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Journalism --- Closure (Rhetoric) --- Openings (Rhetoric) --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- News writing --- Authorship --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration
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Littérature épistolaire byzantine. --- Byzantine letters - Indexes --- Byzantine literature - Indexes. --- Byzantine letters --- Openings (Rhetoric) --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Byzantine literature
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Christian poetry, English (Middle) --- English language --- Incipits --- Openings (Rhetoric) --- Rhetoric, Medieval --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Early printed books --- Manuscripts, Medieval --- Germanic languages --- History and criticism --- Langland, William, --- Langland, Robert, --- Langland, Uĭli︠a︡m, --- Technique.
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Although issues of futurity have become more and more central to literary and cultural studies in recent years, especially in environmental criticism, no scholarly work has yet addressed the topic of beginnings in American poetry in sufficient scope or detail or with adequate theoretical background. This book is a study of how beginnings are made in American poetry. It borrows Walt Whitman's term "future-founding" to establish a theory of poetic beginnings that asks how poetry relates to notions of the future and how it imagines, constructs, and influences this future in the present. Furthermore, it seeks to change the way literary scholars think about futurity with regard to American poetry: they most often conceive of it in terms of newness alone, yet a deeper theorization of beginningsmust open up new ways of understanding the complexities of this relation. With chapters on Whitman, William Carlos Williams, Langston Hughes, Muriel Rukeyser, Allen Ginsberg, and future-founding poetry after 9/11, this book explains how American poetry makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about the nature of futurity itself. Sascha Pöhlmann is Associate Professor of American Literary History at Lüdwig-Maximilians-University, Munich.
American poetry --- Openings (Rhetoric) --- Future, The, in literature. --- Poetics. --- History and criticism. --- Poetry --- Future in literature --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Technique --- Aesthetic. --- American poetry. --- Beginnings. --- Future. --- Literature. --- Political. --- Twenty-First Century. --- Whitman.
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The ways in which literary works begin have proved fascinating to readers and critics at least since Aristophanes. This collection of essays gives life to a topic of perennial interest by presenting a variety of original readings in nearly all the major genres of Greek and Latin literature. The subjects of these essays range from narrative voices in the opening of the Odyssey to ideological reasons for Tacitus' choice of a beginning in the Histories, and from a survey of opening devices in Greek poetry to the playwright's negotiations with the audience in Roman comedy. Other papers discuss 'false starts' in Gorgias and Herodotus, the prologues of Greek tragedy, Plato's 'frame' dialogues, delayed proems in Virgil, the role of the patron in Horace, aristocratic beginnings in Seneca, and 'inappropriate' prefaces in Plutarch. By embracing a variety of authors and a broad range of approaches, from formal analysis of opening devices to post-structural interpretation, these twelve contributions by both younger and established scholars offer an exciting new perspective on beginnings in classical literature.
Beginregels (Retoriek) --- Openings (Rhetoric) --- Premiers vers et premieres lignes (Rhetorique) --- Classical literature --- Littérature ancienne --- Ouverture (Rhétorique) --- History and criticism --- Histoire et critique --- History and criticism. --- -Openings (Rhetoric) --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Literature, Classical --- Literature --- Literature, Ancient --- Greek literature --- Latin literature --- Littérature ancienne --- Ouverture (Rhétorique) --- Classical literature - History and criticism. --- Arts and Humanities --- History --- Openings (Rhetoric).
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Journalism --- Newspapers --- Authorship. --- Leads. --- Lead-ins in newspapers --- Lead-ons in newspapers --- Lead writing --- Leads in newspapers --- Ledes in newspapers --- News writing --- Lead-ins --- Lead-ons --- Ledes --- Openings (Rhetoric) --- Authorship --- Journaux --- Ouverture (Rhétorique) --- Journalisme --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Art d'écrire.
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Literary rhetorics --- Beginregels (Retoriek) --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Openings (Rhetoric) --- Premiers vers et premieres lignes (Rhetorique) --- Verhaal (Retoriek) --- 82-3 --- Epic poetry --- -Fiction --- -Narration (Rhetoric) --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Narrative (Rhetoric) --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Heroic poetry --- Poetry --- Proza. Fictie. Narratologie --- History and criticism --- Philosophy --- History and criticism. --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric). --- Openings (Rhetoric). --- Epic poetry - History and criticism. --- Fiction - History and criticism. --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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English poetry --- Manuscripts, English --- Openings (Rhetoric) --- Osborn, James Marshall --- Osborn, Marie-Louise --- Library --- 091 <73 NEW HAVEN> --- 091 =20 --- 091:820 --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--NEW HAVEN --- Handschriftenkunde. Handschriftencatalogi--Engels --- Handschriftenkunde. Handschriftencatalogi-:-Engelse literatuur --- 091 <73 NEW HAVEN> Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--NEW HAVEN --- 091:820 Handschriftenkunde. Handschriftencatalogi-:-Engelse literatuur --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- English manuscripts --- English literature --- English poetry - Early modern, 1500-1700 - Indexes --- Manuscripts, English - Connecticut - New Haven - Indexes --- English poetry - 18th century - Indexes --- Openings (Rhetoric) - Indexes --- Osborn, James Marshall - Library - Indexes --- Osborn, Marie-Louise - Library - Indexes
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Aeschylus --- Greek drama (Tragedy) --- Drama --- Tragédie grecque --- Théâtre (Genre littéraire) --- History and criticism --- Technique --- Histoire et critique --- Mythology, Greek, in literature --- Theater --- Openings (Rhetoric) --- Closure (Rhetoric) --- Rhetoric, Ancient --- Tragedy --- History --- -Rhetoric, Ancient --- -Tragedy --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Drama, Modern --- Plays --- Literature --- Dialogue --- -Rhetoric --- Rhetoric --- Philosophy --- -Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Mythology, Greek, in literature. --- Rhetoric, Ancient. --- Tragedy. --- Technique. --- Closure (Rhetoric). --- Openings (Rhetoric). --- -Technique --- -Aeschylus --- -Philosophy --- -Aischylos --- Tragédie grecque --- Théâtre (Genre littéraire) --- Ancient rhetoric --- Greek drama --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Dramaturgy --- Authorship --- Playwriting --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Ancient presentation --- Presentation, Ancient --- Theater - History - To 500 --- Drama - Technique --- Theater - Greece --- Aeschylus - Technique
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Menander --- Greek drama (Comedy) --- Drama --- Théâtre grec --- --Ménandre, --- Comédie --- --History and criticism --- Technique --- 875 MENANDER --- -Greek drama (Comedy) --- -Drama --- Drama, Modern --- Plays --- Stage --- Literature --- Acting --- Dialogue --- Griekse literatuur--MENANDER --- History and criticism --- Philosophy --- Menander of Athens --- -Technique --- Drama in Greek --- History and criticism. --- Technique. --- 342-292 B.C. --- Menander, --- -Griekse literatuur--MENANDER --- 875 MENANDER Griekse literatuur--MENANDER --- Closure (Rhetoric) --- Openings (Rhetoric) --- Rhetoric, Ancient --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Dramaturgy --- Authorship --- Playwriting --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Menandros, --- Athens, Menander of --- Menandro, --- Ménandre, --- Menandorosu, --- מינאנדרוס --- Менандр, --- Greek drama (Comedy) - History and criticism --- Drama - Technique --- Menander - Technique --- Ménandre, 342-292 av JC --- Menander Comicus --- Menandro --- Ménandre --- Menandros
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