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Article
Het vrouwelijke kijkdispositief in de cinema : naar een geïntegreerd model voor het onderzoek van de vrouwelijke receptieproblematiek

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Book
La nouvelle vague : un cinéma au masculin singulier
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ISBN: 9782271063540 Year: 2005 Publisher: Paris : CNRS,

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Book
Femmes et cinema quebecois
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ISBN: 2890520765 Year: 1983 Publisher: Montréal, Québec : Boréal Express,

Médias visuels et femmes en Afrique de l'ouest
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ISBN: 9782296000384 229600038X Year: 2006 Publisher: Paris : L'Harmattan,

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Depuis l'invention de la photographie, les médias visuels, par leur capacité à brouiller les limites entre le réel et la fiction, ont joué un rôle central dans l'avènement d'un langage universel. En Afrique de l'Ouest, la compréhension de cette mutation passe par l'étude des conditions concrètes dans lesquelles les médias visuels sont appropriés, reçus et consommés par les populations locales. Croisant données empiriques et réflexions théoriques, ce livre pose de façon novatrice la question du rôle joué par les technologies visuelles dans l'émergence de constructions identitaires alternatives, en particulier chez les femmes.


Book
Feminist worldmaking and the moving image
Authors: --- --- ---
ISBN: 0262544520 9780262544528 Year: 2022 Publisher: Cambridge, Massachusetts : The MIT Press,

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Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.

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