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Rethinking Postmodernism(s) revisits three historical sites of American literary postmodernism: the early postmodernism of Thomas Pynchon's V. (1961), the emancipatory postmodernism of Toni Morrison's Beloved (1987), and the late or post-postmodernism of Jonathan Safran Foer's Everything Is Illuminated (2002). For the first time, it confronts these texts with the pragmatist philosophy of Charles Sanders Peirce, staging a conceptual dialogue between pragmatism and postmodernism that historicizes and recontextualizes customary readings of postmodern fiction. The book is a must-read for all interested in current reassessments of literary postmodernism, in new critical dialogues between seminal postmodern texts, and in recent attempts to theorize the ‘post-postmodern' moment...Back cover.
Pynchon, Thomas --- Peirce, Charles Sanders --- Foer, Jonathan Safran --- Morrison, Toni --- American fiction --- Postmodernism (Literature) --- Pragmatism. --- History and criticism. --- Peirce, Charles S. --- Pynchon, Thomas. --- Morrison, Toni. --- Foer, Jonathan Safran, --- 82.015.9 --- Literaire stromingen: postmodernisme --- 82.015.9 Literaire stromingen: postmodernisme --- United States --- Foer, Jonathan --- Criticism and interpretation --- 20th century --- History and criticism --- Postmodernisme et littérature --- Littérature américaine --- États-Unis --- 20e siècle --- Histoire et critique
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He destroys in order to create. In a sweeping critique of the field, Benjamin Schreier resituates Jewish Studies in order to make room for a critical study of identity and identification. Displacing the assumption that Jewish Studies is necessarily the study of Jews, this book aims to break down the walls of the academic ghetto in which the study of Jewish American literature often seems to be contained: alienated from fields like comparative ethnicity studies, American studies, and multicultural studies; suffering from the unwillingness of Jewish Studies to accept critical literary studies as a legitimate part of its project; and so often refusing itself to engage in self-critique. The Impossible Jew interrogates how the concept of identity is critically put to work by identity-based literary study. Through readings of key authors from across the canon of Jewish American literature and culture—including Abraham Cahan, the New York Intellectuals, Philip Roth, and Jonathan Safran Foer—Benjamin Schreier shows how texts resist the historicist expectation that self-evident Jewish populations are represented in and recoverable from them. Through ornate, scabrous, funny polemics, Schreier draws the lines of relation between Jewish American literary study and American studies, multiethnic studies, critical theory, and Jewish Studies formations. He maintains that a Jewish Studies beyond ethnicity is essential for a viable future of Jewish literary study.
Jews --- Jewish literature --- Identity, Jewish --- Jewish identity --- Jewishness --- Jewish law --- Jewish nationalism --- Judaica --- Hebrew literature --- Identity. --- History and criticism. --- Ethnic identity --- Race identity --- Legal status, laws, etc. --- Literature --- Foer, Jonathan Safran, --- Roth, Philip --- Cahan, Abraham, --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- Roth, Philip Milton --- Ḳahan, Abraham, --- Ḳahan, Ab. --- טהאמאשעווסקי, ב., --- קאהאן, אב --- קאהאן, אברהם, --- קאהאן, אב., --- קאהאן, א. --- קאהאן, א., --- Criticism and interpretation. --- Rʺut, Bhilip --- Рот, Филип --- Rot, Filip --- רות, פיליפ --- ロス, フィリップ --- United States --- History and criticism --- Identity --- Cahan, Abraham --- Criticism and interpretation --- Foer, Jonathan Safran --- Фоер, Джонатан Сафран
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"Postmodernism, deconstruction and subversion have been the buzzwords of the last few decades. But not any longer. Ever since the end of the millennium an increasingly perceptible desire to turn towards other concerns can be noted. Only, what comes after postmodernism? Where are we going now? Irmtraud Huber suggests some answers to these questions, focusing on novels by Michael Chabon, Mark Z. Danielewski, Jonathan Safran Foer and David Mitchell and highlighting the ways in which they go beyond postmodernism and turn from deconstruction to reconstruction. Approaching the question from an unusual direction by exploring the novelists' particular use of the fantastic mode, this book offers both further insights into the present aesthetic shift and a new perspective on the literary fantastic"--
English literature --- Fiction --- Literary semiotics --- anno 1900-1999 --- anno 2000-2099 --- Experimental fiction, American --- Experimental fiction, English --- Post-postmodernism (Literature) --- American fiction --- English fiction --- Literary criticism --- History and criticism. --- European --- English, Irish, Scottish, Welsh. --- Semiotics & Theory. --- Danielewski, Mark Z. --- Chabon, Michael. --- Foer, Jonathan Safran, --- Mitchell, David --- Post-postmodernism (Literature). --- Mitchell, David.
