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This text is an examination of Cuban diasporic novels since 1980, critically examining the autobiographical elements of the novels and the authors who wrote them. It contributes to studying the particularities of Cuban literature produced by Cuban writers published beyond the nation's boundaries. From the beginning the author defines the difference between diaspora and exile. The text then studies Cuban writers outside of the nation taking into consideration the variations which occur in their life experiences. While studying the authors in three different periodic phases, the author discovers
Cuban fiction -- 20th century -- History and criticism. --- Cuban fiction -- 21st century -- History and criticism. --- First person narrative -- History and criticism. --- Cuban fiction --- First person narrative --- Romance Literatures --- Languages & Literatures --- Spanish Literature --- Narrative, First person --- Fiction --- Literature --- Narration (Rhetoric) --- Cuban literature --- History and criticism --- Technique
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Fondée sur l'analyse de romans sur les dictateurs comme Yo el Supremo d'A. Roa Bastos, The coup de J. Updike ou Une peine à vivre de R. Mimouni, cette étude interroge la dimension éthique de ces fictions centrées sur la subjectivité d'un criminel et s'attache à démontrer que l'expérience de désolation livrée au lecteur constitue la singularité de ces oeuvres. ©Electre 2015
Fiction --- Dictators in literature --- Politics and literature --- First person narrative --- Roman --- Dictateurs dans la littérature --- Politique et littérature --- Récits à la première personne --- History --- Histoire --- Dictatorship in literature --- Power (Social sciences) in literature --- History and criticism --- Dictateurs dans la littérature --- Politique et littérature --- Récits à la première personne --- First person narrative. --- First person narrative - History and criticism --- Fiction - 20th century̨ - History and criticism
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Si le lecteur se pose la question «Est-il je ?», c'est que le romancier la lui souffle en combinant délibérément deux registres incompatibles : la fiction et l'autobiographie. Il donne au héros des traits d'identité qui lui appartiennent en propre. Il sème le paratexte d'indices contradictoires. Il cultive l'ambivalence des citations, des commentaires et des mises en abyme. Il raconte des souvenirs improbables, tantôt à la première, tantôt à la troisième personne. Il se représente en enfant, en adolescent, en écrivain, en voyageur, en amant, en dépression, au tribunal, au confessionnal ou sur le divan... sans jamais dire qui il est. Cette stratégie de l'ambiguïté est constitutive d'un genre littéraire mal connu qui fut d'abord nommé roman personnel, puis roman autobiographique, avant d'être rebaptisé récemment, et hâtivement, autofiction. On tente ici non seulement d'inventorier les procédés qu'il met en oeuvre mais aussi de retracer son histoire, d'expliquer son infortune critique et de comprendre comment il fonctionne. Avec la conviction qu'il détient une part de notre avenir littéraire.
Non-fiction --- Autobiography in literature. --- Point of view (Literature) --- Autobiographie dans la littérature --- Point de vue (Littérature) --- Autobiographical fiction --- First person narrative --- European literature --- Self in literature --- History and criticism --- Autobiographie --- 82-31 --- 82-94 --- Roman --- Dagboek. Memoires. Autobiografie --- Self in literature. --- History and criticism. --- 82-94 Dagboek. Memoires. Autobiografie --- 82-31 Roman --- Autobiographie dans la littérature --- Point de vue (Littérature) --- Narrative, First person --- Fiction --- Literature --- Narration (Rhetoric) --- Persona (Literature) --- Technique --- Autobiographie. --- Autobiographical fiction - History and criticism --- First person narrative - History and criticism --- European literature - History and criticism
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This volume deals with the occurrence and development of unreliable first-person narration in twentieth century Western literature. The different articles in this collection approach this topic both from the angle of literary theory and through a detailed reading of literary texts. By addressing questions concerning the functions, characteristics and types of unreliability, this collection contributes to the current theoretical debate about unreliable narration. At the same time, the collection highlights the different uses to which unreliability has been put in different contexts, poetical traditions and literary movements. It does so by tracing the unreliable first-person narrator in a variety of texts from Dutch, German, American, British, French, Italian, Polish, Danish and Argentinean literature. In this way, this volume significantly extends the traditional 'canon' of narrative unreliability. This collection combines essays from some of the foremost theoreticians of unreliability (James Phelan, Ansgar Nünning) with essays from experts in different national traditions. The result is a collection that approaches the 'case' of narrative unreliability from a new and more varied perspective.
Fiction --- Thematology --- anno 1900-1999 --- First person narrative --- Truthfulness and falsehood in literature --- History and criticism --- Fiction. --- Literature - General --- Languages & Literatures --- Academic collection --- 82-31 "19" --- 82-3 --- Roman--20e eeuw. Periode 1900-1999 --- Proza. Fictie. Narratologie --- Truthfulness and falsehood in literature. --- History and criticism. --- 82-3 Proza. Fictie. Narratologie --- 82-31 "19" Roman--20e eeuw. Periode 1900-1999 --- Narrative, First person --- Literature --- Narration (Rhetoric) --- Point of view (Literature) --- Persona (Literature) --- Technique --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - 20th century̨ - History and criticism --- First person narrative - History and criticism --- First-Person Novel. --- Narrative Theory. --- Unreliable Narrator. --- Roman --- Narrattion à la première personne --- Vérité et mensonge --- 20e siècle --- Histoire et critique --- Dans la littérature
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