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"This book brings together contributions from visual artists, writers and theorists to rethink the way that the language of economics and finance influences our thought and modes of expression. Through artistic contributions, image essays and texts this book aims to manifest, across both art and theory, a poetic counter-language"--Back cover.
Art, Modern --- Conceptual art. --- Economics --- Finance in art. --- Art and society. --- Sociological aspects.
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Americans pay famously close attention to ""the market,"" obsessively watching trends, patterns, and swings and looking for clues in every fluctuation. In Reading the Market, Peter Knight explores the Gilded Age origins and development of this peculiar interest. He tracks the historic shift in market operations from local to national while examining how present-day ideas about the nature of markets are tied to past genres of financial representation.
Drawing on the late nineteenth-century explosion of art, literature, and media, which sought to dramatize the workings of the st
Finance in art. --- Finance in literature. --- Capitalism and literature --- Journalism, Commercial --- Finance --- Literature and capitalism --- Literature --- Business journalism --- Commercial journalism --- Economic journalism --- Financial journalism --- Financial news --- Journalism --- Journalism, Economic --- Trade journalism --- Funding --- Funds --- Economics --- Currency question --- History. --- History --- Commerce --- Finance in literature --- Finance in art --- E-books --- History of the Americas
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Vouloir assigner son prix réel, en argent, à une œuvre d'art, c'est l'insulter ?, pouvait encore écrire Stéphane Mallarmé en 1889. A bien des égards, les années 1960 sonnèrent le glas cette conception qui voyait une opposition radicale entre les sphères artistique et économique. Parler des peintures comme de ± billets géants ?, ou de ± valeurs en bourse ? devint après-guerre un lieu commun du discours critique, dans les pays où une hausse vertigineuse du marché de l'art accompagnait la croissance des économies capitalistes. Économistes et sociologues commencèrent à appliquer leurs méthodes au domaine artistique, envisageant l'art comme une ± marchandise ? voire comme un ± investissement ? et l'artiste comme une ± profession ?.
Art, Modern --- Finance in art --- Artists --- Economic aspects --- Attitudes --- Internationale situationniste --- Economic aspects. --- Pop art --- Art conceptuel --- Marché de l'art --- Capitalisme --- Klein, Yves --- Art historians --- Art --- Political aspects --- Philosophy and aethetics. --- Einstein, Carl, --- Avant-garde (Aesthetics) --- Einstein, Carl, - 1885-1940 --- Attitudes.
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