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Mark Twains Huck Finn ist lange Zeit die Ausnahme; dann werden Texte, in denen Kinder-Erzähler als Vermittler ihrer eigenen Geschichte auftreten, zahlreicher. In der erzählenden Literatur des ausgehenden 20. und beginnenden 21. Jahrhunderts ergreift das Kind immer häufiger das Wort. Im Fokus dieser Untersuchung stehen Romane, in denen eine besonders komplexe strukturelle und hermeneutische Beziehung zwischen Autor, Kinder-Erzähler und Rezipient aufgebaut wird. Die Arbeit nähert sich solchen kindlichen Erzählern schrittweise an: Zunächst werden (literatur-)wissenschaftliche und literarische Diskursräume ausgelotet, in denen dem Kind eine entscheidende Rolle zukommt und die unser Denken vom ‚Kindsein‘ bis heute bestimmen. Zahlreichen Beispielen aus der internationalen Literatur folgt eine eingehende Betrachtung dreier Romane des italienischen, amerikanischen und deutsch-rumänischen Kulturraums. An Texten von Niccolò Ammaniti, Jonathan Safran Foer und Aglaja Veteranyi werden ästhetische und narrative Gemeinsamkeiten und Unterschiede herausgearbeitet. Auf scheinbar naiv-direkte Weise erzählen die Figuren Befremdliches, Verstörendes und Unfassbares wie Krieg, Terror und Missbrauch. Die Arbeit untersucht die Inszenierungsformen einer solchen Erzählhaltung, um deren poetologische Bandbreite und gesellschaftliche Dringlichkeit aufzuzeigen.
Enfants --- Point de vue (littérature) --- Narration --- Dans la littérature --- Foer, Jonathan Safran, --- Erzähler (Motiv) --- Erzählperspektive. --- Kind (Motiv) --- Roman. --- Vergleichende Literaturwissenschaft. --- Ammaniti, Niccolò, --- Veteranyi, Aglaja, --- 1561: Hardcover, Softcover / Allgemeine und Vergleichende Sprachwissenschaft --- Paperback / softback --- Erzähler (Motiv). --- Kind (Motiv). --- Narration. --- Dans la littérature.
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Narrative Innovation in 9/11 Fiction explores fiction that experiments in innovative ways with formal strategies so as to engage with the 9/11 terrorist attacks on the World Trade Center towers and their repercussion. This study demonstrates how certain novels create narratives about the 9/11 attacks that refuse to shy away from exploring and representing their difficult and problematic aspects and, in fact, insist on doing so as the only means of coming to terms with the events in all their cultural and historical specificity. As such, these texts implicitly advocate a notion of literature as a dynamic negotiation of the relationship between aesthetics, ethics, politics, culture, and history. Indeed, they assert and reassert the viability of literature as a mode of critical inquiry that can engage and contribute to the socio-political debates of its time and to the construction of narratives about significant historical and cultural events.
September 11 Terrorist Attacks, 2001, in literature. --- Foer, Jonathan Safran, --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- 820 "20" --- 820 "20" Engelse literatuur--21e eeuw. Periode 2000-2099 --- Engelse literatuur--21e eeuw. Periode 2000-2099 --- September 11 Terrorist Attacks, 2001, in literature --- Фоер, Джонатан Сафран
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Postmodernism Literature and Race explores the question of how dramatic shifts in conceptions of race in the late twentieth and early twenty-first centuries have been addressed by writers at the cutting edge of equally dramatic transformations of literary form. An opening section engages with the broad question of how the geographical and political positioning of experimental writing informs its contribution to racial discourses, while later segments focus on central critical domains within this field: race and performativity, race and the contemporary nation, and postracial futures. With essays on a wide range of contemporary writers, including Bernadine Evaristo, Alasdair Gray, Jhumpa Lahiri, Andrea Levy, and Don DeLillo, this volume makes an important contribution to our understanding of the politics and aesthetics of contemporary writing.
