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Experimental films --- Motion pictures --- Avant-garde (Aesthetics) --- kunst --- film --- experimentele film --- animatie --- twintigste eeuw --- Fischinger Oskar --- abstractie --- schilderkunst --- 791.471 FISCHINGER --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- History --- Aesthetics --- History and criticism --- Fischinger, Oskar, --- Exhibitions --- Avant-garde. --- Fischinger, Oskar --- Audio-visual materials --- Mass media --- Performing arts --- Video art --- Abstraction --- Avant-garde --- Film --- Film d'animation --- Cinéma --- Cinéma expérimental --- Cinéma, histoire --- Art abstrait
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Ce nouveau volet est inspiré de l’esprit de jubilation insufflé par la performance Musicircus, réalisée en 1967 par John Cage, qui souhaitait « rapprocher les unes des autres toutes les musiques qui sont ordinairement séparées ». L’exposition propose ainsi une relecture de l’histoire de l’art à travers le prisme musical, posant les jalons de quelques grands courants artistiques qui ont marqué l’art moderne et contemporain. Du début du xxe siècle à nos jours, le parcours interroge la pratique d’artistes célèbres – musiciens amateurs (Vassily Kandinsky jouait du violon) ou mélomanes (Sol LeWitt possédait des centaines d’enregistrements dans sa collection) – dont l’œuvre a été influencé par la musique. Après avoir souligné le caractère primordial de la notion de rythme dans la naissance de l’abstraction, puis les concordances entre musicalité et mouvement, l’exposition évoque les correspondances entre écritures plastiques et musicales à l’aube du minimalisme. Parmi les chefs-d’œuvre présentés à cette occasion, la toile La Noce de Marc Chagall, la reconstitution du « Salon de réception » par Vassily Kandinsky pour l’exposition de la Juryfreie Kunstschau au Glaspalast de Berlin en 1922, véritable symphonie dans l’espace, ou encore le majestueux mobile d’Alexander Calder, 31 janvier, déploient leur poésie dans la Grande Nef. De riches ensembles documentaires – partitions, vidéos, photographies, écrits théoriques ou poétiques, dessins préparatoires, etc. – ponctuent la visite en offrant une immersion au cœur du processus créatif. La musique qui a nourri l’imaginaire des artistes accompagne cette déambulation, invitant à composer au gré de ses envies une visite sensible. La Grande Nef devient ainsi un laboratoire de la création sous toutes ses formes, rythmé par un programme de performances et de concerts au cœur de l’exposition. Un catalogue accompagne l’exposition. Une ballade audioguidée enrichie de documents vidéos et sonores, ainsi qu’un jeu de pistes ludique destiné au jeune public, sont également proposés sur la nouvelle application du Centre Pompidou-Metz, inaugurée à l’occasion de l’exposition Musicircus.
