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Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of the Hungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the verbunkos idiom, rich and artful in itself, interactedin myriad ways with Liszt's multiple cultural identities, compositional techniques, and modernist aesthetics. Even supposedly familiar works such as the Rhapsodies emerge in a new light, and more startlingly, we find out how the idiom inhabits and shapes works that bear no outward marks of nationality or ethnicity. Particularly surprising is its role in the famously enigmatic compositions of Liszt's old age, such as Nuages gris and Bagatelle sans tonalit�.

We are pleased to announce that Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition is one of twowinners of the 2014 Alan Walker Book Award, given by the American Liszt Society.

Shay Loya is a Lecturer at City University London and is a board member of the Society for Music Analysis (UK).

Romanies --- Music --- Cross-cultural studies --- Bohemians (Romanies) --- Gipsies --- Gitanos --- Gypsies --- Kalderash --- Manush --- Roma (People) --- Romani --- Sinti --- Nomads --- Comparison of cultures --- Inter-cultural studies --- Intercultural studies --- Trans-cultural studies --- Transcultural studies --- Culture --- Ethnology --- Social sciences --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Folk-songs, Gipsy --- Folk-songs, Gypsy --- Gipsy music --- Gypsy music --- Roma music --- Sinti music --- Flamenco music --- History and criticism --- Methodology --- Liszt, Franz, --- Criticism and interpretation --- Hungary --- Macaristan --- Vengerskai︠a︡ Narodnai︠a︡ Respublika --- Magyar Népköztársaság --- Ungern --- Magyar Tanácsköztársaság --- Hungarian Republic --- Magyar Köztársaság (Republic) --- Oungaria --- Unkari --- Ungarn --- Hongrie --- Ungaria --- Ungheria --- Hungría --- Magyarország (Republic) --- Maďarsko --- Węgry --- Vengrii︠a︡ --- Hongarije --- VNR --- V.N.R. --- Hungaryah --- Hungari --- Hŏnggari --- Ungarii︠a︡ --- Republic of Hungary --- Hongaria --- Hongarye --- Republiek van Hongarye --- Macarıstan Respublikası --- Венгрыя --- Venhryi︠a︡ --- Mađarska --- Republika Mađarska --- Унгария --- Унгарската република --- Ungarskata republika --- Hongria --- República d'Hongria --- Republikang Unggaro --- Unggriya --- Mad̕arská republika --- Republica Ungrese --- Hwngari --- Gweriniaeth Hwngari --- Republik Ungarn --- Ungari --- Ungari Vabariik --- Ουγγαρία --- Δημοκρατία της Ουγγαρίας --- Dēmokratia tēs Oungarias --- República de Hungría --- Hungario --- Hungarujo --- Hungara Respubliko --- Hungaria --- Hungariar Errepublika --- Hungariako Errepublika --- Tjóðveldið Ungarn --- République de Hongrie --- Ungáir --- Poblacht na hUngáire --- Ungaar --- Pobblaght ny h-Ungaar --- 헝가리 --- Hunakalia --- Republik Hongaria --- Ungverjaland --- Lýðveldið Ungverjaland --- הונגריה --- אונגארן --- Мажарстан --- Mazharstan --- Мажарстан Республикасы --- Mazharstan Respublikasy --- Венгрия --- Венгрия Республикасы --- Vengrii︠a︡ Respublikasy --- Jamhuri ya Hungaria --- Madjaristan --- Repúvlika de Madjaristan --- רפובליקא דא מאגיאדיסטאן --- מאגיאדיסטאן --- Маджар --- Madzhar --- Маджар Республика --- Madzhar Respublika --- Respublica Hungarica --- Ungārija --- Ungārijas Republika --- Vengrija --- Vengrijos respublika --- Ungaïa --- Ungri --- Унгарија --- Република Унгарија --- Republika Ungarija --- Ungerija --- Hanekeria --- Унгар --- Ungar --- Tlācatlahtohcāyōtl Hungria --- Hongaarse Republiek --- ハンガリー --- Hangarī --- Hungrii --- Republikken Ungarn --- Ongria --- Republica d'Ongria --- Vengriya --- Vengriya Respublikasi --- Republika Węgierska --- República da Hungria --- Republica Ungară --- Republica Ungaria --- Венгерская Республика --- Vengerskai︠a︡ Respublika --- Lepulika o Hungary --- Republika e Hungarisë --- Unghirìa --- Madžarska --- Republika Madžarska --- Madźary --- Мађарска --- Република Мађарска --- Unkarin tasavalta --- Republiken Ungern --- Unggarya --- Republika ng Unggarya --- Majarstan Jȯmḣu̇rii︠a︡te --- Majoriston --- Macaristan Cumhuriyeti --- Угорщина --- Uhorshchyna --- Мадярщина --- Madi︠a︡rshchyna --- Угорська Республіка --- Uhorsʹka Respublika --- Oгорська Республіка --- Ohorsʹka Respublika --- Ongiri --- Oonguri --- Republik bu Oonguri --- Honharije --- Vengrėjė --- Vengrėjės Respoblėka --- 匈牙利 --- Xiongyali --- 匈牙利共和國 --- Xiongyali gong he guo --- Xiongyali Gongheguo --- Austro-Hungarian Monarchy --- History and criticism. --- Criticism and interpretation. --- Liszt, Franz --- List, Frant︠s︡, --- Liszt, Ferenc, --- Liszt, F. --- Liszt, Franciszek, --- List, Ferent︠s︡, --- Liszt, Francesco, --- Lists, F., --- Liszt, Ferencz, --- Liszt, Francisco, --- Franz Liszt. --- Hungarian Rhapsodies. --- cultural identities. --- modern technology. --- modernism. --- modernist aesthetics. --- music analyses. --- transcultural approach. --- verbunkos.