompagne d’une réflexion remarquablement riche sur tous les aspects de l’apport spécifique de Messiaen au langage musical. Le rôle du pédagogue et sa capacité d’éveiller les jeunes talents reçoit un hommage mérité. Une insistance particulière est mise sur le message théologique dont cette musique est l’expression.Le rayonnement de cette immense personnalité est ainsi célébré avec ferveur l’année du centenaire de sa naissance.


Book
Antoine Dauvergne (1713-1797) : une carrière tourmentée dans la France musicale des Lumières
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ISBN: 9782804700829 2804700828 Year: 2011 Volume: *8 Publisher: Wavre Mardaga


Book
Un compositeur aux commandes de la radio : essai autobiographique
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ISBN: 9782213655031 2213655030 Year: 2010 Publisher: Paris : Fayard : Bibliothèque nationale de France,


Book
Marc-Antoine Charpentier : un musicien retrouvé
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ISBN: 2870098871 9782870098875 Year: 2005 Volume: *96 Publisher: Paris : Mardaga,


Book
Claude Debussy : a critical biography
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ISBN: 1787444511 1580469035 9781580469036 Year: 2019 Publisher: Rochester, NY : University of Rochester Press,

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Abstract

English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy.


Book
Berlioz : scenes from the life and work
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ISBN: 1282894919 9786612894916 1580467164 158046209X Year: 2008 Publisher: Rochester, NY : University of Rochester Press,

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Abstract

New studies of the great French composer by Jacques Barzun, David Cairns, Jo©±l-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts. These twelve essays bring new breadth and depth to our knowledge of the life and work of the composer of the Symphonie fantastique. A distinguished international array of scholars here treat such matters as Berlioz's "aesthetics" and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city; what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he profited from Beethoven in what later became Rom©♭o et Juliette. The volume closes with two reflective essays on Berlioz's literary masterpiece, the M©♭moires. Contributors: Lord Aberdare (Alastair Bruce), Jean-Pierre Bartoli, JacquesBarzun, Peter Bloom, David Cairns, Gunther Braam, G©♭rard Cond©♭, Pepijn van Doesburg, Jo©±l-Marie Fauquet, Frank Heidlberger, Hugh Macdonald, and Julian Rushton Peter Bloom (Smith College) is author of The Life of Berlioz (1998) and editor of The Cambridge Companion to Berlioz (2000).


Book
Reclaiming late-romantic music
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ISBN: 0520958039 9780520958036 9781306291408 1306291402 9780520280397 0520280393 Year: 2014 Publisher: Berkeley

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Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world.

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