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Photographic criticism --- Photography --- Social aspects. --- fotografie --- fotografietheorie --- twintigste eeuw --- seriële fotografie --- fotografie en maatschappij --- Steichen Edward --- Frank Robert --- Becher Bernd --- Becher Hilla --- Becher Bernd & Hilla --- 77.036 --- Photography criticism --- Criticism --- Social aspects --- Photography - Social aspects.

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Catalogues d'expositions --- Fotografie --- Photographie --- Tentoonstellingscatalogi --- Photography, Artistic --- Photographie artistique --- Exhibitions --- Expositions --- Musée de la photographie (Charleroi, Belgium) --- Catalogs. --- 77 <064> --- fotografie --- twintigste eeuw --- kunst en maatschappij --- fotografie en maatschappij --- Adal --- Calvo Pepe --- Charlier Jacques --- Farrell Rose --- Parkin George --- Gilbert & George --- Gray Colin --- Jurado Carlos --- Krims Les --- Michals Duane --- Piérart Pol --- Padula Warren --- Sherman Cindy --- Stern Grete --- van den Boom Herman --- Warhol Andy --- 77.03 --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Musée de la photographie (Charleroi, Belgium)

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Spanning from the late 19th century to the present with images produced for scientific and artistic contexts, Picture Industry includes the work of more than 70 artists and practitioners. An essential anthology of historical and theoretical texts, it reflects upon transformations in the production and distribution of photographic images as realized through its varied constructions of the corporeal, from its origin as a scientific tool and a means of cultural investigation to its phenomenological effects on the viewer. It complexifies traditional accounts of the medium, drawing on its application within science and the humanities to contemporary art. Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media.Picture Industry brings together essays by, among others, Giorgio Agamben, Cory Arcangel, Ariella Azoulay, Roland Barthes, Georges Bataille, Ericka Beckman, Walter Benjamin, Georges Didi-Huberman, Harun Farocki, Morgan Fisher, Vilém Flusser, Coco Fusco, Tristan Garcia, Octavio Getino and Fernando Solanas, Mark Godfrey, Dan Graham, Friedrich A. Kittler, Boris Mikhailov, Craig Owens, Erwin Panofsky, Seth Price, Siegfried Kracauer, Rosalind Krauss, Etienne-Jules Marey, Martha Rosler, Hito Steyerl, William Henry Fox Talbot, Gilles de la Tourette and Alan Turing.

Photography --- image-making processes and techniques --- image processing --- Graphics industry --- reproductions --- anno 1800-1999 --- anno 2000-2099 --- Grafische industrie --- Fotografie --- beeldvervaardigingsprocedés en -technieken --- digitale beeldbewerking --- reproducties --- Images, Photographic --- fotografie --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografiegeschiedenis --- fotografietheorie --- kunsttheorie --- film --- filmtheorie --- kunst en politiek --- activisme --- 7.039 --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Photographs --- History --- Philosophy --- Exhibitions --- reproductions [derivative objects] --- Technologie et art --- Image --- Iconographie --- Sociologie de la communication --- Analyse de l'art --- Fotografie. --- Illustration. --- Image processing. --- Printing processes --- Printing processes. --- Illustration of books --- Fotografie en maatschappij --- Beshty, Walead °1976 (°Londen, VK) --- Fotografie ; geschiedenis ; 19de en 20ste eeuw --- Reproductietechnieken; digitale technieken --- Fotografie ; theorie ; het gefotografeerde onderwerp ; model --- Fotografie ; theorie ; beschouwing ; analyse --- 77(091) --- 77.01 --- Fotografie ; geschiedenis --- Fotografie ; theorie, filosofie, esthetica