Littérature post-coloniale --- Littérature postcoloniale --- Littératures postcoloniales --- Post-modernisme (Littérature) --- Postcolonialism in literature --- Postcolonialisme dans la littérature --- Postcolonialité littéraire --- Postkolonialisme in de literatuur --- Postmodernism (Literature) --- Postmodernisme (Literatuur) --- Postmodernisme (Littérature) --- Poésie postcoloniale --- Race dans la littérature --- Race in literature --- Ras in de literatuur --- Roman postcolonial --- Théâtre postcolonial --- Postmodernisme et littérature --- Postcolonialisme --- Race --- Anthologies --- Dans la littérature --- Reed, Ishmael --- Criticism and interpretation --- O'Connor, Flannery Mary --- Major, Clarence --- Mailer, Norman --- Foer, Jonathan Safran --- DeLillo, Don --- Wallace, David Foster --- Anthologies. --- Postmodernisme et littérature. --- Dans la littérature. --- Literary movements --- Literature, Modern --- E-books --- Race in literature. --- Postcolonialism in literature.
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Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of »performative authorship« by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of »performative authorship«. »Longolius [hat] einen Grundstein gelegt, dem eine weitere Auseinandersetzung mit den Beispielen in historischer Hinsicht folgen sollte.« Janneke Schoene, www.arthist.net, 22.11.2016
American Art. --- American Studies. --- Art History of the 20th Century. --- Art. --- Cultural Studies. --- Fine Arts. --- Literary Studies. --- Literature. --- Performance Studies. --- Autorschaft --- LITERARY CRITICISM / American / General. --- Verfasserschaft --- Verfasserschaftsfrage --- Verfasserfrage --- Unechtes Werk --- Zuschreibung --- Auster, Paul, --- Calle, Sophie --- Ḳal, Sofi --- קאל, סופי --- Auster, Paul --- Auster, P. --- Criticism and interpretation. --- Authorship in literature. --- Authorship. --- Performative (Philosophy) --- Performativity (Philosophy) --- Language and languages --- Methodology --- Philosophy --- Semantics (Philosophy) --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Foer, Jonathan Safran, --- Breitz, Candice --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- אוסטר, פול, --- 奥斯特, --- Benjamin, Paul, --- Authorship in literature --- Authorship --- Authorship; Art; Literature; Performance Studies; Cultural Studies; Literary Studies; American Studies; Art History of the 20th Century; American Art; Fine Arts --- Фоер, Джонатан Сафран
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Rethinking Postmodernism(s) revisits three historical sites of American literary postmodernism: the early postmodernism of Thomas Pynchon’s V. (1961), the emancipatory postmodernism of Toni Morrison’s Beloved (1987), and the late or post-postmodernism of Jonathan Safran Foer’s Everything Is Illuminated (2002). For the first time, it confronts these texts with the pragmatist philosophy of Charles Sanders Peirce, staging a conceptual dialogue between pragmatism and postmodernism that historicizes and recontextualizes customary readings of postmodern fiction. The book is a must-read for all interested in current reassessments of literary postmodernism, in new critical dialogues between seminal postmodern texts, and in recent attempts to theorize the ‘post-postmodern’ moment.
Postmodernism (Literature) --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Foer, Jonathan Safran, --- Morrison, Toni. --- Peirce, Charles S. --- Pynchon, Thomas. --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- Pinchon, Tomas --- Chaersi Sangdesi Piersi, --- Peirce, C. S. --- Peirce, Charles Sanders, --- Peirce, Charles Santiago Sanders, --- Pirs, Charlz S., --- Pʻo-erh-ssu, --- Pʻo-erh-ssu, Chʻa-li-ssu, --- Purs, Charls, --- Morrisonová, Toni --- Wofford, Chloe Anthony --- United States. --- AB --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērik --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené staty americk --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheirice --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA --- American fiction --- History and criticism. --- Пърс, Чарлс, --- 查尔斯·桑德斯·皮尔斯, --- Pynchon, Thomas --- Morrison, Toni --- מוריסון, טוני --- Фоер, Джонатан Сафран
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