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Arabic poetry --- Farrukhzād, Furūgh. --- Farrokhzad, Forugh --- Farrokhzaad, Foroogh --- Farrukhzod, Furūghi --- Farrukhzod, Furūgh --- Farrokhzad, Forough --- Farrochsad, Forugh --- Farroḫzād, Foruġ --- Farukhzād, Furūgh --- Farokhzad, Froogh --- פרחזאד, פרוע --- Faroḥzad, Forua' --- Farokhzad, Frough --- Fer̄uxzad, Firuẍ --- Farrochsad, Frough --- F., Forugh --- فرخزاد، فروغ --- ف.، فروغ --- Iran --- Farrukhzād, Furūgh --- Farrukhzad, Furugh
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Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of twentieth-century womanhood.
Women authors, Iranian --- Farrukhzād, Furūgh --- Criticism and interpretation. --- Iranian women authors --- Farrokhzad, Forugh --- Farrokhzaad, Foroogh --- Farrukhzod, Furūghi --- Farrukhzod, Furūgh --- Farrokhzad, Forough --- Farrochsad, Forugh --- Farroḫzād, Foruġ --- فرخزاد، فروغ --- Farukhzād, Furūgh --- Farokhzad, Froogh --- פרחזאד, פרוע --- Faroḥzad, Forua' --- Farokhzad, Frough --- Fer̄uxzad, Firuẍ --- Plath Sylvia, --- Farrukhzād Furūgh --- Farrochsad, Frough --- Lucas, Victoria --- Hughes, Sylvia --- Plat, Silvii︠a︡ --- Plaṭ, Silviyah --- פלאת, סילביה --- 西爾維婭.普拉斯 --- Plathová, Sylvia --- Phlǣt, Silwīya --- F., Forugh --- ف.، فروغ --- Plath, Sylvia, --- Crítica e interpretación --- Plath, Sylvia --- Literature --- God --- Metaphor --- Mirror image --- Narcissism --- Sigmund Freud --- Stanza --- Sylvia Plath --- Anthologies. --- Literary Criticism, Litarture Studies, Gender Studies, Sylvia Plath, Forugh Farrokhzad.
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In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich but virtually unknown culture alive with artistic expression. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the best-sellingReading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the "New Orientalist narrative" marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life from childhood memories in 1960s Shiraz to her present life as a professor in America Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.
Persian literature --- Pakistani literature --- Women authors --- History and criticism. --- Nafisi, Azar. --- Farrukhzād, Furūgh --- Pārsīʹpūr, Shahrnūsh --- Farrokhzad, Forugh --- Farrokhzaad, Foroogh --- Farrukhzod, Furūghi --- Farrukhzod, Furūgh --- Farrokhzad, Forough --- Farrochsad, Forugh --- Farroḫzād, Foruġ --- Farukhzād, Furūgh --- Farokhzad, Froogh --- פרחזאד, פרוע --- Faroḥzad, Forua' --- Farokhzad, Frough --- Fer̄uxzad, Firuẍ --- Farrochsad, Frough --- F., Forugh --- فرخزاد، فروغ --- ف.، فروغ --- Parsipour, Shahrnoush --- پرسىپور، شهرنوش --- شهرنوش پارسي پور --- پارسي پور، شهرنوس --- پارسي پور، شهرنوش --- پارسيپور، شهرنوش --- Criticism and interpretation. --- Farrukhzad, Furugh --- Parsipur, Shahrnush
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