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Book
Raw Flows. Fluid Mattering in Arts and Research
Authors: --- --- --- --- --- et al.
ISSN: 1866248X ISBN: 3110525992 9783110525991 3110523957 9783110523959 9783110523959 Year: 2017 Publisher: Berlin Boston

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Abstract

Das Fluide ist ebenso ein Phänomen wie eine Materialeigenschaft. Von besonderem Interesse ist, wie Aspekte des Fluiden den aktiven und direkten Umgang mit Materialien beeinflussen und wie sich seine charakteristischen Züge in experimentelle Praxen und Denkmuster einschreiben. Der Antrieb der Auseinandersetzung mit dem Fluiden als Garant des Werdens und als Bedingung jeglicher Prozessualität stammt aus dem Kunst-basierten Forschungsprojekt "Liquid Things". Aufgrund des weitreichenden Spektrums des Themas wurde der Ansatz zu einem transdisziplinären Projekt ausgeweitet: Mit dem Ziel einer Grammatik der beweglichen Materialien lotet das Buch unter Einbeziehung von Wissenschaftstheorie, Hydrodynamik oder Kulturwissenschaften die Rolle des Fluiden in Erfahrungs- und Erkenntnisprozessen aus. The word 'fluid' describes a phenomenon as well as a material property. Of special interest is how aspects of fluidity influence the active and direct handling of materials and how its special characteristics are expressed in experimental practices and thinking patterns. The motivation for focusing on fluidity as a prerequisite for 'becoming' and the nature of processes originated from the art-based 'Liquid Things' research project. As this subject covers a very wide spectrum, the approach was modified to allow the participation of several disciplines; the book draws on the philosophy of science, hydrodynamics, and the cultural sciences, and focuses on the role of fluidity in cognitive and experience processes with the aim of establishing a grammar of 'movable' materials.


Book
Humorality in Early Modern Art, Material Culture, and Performance
Authors: ---
ISBN: 3030776182 3030776174 Year: 2021 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012).

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