Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Manuscripts, Greek (Papyri) --- Coptic manuscripts (Papyri) --- Freer Gallery of Art.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sculpture de l'inde --- Freer gallery of art, smithsonian institution (washington dc) --- Catalogues --- Sculpture de l'inde --- Freer gallery of art, smithsonian institution (washington dc) --- Catalogues

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Freer Gallery of Art (Washington) : Peacock Room --- toegepaste kunst --- Freer, Charles Lang --- Whistler, James Abbott McNeill

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Metallurgy --- Bronzes, Chinese --- Bronzes --- Metallurgy in art --- History --- Gettens, Rutherford J. --- Chase, W. T. --- Freer Gallery of Art.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

For renowned artist James McNeill Whistler (1834-1903), watercolor was the medium through which he reinvented himself in the 1880s and painted his way into posterity. No one was more smitten with Whistler and his works than Gilded Age industrialist Charles Lang Freer, who amassed the world's largest collection of watercolors by the artist and included them in his bequest to the Smithsonian in 1906. Freer's collection comprises more than fifty examples of Whistler's watercolors, yet these works have never left the confines of the Freer Gallery of Art in Washington, DC. This landmark book takes a fresh look at the exhibition and reception of Whistler's watercolors in Britain and the United States and provides a new scientific analysis of his materials and techniques, from the papers he used to the pigments he chose. In the 1880s, James McNeill Whistler (1834–1903) reinvented himself through the medium of watercolor. At the time, excellence in watercolor was most often associated with British artists, and most notably with the work of J. M. W. Turner (1775–1851). Whistler’s embrace of watercolor allowed the expatriate artist to present himself as an heir to the great Turner, while at the same time creating easily portable works that could supply an American market and, the artist hoped, help secure his art-historical legacy in his home country. Indeed, it was the American Gilded Age industrialist Charles Lang Freer who would amass the largest collection of Whistler’s watercolors, eventually bequeathing them to the Smithsonian in 1906.This publication is the first systematic study of Freer’s amazing treasure trove of more than 50 watercolors by Whistler and includes figures, landscapes, nocturnes, and interiors. Providing both an art-historical context that looks into the contemporary reception of the works, as well as rigorous scientific analysis of Whistler’s materials and techniques, this volume offers a groundbreaking look into an overlooked segment of the celebrated artist’s oeuvre

Painting --- watercolors [paintings] --- Whistler, James Abbott McNeill --- Smithsonian Institution --- Watercolor painting --- Whistler, James McNeill, --- Freer Gallery of Art --- Whistler, James McNeill