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Die Kunsthistoriker Wilhelm Fraenger, 1890-1964: Eine Sammelung von Erinnerungen mit der Gesamt-Bibliographie seiner Veröffentlichungen
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Year: 1994 Publisher: Amsterdam Castrum Peregrini

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Beschrijving en poging tot verklaring van het tuin der onkuisheiddrieluik van Jeroen Bosch, gevolgd door kritiek op Fraenger
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Year: 1956 Publisher: Amsterdam, : Noord-Hollandsche Uitg. Mij.,

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Wilhelm Fraenger und Wolfgang Frommel im Briefwechsel, 1947-1963, im Anhang: 18 Briefe Wilhelm Fraengers an Wolfgang Frommel, Percy Gothein und Benno Schwabe aus den Jahren 1933-1937
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Year: 1990 Publisher: Amsterdam Castrum Peregrini

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Von Bosch bis Beckmann: ausgewählte Schriften
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ISBN: 3770115910 9783770115914 Year: 1985 Publisher: Köln DuMont

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Kunstgeschichte als physiognomische Wissenschaft : Kritik einer Denkfigur der 1920er bis 1940er Jahre
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ISBN: 9783050055589 Year: 2012 Publisher: Berlin Akademie Verlag


Book
James Ensor, occasional modernist : Ensor's artistic and social ideas and the interpretation of his art
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ISBN: 9782503570303 2503570305 Year: 2018 Publisher: Turnhout, Belgium : Brepols,

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In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follows the advice given to the art critic André De Ridder by Ensor himself in 1930: "I recommend you re-read 'Les Écrits de James Ensor', where I explain my research and defend my ideas". Ensor's writings can roughly be divided into two categories, his letters and les écrits, encompassing his journalistic work, satirical exhibition reviews, comical speeches, words of thanks and praise, and open letters in brochures. The analysis of Ensor's writings is no small task, for he gave little attention to structure and coherence, and employed a complex "wondermiraclelikefulistic" language archaisms, neologisms, staggering vitriolic rants, hyperboles. Nevertheless, his writings are a crucial source of knowledge on his opinions on Christian faith, rationality, hypocrisy, the dangers of an emerging Flemish nationalism, animal cruelty, the destruction of natural beauty and ancient monuments, and a number of other topics.. In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follows the advice given to the art critic André De Ridder by Ensor himself in 1930: "I recommend you re-read 'Les Écrits de James Ensor', where I explain my research and defend my ideas". Ensor's writings can roughly be divided into two categories, his letters and les écrits, encompassing his journalistic work, satirical exhibition reviews, comical speeches, words of thanks and praise, and open letters in brochures. The analysis of Ensor's writings is no small task, for he gave little attention to structure and coherence, and employed a complex "wondermiraclelikefulistic" language archaisms, neologisms, staggering vitriolic rants, hyperboles. Nevertheless, his writings are a crucial source of knowledge on his opinions on Christian faith, rationality, hypocrisy, the dangers of an emerging Flemish nationalism, animal cruelty, the destruction of natural beauty and ancient monuments, and a number of other topics.

Keywords

Kunstesthetica --- kunstkritiek --- Ensor, James --- Ensor, James, --- Aesthetics of art --- art criticism --- Ensor, James, 1860-1949 --- Kritiek en interpretatie --- Painting, Belgian --- Modernism (Art) --- Art appreciation. --- Peinture belge --- Painting, Belgian. --- Authorship. --- Criticism and interpretation. --- Written works. --- Critique et interprétation. --- Écrits. --- 1800-1999. --- Belgian painting --- La Plume (1911-1914) --- Les Vingt (1883-1893) --- briefwisseling --- modernisme --- satire --- De Maeyer, Marcel --- De Ridder, André --- Demolder, Eugène --- Fraenger, Wilhelm --- Galenson, David --- Haesaerts, Paul --- Legrand, Francine-Claire --- Lemmen, Georges --- Ostaijen, Paul van --- Redon, Odilon --- Rembrandt van Rijn --- Vanbeselaere, Walther --- Verhaeren, Emile --- 19de eeuw --- 20ste eeuw --- Ensor, James Sydney --- Ensor, James Sydney Edouard --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis) --- van Ostaijen, Paul --- Rembrandt --- Les Vingt (1883-1893). --- La Plume (1911-1914). --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis). --- kunstkritiek. --- briefwisseling. --- modernisme. --- Ensor, James. --- Demolder, Eugène. --- Verhaeren, Emile. --- van Ostaijen, Paul. --- De Ridder, André. --- Fraenger, Wilhelm. --- Galenson, David. --- Redon, Odilon. --- Lemmen, Georges. --- Legrand, Francine-Claire. --- Vanbeselaere, Walther. --- Haesaerts, Paul. --- De Maeyer, Marcel. --- Rembrandt. --- 19de eeuw. --- 20ste eeuw. --- verzameling Elizabeth II (koningin van Engeland). --- verzameling Koninklijke Collectie Groot-Brittannië (Windsor-Londen). --- Windsor Castle. --- tekeningen.

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