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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas' mission, joining him in what became known as the ?Photography and Language? movement, named after a book and group exhibition of the same title produced by Thomas in 1976.0Thomas, Phillips and Fischer were all extremely active in the mid to late 1970s. In addition to making their own artwork, they published essays, reviewed shows and organized exhibitions. Under the name NFS Press, Thomas published a number of books designed by Phillips, including 'Structural(ism) and Photography' (1978), which featured Thomas? work; 'Eros and Photography' (1977), which was edited by Phillips, and two books of Fischer?s work: 'Gay Semiotics' (1978) and '18th Near Castro Street x 24' (1979).0Published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 ? August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.00Exhibition: SFMoMA, San Francisco, USA (04.01.-09.08.2020).
Photography, Artistic --- Literature and photography --- Photography --- Photography and literature --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- History --- Exhibitions --- Aesthetics --- fotografie --- Verenigde Staten --- conceptuele fotografie --- conceptuele kunst --- twintigste eeuw --- gender studies --- homoseksualiteit --- Lew Thomas --- Phillips Donna-Lee --- Fischer Hal --- portretfotografie --- zelfportret --- woord en beeld --- fotografiegeschiedenis --- 77.038 --- Photograph collections --- Années 1970 --- Photographie --- Interview --- Thomas, Lew --- Phillips, Donna-Lee, --- Fischer, Hal, --- Phillips, Donna-Lee --- Photography, Artistic - 20th century - Exhibitions --- Literature and photography - Exhibitions --- Photography - California - San Francisco - Exhibitions --- Photograph collections - California - San Francisco - Exhibitions --- Phillips, Donna-Lee, 1941 --- -Fischer, Hal, 1950 --- -Thomas, Lew - Exhibitions --- Thomas, Lew - Interviews --- Phillips, Donna-Lee - Exhibitions --- Fischer, Hal, - 1950- - Exhibitions --- Fischer, Hal, - 1950- - Interviews --- -Thomas, Lew --- Fischer, Hal, - 1950 --- -Fischer, Hal, - 1950 --- -Photography --- kunstgeschiedenis --- anno 1970-1979 --- San Francisco [California]
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer s The Concert ? And what is Susan Meiselas s take on Instagram and the future of online storytelling?Aperture Conversations presents a selection of interviews pulled from Aperture s publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture s booklist, online platform, and Aperture magazine, Aperture Conversations celebrates the artist s voice, collaborations, and the photography community at large.
Photographers --- fotografie --- fotografietheorie --- fotografiegeschiedenis --- fotografen --- twintigste eeuw --- eenentwintigste eeuw --- Adams Robert --- Andujar Claudia --- Bajac Quentin --- Bornstein Kate --- Calle Sophie --- Cartier-Bresson Henri --- Close Chuck --- Cox Renée --- Crewdson Gregory --- Davey Moyra --- Davidson Bruce --- Dean Tacita --- Delpire Robert --- diCorcia Philip-Lorca --- Divola John --- Drucker Zachary --- DuVernay Ava --- Eggleston William --- Fischer Hal --- Fosso Samuel --- Frazier LaToya Ruby --- Galison Peter --- Gefter Philip --- Ginsberg Allen --- Goldberg RoseLee --- Goldblatt David --- Goldin Nan --- Grannan Katy --- Grifftihs Philip Jones --- Hockney David --- Hofman Michael E --- Holman Bob --- Johns Jasper --- Julien Isaac --- Kawada Kikuji --- Killip Chris --- Klein William --- Knight Nick --- Kohei Yoshiyuki --- Koudelka Josef --- Kruger Barbara --- Lê An-My --- Learoyd Richard --- Mann Sally --- Marclay Christian --- Marcoci Roxana --- Mastroianni Marcello --- McCullin Don --- Meiselas Susan --- Mikhailov Boris --- Misrach Richard --- Miyako Ishiuchi --- Moriyama Daido --- Mosse Richard --- Muholi Zanele --- Nash Graham --- Norfolk Simon --- Opie Catherine --- Paglen Trevor --- Papageorge Tod --- Piper Adrian --- Prince Richard --- Ronis Willy --- Rubinfien Leo --- Ruff Thomas --- Salgado Sebastião --- Samaras Lucas --- Schorr Collier --- Shabazz Jamel --- Sherman Cindy --- Shore Stephen --- Simon Taryn --- Soth Alec --- Thomas Mickalene --- Wilkes Tucker Anne --- Wall Jeff --- Weems Carrie Mae --- Welling James --- Young Bradford --- Zaatari Akram --- 77.01 --- Artists --- Photographes
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