art [fine art] --- Art --- Musée national d'art moderne [Paris] --- anno 1900-1999 --- Exposition --- Art contemporain --- Chagall, Marc --- Kandinsky, Wassily --- Baranov-rossine, Vladimir --- Duchamp, Marcel --- Kupka, Frantisek --- Fischinger, Oskar --- Delaunay, Robert --- SchÖffer, Nicolas --- Calder, Alexander, --- Klein, Yves --- Moorman, Charlotte --- Arman --- Beuys, Joseph --- Oldenburg, Claes --- Wyn Evans, Cerith --- Wilson --- Lewitt, Sol --- Centre Pompidou (Metz) --- Musée National d'Art Moderne (Parijs) --- muziek --- abstracte kunst --- ballet --- film --- 20ste eeuw --- 21ste eeuw --- Schöffer, Nicolas, --- abstracte, niet-figuratieve kunst --- ballet; balletvoorstelling --- Schöffer, Nicolas, 1912-1992 --- Calder, Alexander, 1898-1976 --- Wilson Robert --- Centre Pompidou (Metz). --- Musée National d'Art Moderne (Parijs). --- muziek. --- abstracte kunst. --- ballet; balletvoorstelling. --- film. --- Kandinsky, Wassily. --- 20ste eeuw. --- 21ste eeuw. --- art [discipline]
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kunst --- licht --- lichtkunst --- installaties --- neon --- twintigste eeuw --- eenentwintigste eeuw --- Acconci Vito --- Ackermann Franz --- Agam Yaacov --- Anceschi Giovanni --- Armleder John M --- Biasi Alberto --- Bonacic Vladimir --- Boriani Davide --- Bulloch Angela --- Colombo Gianni --- Conrad Tony --- De Vecchi Gabriele --- Eggeling Viking --- Eliasson Olafur --- Emin Tracey --- Fischinger Oskar --- Flavin Dan --- Fleury Sylvie --- Fontana Lucio --- Gerstner Karl --- Hadid Zaha --- Herold Georg --- Höller Carsten --- Holzer Jenny --- Kelley Mike --- Kippenberger Martin --- Le Parc Julio --- Luther Adolf --- Mack Heinz --- McCall Anthony --- Merz Mario --- Moholy-Nagy Laszlo --- Morellet François --- Nauman Bruce --- Pesanek Zdenek --- Piene Otto --- Rhoades Jason --- Ruttmann Walter --- Schöffer Nicolas --- Sharits Paul --- Turrell James --- Uecker Günther --- Vasulka Woody --- Wilfred Thomas --- Evans Cerith Wyn --- 7.038/039 --- 7.048.3 --- Beeldende kunst ; met kunstlicht als medium --- Licht ; neon --- Kinetische kunstobjecten --- Lichtkunst ; 20ste en 21ste eeuw --- Installaties ; met ruimte en licht --- Gevelverliching --- Iconografie ; licht, beweging, kleur --- Exhibitions --- verlichting (kunst) --- hedendaagse kunst --- light [energy] --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Light art --- Light sculpture --- Light works (Art)
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Featuring 50 seminal short films by key animators from around the world, this book discusses the work of early pioneers such as Oskar Fischinger and Jan Svankmajer as well as contemporary animators such as Larry Cuba, Tim Hope and Run Wrake. All of the films included are independently produced personal work. Most of the featured directors make a living in commercial animation but, freed from the constraints of a client brief, they use their short films to experiment with new ideas and techniques, many of which subsequently find their way into commercial applications. Labors of love, these films can take years to complete - each second of the film may consist of up to 25 frames of animation. Grouped according to four main themes, all forms of animation are covered, including 2D, 3D, Claymation, stop frame and web/Flash animation. Each project is accompanied by a 500-word review including comments from the director. Details of software and method along with the internet address of the production company are given in the technical credits.(deuxième de couverture)
