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Set in the context of Counter-Reformation Rome, this book focuses on the twenty-year long relationship (1611-1630) between Galileo Galilei and Federico Cesi, the founder of the Academy of the Lynx-eyed. Contrary to the historiographical tradition, it demonstrates that the visions of Galileo and Cesi were not at all convergent. In the course of the events that led to the adoption of the anti-Copernican decree of 1616, Galileo realized that the Lynceans were not prepared to support his battle for freedom of thought. In addition to identifying the author of the anonymous denunciation of Galileo’s Assayer , Paolo Galluzzi offers an original reconstruction of the dynamics which culminated in the Church’s condemnation of the famous Tuscan scientist in 1633. This book was originally published in Italian as Libertà di filosofare in naturalibus: I mondi paralleli di Cesi e Galileo (Storia dell’Accademia dei Lincei, Studi 4). Rome: Scienze e Lettere, Editore Commerciale, 2014.
Science, Renaissance. --- Science --- Astronomy --- Renaissance science --- Philosophy --- History. --- Astronomie. --- Astronomy. --- Philosophy. --- Cesi, Federico, --- Galilei, Galileo, --- Acquasparta, Federico Cesi, --- Federico Cesi, --- Cesi, Federigo, --- Galileo Galilei --- Galilée
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929 CESI, FREDERICO --- Science --- -Research --- -Science --- Science research --- Scientific research --- Information services --- Learning and scholarship --- Methodology --- Research teams --- Natural science --- Science of science --- Sciences --- Biografie. Genealogie. Heraldiek--CESI, FREDERICO --- Philosophy --- -History --- Research --- Cesi, Federico --- -Biografie. Genealogie. Heraldiek--CESI, FREDERICO --- 929 CESI, FREDERICO Biografie. Genealogie. Heraldiek--CESI, FREDERICO --- Methodology&delete& --- History --- Philosophy&delete& --- Cesi, Federico, --- Acquasparta, Federico Cesi, --- Federico Cesi, --- Cesi, Federigo, --- Natural sciences --- Academie pontificale des sciences --- Histoire --- Cesi (federico) --- Biographie
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Although Renaissance scholars generally agree that Della Porta was the finest comic playwright of his generation in Italy, no detailed analysis of these plays and of their considerable influence outside Italy has previously appeared. One of the most famous men of his time in the field of scientific investigation, Della Porta wrote plays for relaxation and, on occasion, to camouflage controversial aspects of his scientific research from the Inquisitions. Today his works in science are largely forgotten and his right to fame rests on the plays. This book brings together the available facts of Della Porta's rich and often mysterious life and closely examines his dramatic works as part of the Italian literary scene in late Renaissance. Originally published in 1965.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
LITERARY CRITICISM / Drama. --- Porta, Giambattista della, --- Della Porta, Giambattista, --- Porta, Iean Baptiste, --- Porta, J. B. --- Porta, Jean-Batiste, --- Porta, Ioannes Baptista, --- Porta, Joannes Baptista, --- Porta, Iogann Baptist della, --- Porta, Giovanni Battista della, --- Porta, Gio. Battista dalla --- Porta, Io. Baptista --- Porta, Giovanbattista della, --- Porta, Johann Baptista, --- Porta, Giovambattista dalla, --- Porta, John Baptista, --- Porta, G. B. della --- Porta, Giovan Battista della, --- Della Porta, Giovan Battista, --- Dramatists, Italian --- Accademia dei Lincei. --- Albumazar. --- Alessandro Piccolomini. --- Ars Poetica (Horace). --- Asinaria. --- Astolfo. --- Astrology. --- Aulularia. --- Bacchides (play). --- Bartolomeo. --- Benedetto Croce. --- Benedetto. --- Caetani. --- Caricature. --- Carlo Goldoni. --- Classicism. --- Commedia dell'arte. --- Counter-Reformation. --- Divine Comedy. --- Drama. --- Duke of Florence. --- Farce. --- Federico Cesi. --- Francesco Andreini. --- Francesco D'Isa. --- Francis Bacon (artist). --- François Rabelais. --- G. (novel). --- Genre. --- Giambattista Basile. --- Giambattista Marino. --- Giambattista della Porta. --- Giordano Bruno. --- Giovanni Battista. --- Giovanni Francesco Sagredo. --- Girolamo. --- Hyperbole. --- Ibid (short story). --- Ignoramus. --- Il pastor fido. --- In Town (musical). --- Innamorati. --- James Shirley. --- La Spagna. --- La Strada. --- Lazzi. --- Lingua (play). --- Literature. --- Lorenzino de' Medici. --- Luigi Groto. --- Luigi d'Este. --- Massimo. --- Melodrama. --- Melodramma. --- Menaechmi. --- Miles Gloriosus (play). --- Necromancy. --- Neoclassicism. --- Nicolas-Claude Fabri de Peiresc. --- Novella. --- Orazio. --- Orbecche. --- Orlando Furioso. --- Ottava rima. --- Parody. --- Pedant. --- Physiognomy. --- Plautus. --- Playwright. --- Poenulus. --- Pompeo. --- Pomponio Torelli. --- Potboiler. --- Prose. --- Pulcinella. --- Pun. --- Renaissance. --- Romanticism. --- Rudens (play). --- Ruggiero (character). --- S. (Dorst novel). --- Samson Agonistes. --- Sarabande. --- Satire. --- Scipione. --- Sententiae. --- Soliloquy. --- Sophocles. --- Subplot. --- Tartaglia (commedia dell'arte). --- Terence. --- The Parliament of Love. --- The Valet. --- Titinius. --- Tolomeo. --- Torelli. --- Torquato Tasso. --- Tragicomedy. --- Ulisse. --- Zanni.
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