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The Gothic Chapbook, Bluebook, and Shilling Shocker surveys the rise of the short tale of terror and horror at the beginning of the nineteenth century.
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The Gothic Chapbook, Bluebook, and Shilling Shocker surveys the rise of the short tale of terror and horror at the beginning of the nineteenth century.
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Gothic Metaphysics is a radical departure from Freudian-centred criticism of Gothic literature.
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This volume carves out a new area of study, the 'industrial Gothic', placing the genre in dialogue with the literature of the Industrial Revolution. The book explores a significant subset of transatlantic nineteenth-century literature that employs the tropes, themes and rhetoric of the Gothic to portray the real-life horrors of factory life, framing the Industrial Revolution as a site of Gothic excess and horror. Using archival materials from the nineteenth century, localised incidences of Gothic industrialisation (in specific cities like Lowell and Manchester) are considered alongside transnational connections and comparisons. The author argues that stories about the real horrors of factory life frequently employed the mode of the Gothic, while nineteenth century writing in the genre (stories, novels, poems and stage adaptations) began to use new settings - factories, mills, and industrial cities - as backdrops for the horrors that once populated Gothic castles.
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This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological, and cultural.
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