Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

« Mélange de voix », « procédé littéraire », « forme de la modernité », « régime non marqué du discours rapporté », « phénomène aux frontières incertaines », « objet foncièrement interprétatif » - par ce type de jugements, qui lui sont régulièrement appliqués, le discours indirect libre est invariablement caractérisé au plan de ses effets, par principe liés à des contextes d'emploi particuliers. Dans une optique résolument différente, le présent ouvrage effectue un retour aux fondamentaux et livre une analyse de la structure interne du discours indirect libre : constituants linguistiques et fonctionnement énonciatif sont ainsi placés au centre de la réflexion.Sur la base d'une analyse nuancée de son système d'ancrage, le discours indirect libre est décrit - à l'encontre des conceptions théoriques et critiques actuellement dominantes - comme un dispositif énonciatif impliquant une seule voix, celle de l'énonciateur représenté. Corrélativement à cette structure univocale, une fonction spécifique se dégage : la schématisation stylisante du discours autre.

Discours indirect libre --- Enonciation (linguistique) --- analyse de discours --- linguistique --- Free indirect speech --- Speech acts (Linguistics) --- Discourse analysis --- Discours indirect libre. --- Stylistique. --- Énonciation (linguistique) --- Français (langue) --- Discours (linguistique).

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Die erlebte Rede im Deutschen und Polnischen wird im vorliegenden Buch nicht nur als Rede- oder Gedankenwiedergabe aufgefaßt, sondern wesentlich als ein textuelles Phänomen, das eines spezifischen narrativen Kontextes bedarf, in welchem der wiedergebende Sprecher ein Erzähler ist. Hauptgegenstand der Untersuchung ist die Raum- und Zeitreferenz in erlebter Rede. Die in diesem Zusammenhang betrachteten sprachlichen Ausdrucksmittel sind Temporaladverbiale, positionale und dimensionale Lokaladverbiale, die Tempora beider Sprachen und der Aspekt im Polnischen. Um die Kookkurrenzen zukunftsbezogener Temporaladverbiale mit Vergangenheitstempora (morgen war Weihnachten) sowie Vorkommen deiktischer Lokaladverbiale mitten in einem narrativen Text (die Bäckersfrau da drin) zu erklären, wird dafür plädiert, daß in erlebter Rede die deiktische Origo allein mit Hilfe sprachlicher Mittel (endophorisch) gesetzt werden kann, z.B. durch externe und interne Indikatoren mentaler Aktivitäten von Protagonisten. Der Gebrauch von Tempora wird vorwiegend unter dem Gesichtspunkt der Tempustransposition behandelt. Nach einer kritischen Durchsicht einiger Beschreibungen des deutschen Tempussystems wird gezeigt, daß dieses ausdifferenzierte Tempussystem regelmäßige Transpositionen ermöglicht. Dies wird durch die Einbeziehung des Polnischen verdeutlicht. Analysiert wird auch der Beitrag von Adverbialen und Tempora zur referenziellen Bewegung in Texten.

Discours indirect libre --- Free indirect speech --- Free indirect style --- Indirect speech [Free ] --- Speech [Free indirect ] --- Vrije indirecte rede --- Free indirect speech. --- German language --- Polish language --- Spoken German. --- Spoken Polish. --- Spoken German --- Spoken Polish --- Indirect speech, Free --- Speech, Free indirect --- Fiction --- Indirect discourse in literature --- Narration (Rhetoric) --- Technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around one of its most important effects: consciousness representation. Modernist narratives exhibit intensified formal experimentation and a heightened concern with characters' conscious experience, and this provides an ideal context for exploring FIS and its implications for character consciousness. This book focuses on three novels that are central to the Modernist canon: Virginia Woolf's To the Lighthouse, D.H. Lawrence's The Rainbow and James Joyce's Ulysses. It applies the revised theory of FIS in close semantic analyses of the language in these narratives and combines stylistics with literary criticism, linking interpretations with linguistic features in distinct manifestations of the style.

Indirect discourse in literature. --- Fiction --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Discourse, Indirect, in literature --- Quotation --- Direct discourse in literature --- Free indirect speech --- Technique. --- Psycholinguistics --- Psychological study of literature --- English literature --- anno 1900-1999

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

French language --- Pragmatics --- Linguistique --- Taalkunde --- Grammar, Comparative and general --- Discourse analysis --- Discours indirect --- Français (Langue) --- Analyse du discours --- Indirect discourse --- Free indirect speech. --- Indirect discourse. --- Free indirect speech --- -#KVHA:Grammatica; Frans --- #KVHA:Linguistiek; Frans --- Comparative grammar --- Grammar --- Grammar, Philosophical --- Grammar, Universal --- Language and languages --- Philosophical grammar --- Linguistics --- Philology --- Free indirect style --- Indirect speech, Free --- Speech, Free indirect --- Fiction --- Indirect discourse in literature --- Narration (Rhetoric) --- Grammar, Comparative --- Technique --- Français (Langue) --- #KVHA:Grammatica; Frans --- Indirect discourse (Grammar) --- Indirect quotation (Grammar) --- Indirect speech (Grammar) --- Reported speech (Grammar) --- Indirect quotation --- Reported speech --- Indirect reason --- Grammar, Comparative and general - Indirect discourse.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Fiction --- Spanish-American literature --- anno 1900-1999 --- Direct discourse in literature --- Discourse analysis, Literary --- Indirect discourse in literature --- Narration (Rhetoric) --- Discours direct dans la littérature --- Discours littéraire --- Roman --- Narration --- Technique --- Free indirect speech --- -Narration (Rhetoric) --- Literary discourse analysis --- Rhetoric --- Style, Literary --- Free indirect style --- Indirect speech, Free --- Speech, Free indirect --- Discourse, Indirect, in literature --- Quotation --- Discourse, Direct, in literature --- Narrative (Rhetoric) --- Narrative writing --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Direct discourse in literature. --- Discourse analysis, Literary. --- Free indirect speech. --- Indirect discourse in literature. --- Technique. --- Narration (Rhetoric). --- Discours direct dans la littérature --- Discours littéraire --- Literary style --- Fiction writing --- Writing, Fiction --- Authorship --- Fiction - Technique --- LITTERATURE ESPAGNOLE --- CITATIONS