Listing 1 - 10 of 72 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Choose an application
Choose an application
This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting. After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive. 'Radical Figures' highlights the renewed interest in radical modes of figuration during the past two decades, and considers the vast range of imagery, subjects and stories that have informed this transition: from the re-evaluation of early pioneers such as James Ensor and Max Beckman, and postwar painters such as Maria Lassnig and Philip Guston; to raunchy comics; to the ubiquity of photography on social media. Fully illustrated in colour, this innovative appraisal will explore the breadth and range of painterly techniques used, such as loose gestural brushwork suggesting polymorphous forms and gender fluid bodies, and thick impasto evoking flesh, matter and objecthood. Including newly commissioned texts on and by each artist, this sumptuous catalogue will showcase the best in figurative painting today. Exhibition: Whitechapel Gallery, London, UK (06.02.-10.05.2020).
Choose an application
The book is the first full-length study of the seminal exhibition "A New Spirit in Painting," which took place at the Royal Academy of Arts, London in 1981. The exhibition has been overlooked in the literature about contemporary art. The book aims to correct this omission by showing how the exhibition captured issues that brought together several key trajectories in the history of painting, which are still reverberating today. It starts in the context of the contemporary developments in art spanning from the 1950s to the 1970s and reassesses the art historical significance of "A New Spirit in Painting." The essay is accompanied by a series of interviews the author conducted with artists, curators and gallerists who were, more or less directly, linked to the exhibition (Georg Baselitz, Markus Lüpertz, Rainer Fetting, Norman Rosenthal, Jean-Louis Froment, Tim Marlow, Michael Werner, Thaddaeus Ropac).
Figurative painting --- Painting, Modern --- Painters --- Interviews.
Choose an application
Painting, French. --- Figurative painting --- Piette, César,
Choose an application
Painting, Belgian --- Figurative painting --- Gommaerts, Fernand,
Choose an application
Walter Sickert (1860-1942) fait partie des pionniers de la modernité anglaise, marquant durablement la peinture figurative anglaise du XXe siècle, notamment celle de Lucian Freud et de Francis Bacon. Il traite d'emblée de thèmes inhabituels, voire transgressifs - music-halls, nus réalistes dans des intérieurs modestes, scènes de genre angoissantes ou ambigües - par le biais de cadrages déroutants ou d'étranges tonalités. Proche de son mentor Edgar Degas, mais aussi d'artistes comme Pierre Bonnard, il tisse un lien fort avec la France, ce qui l'incite à renouveler sa manière de peindre. De la modernisation du genre traditionnel de la "conversation piece" à la transposition d'images issues de la culture populaire, cet artiste provocateur et fascinant ne cessera de se réinventer, au-delà de toutes conventions.
Figurative painting, British --- Peinture figurative --- Sickert, Walter,
Choose an application
Adrian Ghenie has risen to be one of the most important contemporary painters. His unique style is characterized by a remarkable wealth of pictorial fragments with a flowing and hallucinatory spatial arrangement that results in a collage-like gathering of distinct pictorial motifs, a hedonistic sensuality, and an innovative, radical and eclectic interpretation of the most diverse subjects. When you enter his exhibition at Tim Van Laere Gallery, you instantly feel the sheer energy and movement radiating from his paintings. His subjects seem chosen to fit his painterly ambition to pursue dynamic compositions charged with energy and theatrical qualities. His visual language is entirely his own, built on earlier conversations led in art history by artists with a similar interest in dynamic compositions and energetic gestures in painting, such as the baroque painters and the abstract expressionists. For instance, he demonstrates expert mastery of baroque chiaroscuro, but also of the gestural use of paint, such as drips, scrapes and splatters, which are key signatures of abstract expressionism.
Listing 1 - 10 of 72 | << page >> |
Sort by
|