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Motion pictures --- Cinéma --- Catalogs. --- Catalogues --- National Film and Television Archive (Great Britain) --- National Film and Television Archive (Grande-Bretagne) --- Catalogs --- Catalogues
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A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of 'le cinéma British', or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book pro
Motion pictures, French --- Motion pictures --- Motion pictures, British --- History --- Film and Television Studies.
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The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.
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The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.
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This book explores the challenges facing women from their mid-forties as they attempt to build/maintain careers in the screen industries. Essays are concerned with the intersection of gender and age on screen and behind the camera and how that can create a ‘double jeopardy’. Existing research in this area has been primarily directed to onscreen representation. Female actors, with notable exceptions, struggle to get screen time and expansive roles as they age. Behind the camera, women 45+ also face challenges and roadblocks; to date, less attention has been directed to this group. The cross-cultural research in this collection offers an analysis of representation, on and off screen, touching on film, television, streaming services and film festivals. It includes an exploration of gendered ageism, age bias and stereotyping. It also highlights the achievements of mature female practitioners who, in their work and working lives, embody a resistance to restrictive cultural discourses about ageing women. Dr Susan Liddy lectures in MIC, University of Limerick, Ireland. She is editor of Women in the Irish Film Industry: Stories and Storytellers; Women in the International Film Industry: Policy, Practice and Power and co-editor of Media Work, Mothers and Motherhood. She has co-authored Auditing Gender and Diversity Change in Irish Media sectors for the Broadcasting Authority of Ireland and The Pursuit of Change for Raising Films Ireland. She is Chair of Women in Film and Television Ireland and sits on a number of national and international industry boards. .
Film --- TV (televisie) --- Motion picture industry. --- Television broadcasting. --- Gender identity in mass media. --- Film and Television Industry. --- Media and Gender.
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Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film production was based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessasloniki, Sarajevo, and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanisation, memories of the Cold War, and preconstructed political agendas.
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A comprehensive collection of newly commissioned essays from world-leading Kazuo Ishiguro scholars which offers chapters on each of the novels (including the first publication on Klara and the Sun (2021)), short fictions, and screenplays, Kazuo Ishiguro: Twenty First Century Fictions offers a critical reappraisal of the 2017 Nobel Laureate while also uncovering important new thematic and stylistic insights.
Ishiguro, Kazuo, --- Criticism and interpretation. --- British. --- Contemporary. --- Cosmopolitan. --- Film and Television. --- Global. --- Ishiguro. --- Japanese Culture. --- Literature. --- Memory. --- Twenty-first century.
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A cultural study of an array of popular North American science fiction film and television texts, 'Excavating the Future' explores the popular archaeological imagination and the political uses to which it is being employed by the U.S. state and its adversaries.
Science fiction films --- Science fiction television programs --- History and criticism. --- Sci-fi television programs --- Television programs --- Geopolitics in science fiction film and television --- Indiana Jones and the Kingdom of the Crystal Skull --- Manticore --- Transformers 2: Revenge of the Fallen --- Representations of Gulf Wars in science fiction film and television --- Ancient Aliens --- Stargate SG-1 --- Antiquities in popular culture --- Archaeology in science fiction film and television --- Archaeology political aspects --- archaeological imagination
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film --- Film --- Photography --- 24.30 film and television studies: general. --- 24.32 history of film art. --- Cinematography. --- Film. --- Motion pictures --- Rubriek serials: audiovisuele kunsten --- Periodicals
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"Criminal justice inquiries may be the most historically dramatic means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of "memory work" that most individuals encounter historical reconciliation in practice. This book analyzes, within the realms of national literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is "carnivalesque," temporarily overturning discursive hierarchies. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories"--
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