Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website

photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Face in art --- Portrait photography --- 77.041.5 --- 77 <064> --- 778 --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 778 Fotografie--Bijzondere toepassingen --- Fotografie--Bijzondere toepassingen --- 77.041.5 Fotografie--Portretfotografie --- Fotografie--Portretfotografie --- Exhibitions --- Photography --- perception --- commercial portraiture --- portraits --- portretfotografie --- portretten --- waarneming

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Photography --- Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Fotografie [Techniek ] --- Kunstfotografie --- Photographie [Technique ] --- Photographie artistique --- Photography [Artistic ] --- Photography [Technique ] --- Photography, Artistic --- Digital techniques --- Academic collection --- #SMV:sport --- #SMV:000001 --- #SMV:kunst --- #SMV:België --- fotografie --- eenentwintigste eeuw --- België --- Vanvolsem Maarten --- fotografische techniek --- beweging --- dansfotografie --- 77.071 VANVOLSEM --- 778 --- Fotografie--Bijzondere toepassingen --- 778 Fotografie--Bijzondere toepassingen --- Digital photography --- Digital electronics --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- departement Beeldende Kunst 11 --- Photography - Digital techniques

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"After photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the possibilities created by digital innovations and to use them to understand our rapidly changing world. Ritchin investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualise the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation. In the tradition of John Berger and Susan Sontag, Ritchin analyses photography's failings and reveals untapped potentials for the medium

Photography --- Digital electronics --- Digital techniques --- Social aspects. --- Social aspects --- Digital techniques. --- fotografie --- digitale fotografie --- nieuwe media --- digitale cultuur --- media --- eenentwintigste eeuw --- fotografiegeschiedenis --- beeldmanipulatie --- propaganda --- internet --- virtual reality --- virtuele realiteit --- cybercultuur --- reportagefotografie --- fotojournalistiek --- persfotografie --- amateurfotografie --- 77.01 --- 681.3*J5 --- 778 --- Fotografie--Semiotiek van de fotografie. Theorie --- Arts and humanities (Computer applications) --- Fotografie--Bijzondere toepassingen --- 778 Fotografie--Bijzondere toepassingen --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- digital media --- digital photography [digital camera] --- beeldcultuur --- Mass communications --- Digital photography --- Digital circuits --- Digital techniques (Electronics) --- Electronic systems --- Electronics --- Photography - Digital techniques --- Photography - Social aspects. --- Digital electronics - Social aspects