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"While the enormous corpa of fanfiction has started to get scholarly attention, there have been few studies of how young writers are learning by contributing to these online communities. The existing studies that look at the writing and editing processes in fanfiction use individual works and authors rather than large scale quantitative research. Katie Davis and Cecilia Aragon -- an education researcher and a data scientist -- have formed a very productive partnership investigating the mechanisms of literacy formation on fanfiction sites. In this book, Aragon and Davis combine qualitative and quantitative analysis of fanfiction communities. Their five-year project used mixed-methods research, including in-depth ethnographic studies and computational analyses of vast data sets, uncovering a new kind of mentoring -- distributed mentoring -- uniquely suited to networked communities. The authors describe the evolving space of fanfiction and then develop the seven attributes of distributed mentoring: aggregation, accretion, acceleration, abundance, availability, asynchronicity, and affect. To test the theory of distributed mentoring quantitatively using this massive corpus, the authors longitudinally tracked lexical diversity over stories as authors received feedback. The combination of ethnography and data science makes this work unique, and should be of interest well beyond the core audience of literacy researchers"--
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Fan fiction - stories and novels written by fans of existing characters, and shared mainly on the internet - has long been a nearly invisible form of outsider art, but over the past decade it has grown exponentially in volume and in legal importance. Because of its nature, authorship, and underground status, fan fiction stands at an intersection of key issues regarding property, sexuality, and gender. This book examines the various types of fan-created content, most of which are to some extent derivative works, and asks whether and to what extent they can be protected as transformative uses. Author Aaron Schwabach discusses disputes between authors and their fans over the latters' use of copyrighted characters, online publication of fiction resembling copyright work, and in the case of J.K. Rowling and a fansite webmaster, the compiling of a reference work detailing an author's fictional universe - a work that Rowling once praised and then succeeded, briefly, in suppressing. Offering more thorough coverage of many such controversies than has ever been available elsewhere, and discussing fan works from the United States, Brazil, Russia, India, and China, "Fan Fiction and Copyright" advances the understanding of transformative use and points the way toward a "safe harbor" for fan fiction.
Copyright --- Fan fiction --- Copyright
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Fan fiction --- Literature and the Internet. --- Fan fiction. --- History and criticism.
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"Written originally as a fanfiction for the series Twilight, the popularity of 50 Shades of Gray has made obvious what was always clear to fans and literary scholars alike: that it is an essential human activity to read and retell epic stories of famous heroic characters. The Fanfiction Reader showcases the extent to which the archetypical storytelling exemplified by fanfiction has continuities with older forms: the communal tale-telling cultures of the past and the remix cultures of the present have much in common. Short stories that draw on franchises such as Star Trek, Star Wars, Doctor Who, James Bond, and others are accompanied by short contextual and analytical essays wherein Coppa treats fanfiction as a rich literary tradition, one that has primarily been practiced by women and sexual and racial minorities, in which non-mainstream themes and values are expressed"--
Fan fiction --- Literature and the Internet. --- History and criticism.
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Fans have been responding to literary works since the days of Homer's Odyssey and Euripedes'Medea. More recently, a number of science fiction, fantasy, media, and game works have found devoted fan followings. The advent of the Internet has brought these groups from relatively limited, face-to-face enterprises to easily accessible global communities, within which fan texts proliferate and are widely read and even more widely commented upon. New interactions between readers and writers of fan texts are possible in these new virtual communities. From Star Trek to Harry Potter, the essays in this volume explore the world of fan fiction--its purposes, how it is created, how the fan experiences it. Grouped by subject matter, essays cover topics such as genre intersection, sexual relationships between characters, character construction through narrative, and the role of the beta reader in online communities. The work also discusses the terminology used by creators of fan artifacts and comments on the effects of technological advancements on fan communities. Instructors considering this book for use in a course may request an examination copy here.
Fan fiction --- Literature and the Internet --- History and criticism
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This book explores slash fan fiction communities during the pivotal years of the late 1990s and early 2000s as the practice transitioned from print to digital circulation. Delving into over ten years of online and in-person ethnography, the book offers an in-depth examination of slash fan fiction - original stories written by and circulated within female-centered communities about same-sex characters borrowed from previously published sources - to document the history of a feminist, queer media subculture whose infrastructure, creativity, and ways of life are often obscured in dominant histories of the internet's development and by the contemporary focus on industry-friendly but often misogynist digital fan subcultures. Arguing that online slash communities created an alternate public space that provided opportunities for unanticipated encounters with a wide range of complex sexual, relational, and political practices, the book contends that slash thereby added to readers' tools for experiencing and thinking about pleasure and ways of living by forming a "pocket public," that is a digital space public enough to be found and protected enough to shield participants from harassment and censorship. This insightful and comprehensive study will interest students and scholars working in the areas of media studies, literary studies, anthropology, new media, audience communities, convergence culture, fan studies, women's studies, and queer studies. Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial (CC-BY- NC)] license. Funded by Social Sciences and Humanities Research Council of Canada (grant 435-2019-0691).
Fan fiction --- Gay culture in literature --- Lesbians' writings
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Media and Gender Adaptation examines how fans and professionals change the gender of characters when they adapt existing work. Using research into fans, and case studies on Sherlock Holmes, Ghostbusters and Doctor Who, it illustrates the foundation of the process and ways the works engage with and critique media and gender at a political level. The default maleness of narratives in media are reworked to be inclusive of other points of view. Regendering as an adaptational technique relies on audience familiarity with existing works, however it also reveals an increasing trend in aggressive backlash against interpretations of media that include marginalised and minority communities.Combining analysis of fanfiction, television and big budget Hollywood productions, Media and Gender Adaptation also analyses fan responses to regendering in popular media. Through demographic surveys and interviews with fans, creators and broader audiences, a combination of playful and serious attitudes to gender are revealed to be part of how transformative fans (professional or not) adapt work. Specific fanfiction examples are analysed alongside professional works to reveal the depth and breadth of fannish play in regendered work and the constraints that professional adaptations are held to. It also reveals a schism in audiences, and those researching media, where the intersection of gender and race are sites of tension – nostalgia combining with expected representation of gender and race to create an aggressive defence of an original work that reiterates the mainstream hierarchies of gender and race.
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Fan fiction --- Homosexuality in literature. --- Fan fic --- Fanfic --- Fiction --- History and criticism. --- Women authors
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Fan fiction --- Sequels (Literature). --- Fiction --- Fans (Persons). --- History and criticism. --- Authorship.
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Film remakes --- Film adaptations --- Motion picture audiences. --- Literature --- Fan fiction --- History and criticism. --- Adaptations
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