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Domino (Brasch) --- Films (pellicules cinématographiques) --- Domino (film ; 1982)
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"Film Restoration: The Culture and Science of Audiovisual Heritage is the first monograph-length work intended to enable the general public and readers with a humanities background to understand what film restoration does and does not involve. In doing so, Enticknap engages with current debates on audio-visual artefacts and identifies the ways in which traditional methods and approaches within film studies, history and cultural studies fail to provide the tools needed to study and criticise restored films meaningfully and reliably. The book also includes a technical glossary of over 150 terms related to the processes of film restoration.
Films (pellicules cinématographiques) --- Motion picture film --- Art --- Conservation. --- Preservation. --- Conservation et restauration. --- Films (pellicules cinématographiques)
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"A critical analysis of the depiction of vigilantism in 1970s American cinema"--
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Arts and Humanities --- Architecture, Fine and Decorative Arts --- Motion picture film --- Film archives --- Films (Pellicules cinematographiques) --- Archives cinematographiques --- Preservation --- Periodicals. --- Conservation --- Periodiques --- Periodicals --- Films (Pellicules cinématographiques) --- Archives cinématographiques --- Périodiques --- EJARTSD EPUB-ALPHA-J EPUB-PER-FT FIAF-E --- Films (Pellicules cinématographiques) --- Archives cinématographiques --- Film archives. --- Preservation.
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Digital cinematography --- Digital video --- Motion picture film --- Cinéma numérique --- Vidéo numérique --- Films (Pellicules cinématographiques) --- Congresses. --- Conservation and restoration --- Congrès --- Conservation et restauration --- Preservation --- Cinéma numérique --- Vidéo numérique --- Films (Pellicules cinématographiques) --- Congrès
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L'avènement puis la fusion des nouveaux modes de communication que sont l'informatique, les télécommunications et l'audiovisuel ont mis à la portée de tous une grande quantité d'images fixes et en mouvement dont la conservation et le repérage risquent de prendre des proportions démesurées. Le présent ouvrage veut offrir aux responsables de collection des repères pour aborder la problématique de l'indexation des images et faciliter l'accès des usagers à ces images.
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Motion picture film --- Film archives --- Films (Pellicules cinématographiques) --- Archives cinématographiques --- Film archives. --- Preservation --- Conservation --- Preservation. --- Archives, Motion picture --- Motion picture archives --- Cinematographic film --- Film, Cinematographic --- Film, Motion picture --- Films, Cinematographic --- Motion pictures --- Moving-picture film --- Conservation and restoration --- Preservation and storage --- Film --- Archives --- Motion picture film collections --- Cinematography --- Photography --- Equipment and supplies --- Films --- Films (Pellicules cinématographiques) --- Archives cinématographiques
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Bilan historique, politique et théorique des cinémathèques et archives de films dans le monde, cet ouvrage s’appuie sur l’histoire de ces institutions. Imaginées à la fin du XIXe siècle, les cinémathèques se développent dans les années 1930 puis, après la guerre, connaissent une ampleur sans précédent et suscitent, aujourd’hui encore, de passionnés débats théoriques. L’auteur aborde de nombreuses questions : quelles sont les premières institutions dans le monde ? qui conserve quoi, comment, et pour qui ? quelles sont les théories et les méthodes de conservation, de restauration, et d’accès ? à qui appartiennent les films ? Il interroge l’enrichissement, la collecte et la gestion du matériau filmique des cinémathèques, mais également le « non film », soit toute la documentation papier, le matériel publicitaire, des archives de création qui font partie de l’activité des institutions. L’ouvrage pose des jalons, esquisse des directions, dégage des perspectives, montre la vitalité de la communauté des archives et présente les perspectives du métier et des institutions à l’ère du numérique.
Motion pictures --- Film archives --- Motion picture film collections --- Cinéma --- Archives cinématographiques --- Cinémathèques --- Conservation and restoration --- Conservation et restauration --- Motion picture film --- Preservation --- Pellicules cinématographiques --- Histoire --- Conservation --- Droit --- Films (pellicules cinématographiques) --- Cinéma --- Archives cinématographiques --- Cinémathèques --- Preservation. --- Histoire. --- Motion picture film - Preservation
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The Moving Image explores topics relevant to both the media archivist and the media scholar. The Moving Image deals with crucial issues surrounding the preservation, archiving, and restoration of film, video, and digital moving images. The journal features detailed profiles of moving image collections; interpretive and historical essays about archival materials; articles on archival description, appraisal, and access; behind-the-scenes looks at the techniques used to preserve, restore, and digitize moving images; and theoretical articles on the future of the field.
Motion pictures --- Motion picture film --- Video tapes --- Cinéma --- Films (Pellicules cinématographiques) --- Bandes vidéo --- Periodicals. --- Preservation --- Périodiques --- Conservation --- Archives cinématographiques --- Motion pictures. --- Conservation and restoration --- Musées --- Preservation. --- Conservation and restoration. --- Arts and Humanities --- Fashion & Entertainment --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Tape recordings, Video --- Tapes, Video --- Videotapes --- Cinematographic film --- Film, Cinematographic --- Film, Motion picture --- Films, Cinematographic --- Moving-picture film --- History and criticism --- Film --- Audio-visual materials --- Mass media --- Performing arts --- Magnetic tapes --- Video recordings --- Television film --- Cinematography --- Photography --- Equipment and supplies --- Preservation and storage
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