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Janine Solane : parcours artistique d'une danseuse, chorégraphe, pédagogue, 1912-2006
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ISBN: 9782296557956 2296557953 Year: 2011 Publisher: Paris : L'Harmattan,

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Book
Femmes, attitudes performatives : [aux lisières de la performance et de la danse]
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ISBN: 9782840666516 2840666510 Year: 2014 Publisher: [Dijon]: Presses du réel,

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À l’heure des re-enactements et autres remakes des performances historiques, il semblait important de s’interroger sur la place des femmes dans les avant-gardes des années 1910-1970. Quel regard portons-nous, aujourd’hui, sur les pionnières qui ont profondément modifié la danse et la performance, en Europe et aux États-Unis ? Réunis pour la première fois, des historiens, des philosophes, des danseurs et deux chorégraphes ont accepté de faire le point sur leurs recherches. Par-delà les catégories artistiques (danse, performance, action, pantomime, théâtre, music-hall…) et les clivages (théorie / pratique ; forme / fond), ce livre est une invitation à partager leurs questionnements sur le spectacle vivant « au féminin », ses archives et ses références. Femmes, attitudes performatives rassemble dix contributions, une « interview performative » de La Ribot et un entretien sur La Part du rite de Latifa Laâbissi et Isabelle Launay.

Yvonne Rainer : the mind is a muscle
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ISBN: 9781846380389 1846380383 1846380375 9781846380372 Year: 2007 Publisher: London: Afterall,

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Yvonne Rainer's The Mind is a Muscle (1968) stripped away the gestural conventions of dance or theatre narrative in an attempt to present the human subject on her own terms while at the same time manipulating the seductiveness of the image, increasingly being harnessed by capitalism. In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form. For Wood, The Mind is a Muscle proposed a new model of artwork that presents a dynamic tension between materiality and idea. It made manifest an agitated and contradictory relationship to the idea of 'work' in the context of affluent America, and stripped away the gestural conventions of dance or theatre narrative in an attempt to formulate new kinds of 'social scripts' while manipulating the seductiveness of the image, increasingly harnessed by capitalism

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