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The remarkable and true story of the nineteenth-century novelist, journalist, and feminist Fanny Fern.
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Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect.
American fiction --- 19th century --- History and criticism --- Speech in literature --- Fern, Fanny --- Melville, Herman --- Stowe, Harriet Elizabeth Beecher --- Hawthorne, Nathaniel --- Speech in literature. --- History and criticism.
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Fuller, Margaret --- Fern, Fanny --- Craft, Ellen --- Osgood, Frances Sargent --- Warner, Susan Bogert --- Ward, Humphry --- Alcott, Louisa May --- Green, Anna Katharine --- Brontë, Charlotte
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Populism in literature --- Democracy in literature --- Public opinion in literature --- Brown, Charles Brockden --- Cooper, James Fenimore --- Melville, Herman --- Fern, Fanny --- Jacobs, Harriet Ann
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American fiction --- American fiction --- Masculinity in literature --- Sentimentalism in literature --- Sex role in literature --- Women authors --- History and criticism --- History and criticism --- Fern, Fanny, --- Jacobs, Harriet A. --- Warner, Susan, --- Wilson, Harriet E.,
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The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.
American wit and humor --- Femininity in literature. --- Wit and humor --- History and criticism. --- Women authors --- Fern, Fanny, --- Criticism and interpretation. --- Literature, Modern --- America --- Comedy. --- Nineteenth-Century Literature. --- North American Literature. --- Comedy Studies. --- 19th century. --- Literatures.
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The idea of a common American culture has been in retreat for a generation or more. Arguments emphasizing difference have discredited the grand synthetic studies that marginalized groups and perspectives at odds with the master narrative. Surface and Depth: The Quest for Legibility in American Culture is a fresh attempt to revitalize an interpretive overview. It seeks to recuperate a central tradition while simultaneously recognizing how much that tradition has occluded. The book focuses on the American zeal for knowing or making accessible. This compulsion has a long history stretching back to Puritan anti-monasticism; to the organization of the landscape into clearly delineated gridwork sections; and to the creation of a national government predicted on popular vigilance. It can be observed in the unmatched American receptivity to the motion pictures and to psychoanalysis: the first a technology of visual surfaces, the second a technique for plumbing interior depths. Popular literature, especially the Western and the detective story, has reinscribed the cult of legibility. Each genre features a plot that drives through impediments to transparent resolution. Elite literature has adopted a more contradictory stance. The landmarks of the American canon typically embark on journeys of discovery while simultaneously renouncing the possibility of full disclosure (as in Ahab's doomed pursuit of the "inscrutable" white whale). The notorious modernism of American literature, its precocious attraction to obscurity and multiple meaning, evolved as an effort to block the intrusions of a hegemonic cultural dynamic. The American passion for knowability has been prolific of casualties. Acts of making visible have always entailed the erasure and invisibility of racial minorities. American society has also routinely trespassed on customary areas of reserve. A nation intolerant of the hidden paradoxically pioneered the legal concept of privacy, but it did so in reaction to its o
Sociology of literature --- Fiction --- American literature --- American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Caractéristiques nationales américaines dans la littérature --- National characteristics [American ] in literature --- Problèmes sociaux dans la littérature --- Social problems in literature --- Sociale problemen in de literatuur --- Volkskarakter [Amerikaans ] in de literatuur --- Wharton, Edith Newbold, 1862-1937. Summer --- American fiction --- American prose literature --- Literature and society --- National characteristics, American, in literature. --- Social problems in literature. --- History and criticism. --- United States --- Civilization. --- In literature. --- National characteristics, American, in literature --- History and criticism --- In literature --- Civilization --- Melville, Herman --- Thoreau, Henry David --- Hawthorne, Nathaniel --- Fitzgerald, Francis Scott --- Poe, Edgar Allan --- Criticism and interpretation --- Fern, Fanny --- Cooper, James Fenimore
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Architecture [Domestic ] in literature --- City and town life in literature --- Dwellings in literature --- Eigen haard in de literatuur --- Famille dans la littérature --- Family in literature --- Foyer dans la littérature --- Gezin in de literatuur --- Habitations dans la littérature --- Home in literature --- Stadsleven in de literatuur --- Thuis in de literatuur --- Vie urbaine dans la littérature --- Wharton, Edith Newbold, 1862-1937. The Custom of the Country --- Woningen in de literatuur --- American fiction --- Architecture, Domestic --- Architecture, Domestic, in literature. --- City and town life in literature. --- City and town life --- Domestic fiction, American --- Dwellings in literature. --- Families in literature. --- Family in literature. --- Home in literature. --- History and criticism. --- 19th century --- History and criticism --- Domestic fiction [American ] --- 20th century --- Architecture [Domestic ] --- United States --- Hawthorne, Nathaniel --- Fern, Fanny
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American literature --- Thematology --- African Americans in literature. --- African Americans --- Race in literature. --- Race relations in literature. --- Racism in literature. --- Whites --- Intellectual life. --- African American authors --- History and criticism. --- White authors --- Intellectual life --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Poe, Edgar Allan, 1809-1849. The Narrative of Arthur Gordon Pym --- Race relations in literature --- Racism in literature --- Racisme dans la littérature --- Racisme in de literatuur --- Rassenverhoudingen in de literatuur --- Relations raciales dans la littérature --- Styron, William, 1925-2006. The Confessions of Nat Turner --- Zwarte Amerikanen in de literatuur --- History and criticism --- Twain, Mark --- Douglass, Frederick --- Criticism and interpretation --- Du Bois, William Edward Burghardt --- Howells, William Dean --- Stein, Gertrude --- Cooper, Anna Julia Hayward --- Stowe, Harriet Elizabeth Beecher --- Wright, Richard --- Poe, Edgar Allan --- Melville, Herman --- AUTEURS NOIRS AMERICAINS --- NOIRS AMERICAINS DANS LA LITTERATURE --- RELATIONS INTERETHNIQUES DANS LA LITTERATURE --- LITTERATURE AFRO-AMERICAINE --- TWAIN (MARK) --- FERN (FANNY) --- HOWELLS (WILLIAM DEAN) --- DU BOIS (WILLIAM EDWARD BURGHARDT), 1868-1963 --- COOPER (ANNA JULIA HAYWOOD) --- BEECHER-STOWE (HARRIET), 1811-1896 --- MELVILLE (HERMAN) --- POE (EDGAR ALLAN), 1809-1849 --- DOUGLASS (FREDERICK), 1817?-1895 --- STEIN (GERTRUDE), 1874-1946 --- HISTOIRE ET CRITIQUE --- Relations interethniques --- Dans la littérature
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