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“This is a wide-ranging and timely collection with a sharp critical and analytical lens on the current realm of popular representations of women and work in the frame of neoliberal culture. It will be immensely useful for teachers and researchers in feminist media studies.” Angela McRobbie, Professor Emeritus Goldsmiths University of London, UK. “This book sheds new light on the ways in which women’s paid labour is depicted in the contemporary moment. It is both necessary and vital and unpicks the complexities of how limited and often damaging screen representations are suffused in the contemporary media landscape.” Kirsty Fairclough, Professor of Screen Studies, Manchester Metropolitan University, UK. Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of women’s participation in the contemporary labour market. Withinthe context of fourth wave feminism, there has been a new proliferation in the global media landscape of representations of women’s paid labour. This has coincided with the development of critical and ideological issues surrounding intersectionality and culture wars, as well as the impacts of recessions, political upheavals, and pandemics. Workplace dynamics and post-#MeToo politics have led to the complexification of structures, oppressions and relationships that impact what women can do for money. As a result, the “working woman” is now a constant presence on our screens, though articulated in widely divergent ways. The chapters within this collection critique issues that are deeply embedded in neoliberal conceptions of contemporary feminism, such as aspects of “lean-in” culture, structural oppression, and women’s experiences of the “glass ceiling” and “glass cliff”. The volume analyses representations related to the intersecting dynamics of gender, race, class, sexuality, and disability in television, film, social media and video games. Dr Ellie Tomsett is a Senior Lecturer in Media and Communication at Birmingham City University, UK. Dr Nathalie Weidhase is a Lecturer in Media and Communication at the University of Surrey, UK. Dr Poppy Wilde is a Senior Lecturer in Media and Communication at Birmingham City University, UK. .
Directores i productores cinematogràfiques. --- Directores i productores de televisió --- Televisió i dones --- Gender identity in mass media. --- Motion pictures. --- Television broadcasting. --- Mass media and culture. --- Media and Gender. --- Film and Television Studies. --- Media Culture. --- Mitjans de comunicació de massa i cultura. --- Feminisme i cinematografia.
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This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.
Horror films --- Women in popular culture. --- Feminism and motion pictures. --- History and criticism. --- Motion pictures and feminism --- Motion pictures --- Popular culture --- Women --- Public opinion --- Film genres. --- Culture. --- Gender. --- Motion pictures. --- Genre. --- Culture and Gender. --- Film Theory. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Genre films --- Genres, Film --- Motion picture genres --- History and criticism --- Social aspects --- Plots, themes, etc. --- Cinema de terror --- Dones en la cultura popular --- Feminisme i cinematografia --- Transhumanisme en els mitjans de comunicació de massa --- Història i crítica --- Cinematografia i feminisme --- Cinematografia --- Cultura popular --- Dones --- Films de terror --- Pel·lícules de terror --- Terror, Pel·lícules de --- Cinema de monstres --- Opinió pública
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