Listing 1 - 4 of 4 |
Sort by
|
Choose an application
(Produktform)Paperback / softback --- Expressionismus --- Franz Werfels literarische Modernen? --- Katholizismus --- Humanismus --- Franz Werfel --- KONNEX --- (VLB-WN)1563: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft
Choose an application
Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels-from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and later often as far as America. The concept and forms of exile are analyzed from many different points of view and great importance is devoted especially to the forms of inner exile. In Forms of Exile in Jewish Literature and Thought, Bronislava Volková, an exile herself and thus intimately familiar with the topic through her own experience, develops a unique typology of exile that will enrich the field of intellectual and literary history of twentieth-century Europe and America.
Alienation (Philosophy) in literature. --- Central European literature --- Exile (Punishment) in literature. --- Exiles in literature. --- LITERARY CRITICISM / Jewish. --- Jewish authors --- History and criticism. --- Alma Mahler. --- Arnost Lustig. --- Arthur Schnitzler. --- Bruno Schulz. --- Central Europe. --- Egon Hostovsky. --- Elie Wiesel. --- Expulsion. --- Franz Kafka. --- Franz Werfel. --- Hermann Broch. --- Hermann Ungar. --- Holocaust. --- Hugo von Hofmannsthal. --- Jewish history. --- Jiri Weil. --- Joseph Roth. --- Judaism. --- Karl Kraus. --- Ladislav Fuks. --- Marcel Proust. --- Max Nordau. --- Peter Weiss. --- Primo Levi. --- Robert Musil. --- Saul Friedlander. --- Shoah. --- Sholem Aleichem. --- Sigmund Freud. --- Stefan Zweig. --- Theodor Herzl. --- Wandering. --- aesthetics. --- cultural studies. --- diaspora. --- exile. --- gender. --- identity. --- literature. --- oppression. --- philosophy. --- twentieth century.
Choose an application
Today, the term "Jewish self-hatred" often denotes a treasonous brand of Jewish self-loathing, and is frequently used as a smear, such as when it is applied to politically moderate Jews who are critical of Israel. In On the Origins of Jewish Self-Hatred, Paul Reitter demonstrates that the concept of Jewish self-hatred once had decidedly positive connotations. He traces the genesis of the term to Anton Kuh, a Viennese-Jewish journalist who coined it in the aftermath of World War I, and shows how the German-Jewish philosopher Theodor Lessing came, in 1930, to write a book that popularized "Jewish self-hatred." Reitter contends that, as Kuh and Lessing used it, the concept of Jewish self-hatred described a complex and possibly redemptive way of being Jewish. Paradoxically, Jews could show the world how to get past the blight of self-hatred only by embracing their own, singularly advanced self-critical tendencies--their "Jewish self-hatred.? Provocative and elegantly argued, On the Origins of Jewish Self-Hatred challenges widely held notions about the history and meaning of this idea, and explains why its history is so badly misrepresented today.
Self-hate (Psychology) --- Antisemitism --- Self-hatred (Psychology) --- Hate --- Self-perception --- Psychological aspects. --- Adage. --- Adolf Loos. --- Afrikan Spir. --- Alfred Kerr. --- Anti-Zionism. --- Anti-imperialism. --- Anti-nationalism. --- Antisemitism (authors). --- Antisemitism. --- Anxiety of influence. --- Bildung. --- Bildungsroman. --- Boris Groys. --- Buddenbrooks. --- Consciousness. --- Counter-revolutionary. --- Cultural pessimism. --- Defamation. --- Deportation. --- Edmund Husserl. --- Erudition. --- Erving Goffman. --- Feuilleton. --- Franz Kafka. --- Franz Werfel. --- Fritz Haarmann. --- German Forest. --- German nationalism. --- Germans. --- Gershom Scholem. --- Gustav Wyneken. --- Hans Gross. --- Hans Mayer. --- Hatred. --- Heinrich Heine. --- Heinrich von Kleist. --- Highbrow. --- His Family. --- Houston Stewart Chamberlain. --- Hugo Bettauer. --- Humiliation. --- Hypocrisy. --- Jacques Derrida. --- Jakob Wassermann. --- Jewish assimilation. --- Jewish guilt. --- Jews. --- Judaism. --- Karl Kraus (writer). --- Kurt Tucholsky. --- Lecture. --- Lessing. --- Ludwig Klages. --- Ludwig Wittgenstein. --- Martin Buber. --- Modern Paganism. --- Modernity. --- Moses Mendelssohn. --- Narrative. --- Novelist. --- Oedipus complex. --- On the Jewish Question. --- Oppression. --- Oswald Spengler. --- Otto Gross. --- Otto Weininger. --- Pacifism. --- Paul Heyse. --- Persecution. --- Pessimism. --- Philosophy. --- Pity. --- Pogrom. --- Polemic. --- Prejudice. --- Prostitution. --- Psychoanalysis. --- Rainer Maria Rilke. --- Ridicule. --- Rudolf Steiner. --- Satire. --- Self-consciousness. --- Self-criticism. --- Self-hating Jew. --- Self-hatred. --- Suggestion. --- Superiority (short story). --- The Decline of the West. --- The Other Hand. --- The Philosopher. --- The Pity of It All. --- Theodor Fritsch. --- Theodor Lessing. --- Theodor. --- Thomas Mann. --- Thought. --- Vladimir Nabokov. --- Walter Benjamin. --- Writing. --- Zionism. --- Jews --- History. --- Lessing, Theodor,