Animation 3d --- Film d'animation --- film --- filmgeschiedenis --- animatie --- computerkunst --- digitale kunst --- Lye Len --- Alexeieff Alexander --- Parker Claire --- Brakhage Stan --- Stehura John --- Engel Jules --- Emshwiller Ed --- Sims Karl --- Kawaguchi Yoichiro --- Russell Erica --- Paterson James --- Pitaru Amit --- Insertsilence --- Glabicki Paul --- Bute Mary Ellen --- geluid --- Fischinger Oskar --- VanDerBeek Stan --- experimentele film --- McLaren Norman --- Cuba Larry --- Kendle Dylan --- Satoshi Tomioka --- Hope Tim --- Brothers Quay --- Quay Brothers --- Rutterford Alexander --- Pleix --- Gauckler Geneviève --- Deslandes Jean-Pilippe --- Hoogerbrugge Han --- Chansay Jean-Luc --- Svankmajer Jan --- Griffin George --- Leaf Caroline --- Norstein Yuri --- Panushka Christine --- Back Frédéric --- Hilton Stuart --- Hunt Philip --- Driessen Paul --- Bush Paul --- Hodgson Jonathan --- Yilmaz Lev --- Hardstaff Johnny --- Smith Harry --- Khitruk Fedor --- Trnka Jiri --- Khrjanovsky Andrei --- Kinoshita Renzo --- Kinoshita Sayoko --- Shorina Nina --- Lasseter John --- Baker Mark --- Bordo --- Dovnikovic Borivoj --- Kenworthy Richard --- Dudok de Wit Michael --- Templeton Suzie --- Wrake Run --- 791.46 --- 799.91 --- animatiefilm --- kortfilms --- animatiefilm, geschiedenis --- Film --- animatiefilms
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Art styles --- Art --- art [discipline] --- avant-garde --- Abstract [modern European style] --- Constructivist --- Abstract Expressionist --- Merrild, Knud --- Benno, Benjamin --- Bisttram, Emil --- Bolotowsky, Ilya --- Cavanna, Elise --- Cramer, Konrad --- Dawson, Manierre --- Hartley, Marsden --- Diller, Burgoyne --- Drewes, Werner --- Ferren, John --- Fischinger, Oskar --- Garman, Ed --- Grant, Dwinell --- Harris, Lawren Steward --- Jonson, Raymond --- Lewis, Norman --- Lumpkins, William --- Mason, Alice Trumbull --- Pollock, Jackson --- Morris, George Lovett Kingsland --- Pelton, Agnes --- Pierce, Florence --- Pierce, Horace --- Rudhyar, Dane --- Scarlett, Rolph --- Schwartz, William S. --- Seliger, Charles --- Sennhauser, John --- Stern, Lucia --- Stevens, Will Henry --- Walker, Stuart --- Walkowitz, Abraham --- Hofmann, Hans --- Rebay, von, Hilla --- Kandinsky, Wassily --- Gorky, Arshile --- Reinhardt, Ad --- Dove, Arthur Garfield --- Dreier, Katherine Sophie --- O'Keeffe, Georgia --- Wicht, von, John --- Bloch, Albert --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- United States of America
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Iconography --- Art --- Music --- Film --- music [performing arts genre] --- sound [acoustics] --- performance art --- motion pictures [visual works] --- Eggeling, Viking --- Richter, Hans --- Stieglitz, Alfred --- Boyle, Mark --- Single Wing Turquoise Bird --- Beck, Stephen --- Belson, Jordan --- Bernard, Cindy --- Kupka, Frantz --- Brakhage, Stan --- Cuba, Larry --- Hartley, Marsden --- Dockum, Charles --- Fischinger, Oskar --- Hammer, Joseph --- Hills, Joan --- Hirschfeld Mack, Ludwig --- Hirsh, Hy --- Hodges, Jim --- Romero, Elias --- Russell, Morgan --- Sandin, Dan --- Klee, Paul --- Schwerdfeger, Kurt --- Smith, Harry Everett --- Steinkamp, Jennifer --- Torr, Helen --- Valensi, Henry --- Villareal, Leo --- White, Joshua --- Whitney, James --- Whitney, John --- Wilfred, Thomas --- Kandinsky, Wassily --- Picabia, Francis --- Dove, Arthur Garfield --- Baranov-Rossiné, Vladimir Davidovich --- Lye, Len --- Matyushin, Mikhail Vasilievich --- O'Keeffe, Georgia --- Savvas, Nike --- Survage, Léopold --- Čiurlionis, Mikalojus Konstantinas --- McDonald-Wright, Stanton --- Man Ray --- Ruttmann, Walter --- anno 1800-1999 --- anno 1900-1999 --- anno 2000-2099 --- Affective and dynamic functions
