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춘향전의 비밀 = Mystery of the tale of Chun-hyang
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ISBN: 8952103297 9788952103291 Year: 2001 Publisher: Seoul: Seoul national university press,

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Since its original version was created, Chunhyangjeon, or the Tale of Chunhyang, has been re-created in various art forms for 360 years. To this day, the identity of the writer of Chunhyangjeon has remained unknown. To solve this mystery, the author examined references and analyzed common events and background found in different versions. Based on this, the author concluded Jo Gyeongnam(1570~1641) was the original writer of Chunhyangjeon. Of woodblock-printed editions of Chunhyangjeon, the most representative text of the highest refinement is the Wanpan 84 Jangbon.


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Broken Voices : postcolonial entanglements and the preservation of Korea's central folksong traditions
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Year: 2017 Publisher: Honolulu : University of Hawaiʻi Press,

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Broken Voices is the first English-language book on Korea's rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO's Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and raises an important issue of cultural preservation--traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome but imperative.


Book
Broken Voices : postcolonial entanglements and the preservation of Korea's central folksong traditions
Author:
Year: 2017 Publisher: Honolulu : University of Hawaiʻi Press,

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Abstract

Broken Voices is the first English-language book on Korea's rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO's Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and raises an important issue of cultural preservation--traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome but imperative.


Book
Broken Voices : postcolonial entanglements and the preservation of Korea's central folksong traditions
Author:
Year: 2017 Publisher: Honolulu : University of Hawaiʻi Press,

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Abstract

Broken Voices is the first English-language book on Korea's rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO's Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and raises an important issue of cultural preservation--traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome but imperative.


Book
Han'guk ŭi minsok ŭmak.
Author:
ISBN: 8971050683 9788971050682 8971050691 9788971050699 Year: 1993 Publisher: Kyŏnggi-do Sŏngnam-si : Han'guk Chŏngsin Munhwa Yŏn'guwŏn,

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Book
Broken Voices : Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions
Authors: ---
ISBN: 0824878337 0824866665 0824866681 0824866657 0824876849 9780824876845 9780824878337 9780824866662 9780824866686 Year: 2017 Publisher: Honolulu : University of Hawaiʻi Press,

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Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative.

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