Choose an application
"This book is the third in a trilogy that looks at the cultural history of Prague in order to tell the larger story of competing notions of European modernity-Reformation and Counter-Reformation, empire and nation, fascism and democracy-as they all played out on a single stage. This volume begins in 1938, when Czechoslovakia was dismembered by the Munich agreement and shortly before the invasion of the Third Reich, and it runs until the present day, when liberal democracy appears to be giving way to right-wing populism (as in much of the world). Like the previous volumes in the series, it sees Prague as a palimpsest of the cultures that overtook it-cultures that aimed to impose their own visions of modernity on the city. In this book, Sayer charts three major "modernities:" the Third Reich's brutal totalitarianism, the shifting face of Soviet communism, and the supposed freedoms of Western capitalist democracy. In Sayer's reading, the Nazis, Soviets, and Western democrats each believed that Prague had reached the end of history, that it had achieved "the final form of human government" (in Fukuyama's words). All were proved spectacularly wrong. As these political movements disintegrated, they returned the city to a state of banal surreality that Czech dissidents in the 1960s dubbed Absurdistan. Putting the notion of Absurdistan at the center of his story, Sayer engages with artists, creators and the things they produced, which unsparingly revealed the absurdity of the "modern" world and its notions of progress. He explores the work of Milan Kundera, Miloš Forman, Václav Havel, and many others lesser known in the Anglophone world. He examines the tradition of vulgar absurdist comedy beginning with Kafka, and he shows how Prague's cultural products have been marked by persistent moral ambiguity, or in Kundera's words, "the intoxicating relativity of human things," since the mid-century. The overarching argument of this book is that, by looking to Prague's cultural history, we can see that modernity has never been a single or stable notion, and as different ideologies of modernity have come head-to-head, they have produced a rich culture of ambiguity and absurdity. We published the first two books in the trilogy, The Coasts of Bohemia: A Czech History (1998), which spanned the 18th to the turn of the 20th century, and Prague, Capital of the Twentieth Century (2013), which looked at modernism and revolutionary thinking in Prague in the first half of the 20th century. Both books did well, and Prague, Capital of the Twentieth Century won the prestigious George L. Mosse Prize for European cultural and intellectual history from the American Historical Association"--
Prague (Czech Republic) --- Civilization --- 1948 Czechoslovak coup d'état. --- Absurdistan. --- Adolf Eichmann. --- Adolf Hitler. --- Allen Ginsberg. --- Anschluss. --- Arid. --- Bankruptcy. --- Bohumil Hrabal. --- Byzantine Empire. --- Cactus. --- Central Committee. --- Charles Darwin. --- Charter 77. --- Closely Watched Trains. --- Colonization. --- Conrad Veidt. --- Constantinople. --- Czechoslovak Hockey Riots. --- Czechoslovakia. --- Czechs. --- Diego Rivera. --- Distant Journey. --- Dora Diamant. --- Ecology. --- Economics. --- Egon Bondy. --- El Niño–Southern Oscillation. --- Endemism. --- Epiphyte. --- Essay. --- Franz Kafka. --- Franz Werfel. --- Geology. --- Germans. --- Gestapo. --- Giant tortoise. --- Gulag. --- Hadrian. --- Heinrich Himmler. --- Heinrich Mann. --- Honza. --- Hussites. --- Iconoclasm. --- Illustration. --- International Students' Day. --- Jan Masaryk. --- Jan Palach. --- Jews. --- Joseph Stalin. --- Karel Gott. --- Karel Teige. --- Karl Marx. --- Kitsch. --- Klement Gottwald. --- Le Corbusier. --- Lecture. --- Libri Carolini. --- Lidice. --- Mangrove. --- Max Brod. --- Milan Kundera. --- Milton Friedman. --- Modernity. --- Money laundering. --- Nazi Party. --- Nazism. --- Newspaper. --- Nikephoros (Caesar). --- Ocean current. --- On the Origin of Species. --- Opuntia. --- Pavel Kohout. --- Physiocracy. --- Poetry. --- Politics. --- Prague Spring. --- Presidium. --- Reinhard Heydrich. --- Samizdat. --- Scalesia. --- Slavery. --- Slovakia. --- Socialist realism. --- South America. --- Soviet Union. --- Sudeten Germans. --- Surrealism. --- Tariff. --- The Book of Laughter and Forgetting. --- The Other Hand. --- The Power of the Powerless. --- The Theory of Moral Sentiments. --- The Voyage of the Beagle. --- The Wealth of Nations. --- V. --- Wealth. --- Wenceslas Square. --- World War II. --- Writing.
Listing 1 - 4 of 4 |
Sort by
|