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Fénéon, Felix --- Fénéon, Félix, --- Feneon, Felix --- Art criticism --- Art --- Arts --- Criticism --- Terminology --- Analysis, interpretation, appreciation --- Fénéon, Félix,
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Art critics --- Poets, French --- Critiques d'art --- Poètes français --- Correspondence. --- Correspondance --- Fénéon, Félix, --- Mallarmé, Stéphane, --- Poètes français --- Fénéon, Félix, --- Mallarmé, Stéphane,
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Art critics --- Arts, French --- Arts, Modern --- Critiques d'art --- Arts français --- Arts modernes --- Biography --- Political activity --- Biographies --- Activité politique --- Fénéon, Félix, --- Arts français --- Activité politique --- Fénéon, Félix, --- Biography.
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Art critics --- Arts, French --- Arts, Modern --- Critiques d'art --- Arts français --- Arts modernes --- Biography. --- Political activity --- Biographies --- Activité politique --- Fénéon, Félix, --- Biography --- France --- Arts [French ] --- Arts [Modern ] --- 19th century --- 20th century
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Art critics --- Art dealers --- Art, Modern --- Critiques d'art --- Marchands d'oeuvres d'art --- Art --- Correspondence --- Correspondence --- Marketing. --- Correspondance --- Correspondance --- Commercialisation --- Fénéon, Félix, --- Rodrigues-Henriques, Jacques, --- Correspondence. --- Correspondence
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Le musée du quai Branly, les musées d'Orsay et de l'Orangerie, The Museum of Modern Art, New York rendent pour la première fois hommage à la personnalité hors du commun de Félix Fénéon. La première partie de l'exposition présente, au musée du quai Branly, sa collection d'oeuvres africaines et océaniennes, dominée par la statuaire et les masques africains, qui aux côtés des plus grands artistes européens, forme un ensemble d'exception. L'ensemble retrace l'histoire de cette collection et son rôle décisif dans l'évolution du regard porté sur les arts extra-européens.
Collectionneurs et collections --- Critiques d'art --- Art --- Art comparé. --- Anarchisme et culture. --- Catalogues d'exposition. --- Seurat, Georges --- Signac, Paul --- Matisse, Henri --- Fénéon, Félix --- Collections d'art --- Musée du quai Branly - Jacques Chirac (Paris) --- Musée national de l'Orangerie (Paris) (1922-....) --- The Museum of Modern Art. --- Painting, French --- Exhibitions --- Collectors and collecting --- Exhibitions. --- Fénéon, Félix, --- Seurat, Georges, --- Signac, Paul, --- Matisse, Henri, --- Cross, Henri Edmond, --- Political philosophy. Social philosophy --- Aesthetics of art --- anarchism --- patronage --- art criticism --- art collections --- Fénéon, Felix --- Galerie Bernheim-Jeune --- La Revue Blanche (1889-1903) --- anarchisme --- etnische kunst --- futurisme --- geschiedenis --- kunstkritiek --- verzamelaar --- Cousturier, Lucie --- Cross, Henri-Edmond --- 19de eeuw --- 20ste eeuw --- Afrika --- Art comparé. --- Fénéon, Félix --- Collections d'art. --- Analyse de l'art --- Catalogues d'exposition --- kunstkritiek. --- etnische kunst. --- geschiedenis. --- anarchisme. --- verzamelaar. --- futurisme. --- La Revue Blanche (1889-1903). --- Galerie Bernheim-Jeune. --- Fénéon, Felix. --- Matisse, Henri. --- Signac, Paul. --- Seurat, Georges. --- Cross, Henri-Edmond. --- Cousturier, Lucie. --- 19de eeuw. --- 20ste eeuw. --- Afrika.
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Who was Félix Fénéon ? The first exhibition dedicated to this extraordinarily influential but little-known figure explores how he shaped the development of modernism. A French art critic, editor, publisher, dealer, and collector, Fénéon (1861-1944) championed the careers of young, avant-garde artists from Georges-Pierre Seurat and Paul Signac to Pierre Bonnard and Henri Matisse, among many others. He was also one of the first European collectors of art from Africa and Oceania. A fervent anarchist during a period of gaping economic and social disparities, Fénéon believed in the potential of avant-garde art to promote a more harmonious, egalitarian world.
Art critics --- Art, Modern --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Critics --- Fénéon, Félix, --- Art collections --- Exhibitions --- Art moderne --- Néo-impressionisme (Art) --- Anarchisme et culture --- Critiques d'art --- Art --- Fénéon, Félix, --- Exposition --- France --- kunstkritiek --- avant-garde --- neo-impressionisme --- etnische kunst --- geschiedenis --- anarchisme --- verzamelaar --- futurisme --- La Revue Blanche (1889-1903) --- Galerie Bernheim-Jeune --- Fénéon, Felix --- Matisse, Henri --- Signac, Paul --- Seurat, Georges --- Cross, Henri-Edmond --- Cousturier, Lucie --- 19de eeuw --- 20ste eeuw --- Afrika --- Art moderne - 19e siècle --- Art moderne - 20e siècle --- Néo-impressionisme (Art) - France --- Critiques d'art - France - 19e siècle --- Critiques d'art - France - 1900-1945 --- Art - France - 19e siècle --- Art - France - 20e siècle --- Fénéon, Félix, - 1861-1944 - Exposition --- Fénéon, Félix, - 1861-1944 - Art - Exposition --- Fénéon, Félix, - 1861-1944 --- kunstkritiek. --- avant-garde. --- neo-impressionisme. --- etnische kunst. --- geschiedenis. --- anarchisme. --- verzamelaar. --- futurisme. --- La Revue Blanche (1889-1903). --- Galerie Bernheim-Jeune. --- Fénéon, Felix. --- Matisse, Henri. --- Signac, Paul. --- Seurat, Georges. --- Cross, Henri-Edmond. --- Cousturier, Lucie. --- 19de eeuw. --- 20ste eeuw. --- Afrika.
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