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This 8-volume collection contains titles originally published between 1976 and 2004. It covers women’s writing from a variety of perspectives, exploring the options open to women writers through the centuries, which allowed women’s voices to be heard through their writing. From novels and poetry to autobiography and oral histories. Individual titles include the female social narrative, psychological and literary analysis, lesbian history, feminist and literary criticism, and more. This set will be a valuable resource for those interested in literature, history, feminism, and women’s studies.
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De vuelta del silencio resulta de un viaje largo que comenzó en el Norte y terminó en Brasil, incluyendo la América Central. Un viaje en el que oí y vi a las mujeres escritoras de nuestro Continente. Son entrevistas en carne viva las que fui a hacer, en mi necesidad de recorrer también en sangre propia ese pulso agitado que revienta fibras y canales de los que brotan la angustia y los terrores, la mirada feroz y en guardia, el gesto quieto, o un suspiro. Todas y cada una de las escritoras me fueron dando sus respuestas como quien se deshace de una carga o te regala flores, o deja el miedo atrás. Difícil va a ser el describir aquel vacío que de improviso marca el tiempo con tensiones eléctricas y deja un rastro mudo en la cinta que graba y graba y graba a la espera del resto de la frase, que a lo mejor no llega nunca. Solo el gesto.
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Femmes écrivains espagnoles --- Femmes et littérature --- Anthologies.
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Ni perversas ni traidoras: Ficciones de colaboración femenina en las dictaduras de Argentina y Chile desarrolla una lectura cultural y literaria del signo emblemático de la traidora encarnado por los novelistas contemporáneos argentinos (Miguel Bonasso, Liliana Heker, Abel Posse, Elsa Osorio) y chilenos (Arturo Fontaine, Carlos Franz, Fátima Sime). Asimismo, la discusión de los casos de las sobrevivientes Luz Arce y Mercedes Inés Carazo, para el contexto chileno y argentino respectivamente, indaga sobre la retórica que traspasa los límites de los géneros literarios (testimonio judicial, testimonio confesional, entrevista, novela).Ni perversas ni traidoras estudia diferentes formas en que el sujeto femenino se ha reinterpretado, fracturado y finalmente "facturado" a sí mismo, y también los modos en que ha sido reinterpretado y fracturado por otros sujetos, ya sean académicos (nacionales e internacionales), intelectuales, activistas en pro de los derechos humanos, así como en la ficción literaria. Temas relacionados con el género, la restitución, la justicia, el síndrome de Estocolmo y la responsabilidad serán fundamentales en este análisis, que examinará tanto el sujeto dentro del texto como el texto mismo como sujeto.
Totalitarisme --- Totalitarisme --- Femmes et littérature --- Femmes et littérature --- Trahison (morale) --- Dans la littérature.
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Women and literature --- Femmes et littérature --- Femmes et littérature
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Poétesses --- Femmes et littérature --- Poésie grecque --- Femmes écrivains.
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This major new international anthology celebrates the work of women of African descent, captures their continuing contributions, and charts a contemporary literary landscape as never before.A glorious portrayal of the richness and range of the singular and combined accomplishments of more than 200 contributors, New Daughters of Africa showcases their global sweep, diversity and achievements while also testifying to a wealth of genres: autobiography, memoir, letters, short stories, novels, poetry, drama, humour, journalism, essays and speeches.Following up Margaret Busby’s landmark 1992 anthology Daughters of Africa, this companion volume brings together the words of writers from across the globe—Antigua to Zimbabwe, Angola to the USA—to honour a unifying heritage while showing the remarkable range of creativity from the African diaspora particularly in the past 25 years. Arranged chronologically, New Daughters of Africa illustrates an uplifting sense of sisterhood and the links that endure from generation to generation, as well as common obstacles writers still negotiate around issues of race, gender and class.
Femmes écrivains africaines --- Femmes et littérature --- Féminité --- Identité sexuelle
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Jane Gallop’s book offers a clear-eyed and comprehensive history of feminist literary criticism. Why, she asks, have we so quickly buried 1970s feminist criticism? What lies buried there? Why do 1990s academic feminists accuse other academic feminists of being ‘academic’? Gallop takes the novel approach of structuring her inquiry around anthologies of feminist criticism: twelve important texts that have had a wide impact on more than a decade of scholarship. In reading an anthology as a whole, she typically identifies a central, hegemonic voice (usually that of the editor/s) which would organise all the voices into a unity, and then explores the resistance within that volume to such a unity. Weight is placed behind these internal differences as a wedge against the centrist drive. Around 1981 addresses briefly ‘french feminism’ and psychoanalytic feminism before focusing on its principal subject: the mainstream of feminist literary criticism, before and after its general acceptance as part of the changing institution of literary studies. This brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.
Critique féministe. --- Femmes et littérature. --- Littérature --- Histoire et critique.
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FEMMES ET LITTERATURE --- FEMMES --- PAYS-BAS --- CONDITIONS SOCIALES --- FEMMES ET LITTERATURE --- FEMMES --- PAYS-BAS --- CONDITIONS SOCIALES --- PAYS-BAS
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