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Film exceptionnel, hors normes, " Freaks " (" La Monstrueuse Parade ", 1932) compte parmi les plus grandes réalisations du cinéma mondial. Homme de cirque, de " music-hall " et des tréteaux de foire avant de passer derrière la caméra, Tod Browning projette sur grand écran son amour du spectacle vivant en filmant l'histoire du nain Hans manipulé par la belle trapéziste Cleopatra, et en faisant appel à des personnes vraiment victimes de déformations physiques. Le cinéaste a puisé son sujet dans une nouvelle de Clarence Aaron "Tod" Robbins, publiée en 1923 sous le titre " Les Éperons " (" Spurs "), dont les éditions Rouge Profond proposent la première traduction en France. Rappelant que l'écrivain a déjà inspiré au réalisateur " Le Club des trois " (1925), Boris Henry procède à une comparaison entre le texte et le film, revenant sur les étapes d'écriture du long métrage, ses partis pris formels, le traitement qu'il réserve aux phénomènes - à l'origine de vives controverses au sein même de la M.G.M. Authentique miracle de production, Freaks compte parmi les pièces maîtresses de la filmographie de Tod Browning, qui venait d'adapter avec succès " Dracula ".

People with disabilities in motion pictures --- Film adaptations. --- Handicapés au cinéma --- Adaptations cinématographiques --- Browning, Tod, --- Freaks (Motion picture) --- Robbins, Tod --- Adaptations cinématographiques --- Freaks

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"We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history."

Monsters --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- History. --- Abnormalities

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Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.

Supernatural in literature. --- Monsters --- Fear --- History. --- Social aspects. --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- Abnormalities

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Beaches are places that give and take, bringing unexpected surprises to society, and pulling essentials away from it. Through monsters, we confront our tiny time between catastrophes and develop a recognition of Otherness by which an ethical understanding of difference becomes possible. Learning to read the monster's environmental signs often helps humans determine the scope of the monster's place in the eco/cosmic timeline and defeat it--until the epic cycle inevitably repeats; monsters live and live and live. Even so; when humans identify and confront monsters we do so at the risk of exposing our own monstrosity. When a massive creature is pushed into human proximity by the ocean's wide shoulders, the waves deposit and erode human assumptions about itself and its environment; words, sounds, breath, water, wind, flesh, blood, and bones wash in and out. Chance encounters reveal us to ourselves anew. When we look into the inky backs of whales, or deep into vortices, what do we see?

Oceanography (seas) --- Monsters --- Sea. --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- Abnormalities --- monster theory --- ocean studies --- whales --- medieval studies --- whirlpools

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Companion volumes 'Classic Readings on Monster Theory' and 'Primary Sources on Monsters' gather a wide range of readings and sources to enable us to see and understand what monsters can show us about what it means to be human. The first volume introduces important modern theorists of the monstrous and aims to provide interpretive tools and strategies for students to use to grapple with the primary sources in the second volume, which brings together some of the most influential and indicative monster narratives from the West.

Monsters. --- Monsters in mass media. --- Monsters in literature. --- Mass media --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- Abnormalities --- Monsters in popular culture. --- Popular culture