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Philosophy and science fiction literature

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This book analyses transcultural works of life writing relating to youth and childhood by Azouz Begag, Maryam Madjidi, and Laura Alcoba, of Algerian, Iranian, and Argentinian heritage respectively. With a strong focus on societal issues in France from the turn of the millennium to early 2024, including the intersections between the postcolonial and the transcultural, it analyses the authors’ relationship with France and the “home” country, and the problematic pull of return. Each author uses life writing in a transpersonal manner, and expresses multiple cultural belongings. Begag displays playful yet compulsive self-reinvention, Madjidi uses autofiction in a search for authenticity, and Alcoba’s approach highlights the difficulties of dealing with traumatic personal and national memory. A substantial overview is given of each author’s œuvre, along with societal context for the country of origin or descent, followed by close textual analysis. This is a companion volume to Dervila Cooke’s 2024 monograph on Québec. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University. She is the author of Indigenous and Transcultural Narratives in Québec (2024), Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec, and Ireland (2016), and of Modiano et l’image (2012).

Fiction --- Literature --- literatuur --- fantasie (verbeelding) --- Europe --- European literature. --- Fiction. --- Creative nonfiction. --- European Literature. --- Fiction Literature. --- Non-Fiction Literature.

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Drafty Houses is original, important, and brings together antiracist and postcolonial discourse with theories of spatiality to create a fresh analysis of familiar texts. This book concerns itself substantively with the complex gender and racial politics of the time and of these writers in particular. Banerjee has a helpful sense of proportion, and she never shies away from these authors’ failings but she is most interested in how they learned and grew. There is a comic, obvious brilliance to the way Banerjee notices Woolf’s interest in interior decoration, change, and modification of living spaces as a sign of her modernity. —Anne Fernald, Professor of English and Women’s, Gender, and Sexuality Studies, Fordham University This lucid, powerfully argued book provides us with revelatory readings of three authors whose work we have perhaps decided we could no longer be surprised by: an E. M. Forster, deeply aware of and disturbed by his own liberal complacency and his complicity with colonialism; an antiauthoritarian, anticolonial T. S. Eliot, discoverable primarily in his dramatic writings; and a Virginia Woolf who turns us away from the repressive order, the cultural uniformities of London’s social spaces. With revealing glimpses into her own experience as a teacher in New York, Banerjee is ultimately writing in support of what she stirringly describes as 'a humanism that might sustain us as individuals who protest the inequitable societies of which we are a part'.” —John Whittier-Ferguson, Professor of English, University of Michiga This book argues that E. M. Forster, T. S. Eliot, and Virginia Woolf engaged sustainedly with real and imagined places as sites of counter-cultural politics. These writers used architectural images in diaries, essays, novels, poems, and plays to express their dissatisfaction with imperial London: from the glorification of war to the erosion of local religious and linguistic traditions, and rigidly gendered practices in domestic and public life. Drafty Houses shows that each author experienced post-war modernity as intimate spatial dislocation—in Egypt (Forster), in the church (Eliot), or in London’s museums and streets (Woolf)—and traces connections between their personal experiences and lesser read publications to theorize about the impact of places on their writerly perspectives. By closely examining each author's negotiation of space symbolic of Englishness, empire, and global politics, Drafty Houses considers the limits and the open-ended possibilities of liberal humanism, Christian conservatism, and feminist pacifism. Ria Banerjee is Associate Professor of English at Guttman Community College and Consortial Faculty at the Graduate Center of the City University of New York, USA. She has been published in Modernism/modernity Print Plus, ELN, the Eliot Studies Annual, and South Atlantic Review. .

English literature --- Politics in literature. --- History and criticism. --- Literature, Modern --- European literature. --- Fiction. --- Creative nonfiction. --- Twentieth-Century Literature. --- European Literature. --- Fiction Literature. --- Non-Fiction Literature. --- 20th century.

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This book analyses the impact of economic informality on the novel form across the modern world-system, looking specifically at works by Antonio de Almeida, Machado de Assis, Dany Laferrière, Ngũgĩ wa Thiong’o, Nadine Gordimer, and Masande Ntshanga. It sees the representation of informal economies as a structural homology of world-literature. In chapters on the figure of the agregado in the nineteenth-century Brazilian novel; sex work in Haitian fiction; the politics of the informal economy in the post-apartheid South African novel; and Ngugi’s representation African occult economies, Josh Jewell explores the relationship between the rise of improvised economic activity—and its consolidation under neoliberalism in postcolonial nations—and literary form. He shows how informal economies can be grasped as locations of strategy and improvisation whose subjects must shift constantly between officialdom and underground networks; between the realms of the licit and illicit. This produces highly heterogenous narratives oscillating between different tones and registers (unserious and tragic), social spaces (working-class and elite), and conceptions of reality. By comparing the various situated aesthetics of informality, this book instrumentalises the Warwick Research Collective’s compelling but nebulous idea of a world-literature that “variously registers” a “singular modernity”. Josh Jewell is a resident scholar in the Humanities Institute at University College Dublin, Ireland. His research analyses the relationship between labour and literary form in world-literature. His current postdoctoral research project focuses on representations of labour which falls outside of direct market mediation--such as domestic labour and peasant agriculture--in South Africa, Brazil, the Caribbean, and the European periphery.

Neoliberalism and literature. --- Literature. --- Comparative literature. --- Fiction. --- World Literature. --- Comparative Literature. --- Fiction Literature.

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Öffentliche Kontroversen um Literatur werden primär unter ethischen und juristischen Prämissen diskutiert und münden oftmals in Debatten, die den Zensurvorwurf perpetuieren. Darüber geraten die Lizenzen, auf die sich Literatur in Theorie und Praxis gern beruft, schnell in Vergessenheit. Der interdisziplinär angelegte Band widmet sich den Sondererlaubnissen fiktionaler Literatur, die unter dem Schlagwort „Lizensur“ präsentiert, kritisch analysiert und historisch kontextualisiert werden. Auf diese Weise wird das spannungsreiche Verhältnis zwischen Fiktion und Lizenz in einen literatursysteminternen, geschichtlichen sowie rechtlichen Zusammenhang gestellt.

Fiction. --- Information technology --- Mass media --- Fiction Literature. --- IT Law, Media Law, Intellectual Property. --- Law and legislation.