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film --- kunst --- precinema --- filmtheorie --- experimentele film --- filmgeschiedenis --- Verenigde Staten --- Groot-Brittannië --- voorgeschiedenis film --- fotografie --- kubisme --- futurisme --- abstracte film --- Art Cinema --- filmgedichten --- absolute film --- dadaïsme --- surrealisme --- Frankrijk --- documentaires --- underground --- structuralisme --- poststructuralisme --- kunst en politiek --- Jarman Derek --- Greenaway Peter --- gender studies --- Ruttmann Walther --- Lye Len --- Fischinger Oskar --- Whitney John --- Whitney James --- Brakhage Stan --- Menken Marie --- Sharits Paul --- Snow Michael --- Gehr Ernie --- Frampton Hollis --- Landow George --- Le Grice Malcolm --- Welsby Chris --- Rybczynski Zbigniew --- Barber George --- Krikorian Tamara --- Dwoskin Stephen --- Goddard Judith --- Keiller Patrick --- Smith John --- Hamlyn Nicky --- Wearing Gillian --- Pfaffanbichler Norbert --- reMI --- Gidal Peter --- Rebello Samantha --- Raban William --- Mirza Karen --- Payne Simon --- Fanderl Helga --- Lowder Rose --- Ono Yoko --- 791.43 --- Cinéma expérimental --- experimentele films --- Experimental films --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- History and criticism. --- 798.4 --- avant-garde --- geschiedenis --- film, geschiedenis der filmkunst --- Films expérimentaux --- Histoire et critique --- Histoire et critique. --- #SBIB:309H1326 --- #SBIB:309H1320 --- #SBIB:39A8 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie
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Film --- video art --- motion pictures [visual works] --- Tinguely, Jean --- Michaux, Henri --- Sherwin, Guy --- Snow, Michael --- Mekas, Jonas --- Paik, Nam June --- Alviani, Getulio --- Bonvicini, Monica --- Ono, Yoko --- Parreno, Philippe --- Duchamp, Marcel --- Schmelzdahin --- Arnold, Martin --- Albers, Josef --- Bartlett, Scott --- Beck, Stephen --- Belson, Jordan --- Haacke, Hans --- Beydler, Gary --- Brakhage, Stan --- Brown, Alex --- Butler, Brad --- Christen, Andreas --- Conrad, Tony --- Ditto, Tom --- Emschwiler, Ed --- Fischinger, Oskar --- Fisher, Morgan --- Frampton, Hollis --- Gioli, Paolo --- Gysin, Brion --- Hein, Wilhelm --- Hein, Wilhelm & Birgit --- Hirsh, Hy --- Jacobs, Ken --- Smithson, Robert --- Krautkrämer, Florian --- Kubelka, Peter --- Lawder, Standish Dyer --- Legrice, Malcolm --- Matter, Max --- McCall, Anthony --- Meier, Dieter --- Mirza, Karen --- Nameth, Ronald --- Neidich, Warren S. --- O'Neill, Pat --- Penny, Evan --- Pfeiffer, Paul --- Renggli, David --- Rey, Georges --- Rimmer, David --- Rovère, Pierre --- Scheugl, Hans --- Schilling, Alfons --- Schwerzmann, Pierre --- Sharits, Paul --- Spinatsch, Jules --- Stehura, John --- Takashi, Ito --- Tscherkassky, Peter --- VanDerBeek, Stan --- Boltanski, Christian --- Vasulka, Steina --- Vasulka, Woody --- Whitney, James --- Yalkut, Jud --- Klein, Yves --- Deren, Maya --- Dalí, Salvador --- Vasarely, Victor --- Breer, Robert C. --- Colombo, Gianni --- Gerstner, Karl --- Megert, Christian --- Morellet, François --- Parc, le, Julio --- Soto, Jesús Rafael --- Yvaral, Jean-Pierre --- Schum, Gerry --- Raetz, Markus --- Graham, Dan --- Kusama, Yayoi --- Eliasson, Olafur --- Turrell, James --- Bayrle, Thomas --- Close, Chuck --- Conner, Bruce --- Kapoor, Anish --- Nauman, Bruce --- Riley, Bridget --- Rist, Pipilotti --- Taylor-Wood, Sam --- Höller, Carsten --- Huyghe, Pierre --- Geiger, Rupprecht --- Hill, Gary --- Kessler, Jon --- Kren, Kurt --- Lye, Len --- Gordon, Douglas --- Zaugg, Remy --- Evans, Cerith Wyn --- Farocki, Harun
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