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''Challenges readers to acknowledge the extent to which violence figured in medieval texts and, with this recognition, to reconsider what the works teach us not only about the treatments and troping of victims in the medieval world but also how these patterns are a part of the social history of domestic violence.
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Pendant la période du confinement, la famille est apparue comme une ± valeur refuge ?, un lieu de protection face aux agressions sanitaires et aux crises extérieures. Pour autant, elle n'est pas exempte de discordes et de drames, parfois exacerbés par le huis clos prolongé. En effet, si la famille peut être considérée comme un havre de paix, elle est aussi, depuis des siècles, un groupe de personnes apparentées traversé par des tensions mortifères. L'objet du présent ouvrage est d'étudier, de manière pluridisciplinaire, différentes formes et manifestations de brutalité à l'intérieur de la famille. Est d'abord privilégiée la mise en scène et en mots des déchirements familiaux dans les journaux télévisés, les romans ou bien encore au cinéma. Une deuxième entrée rétrécit la focale et examine les violences conjugales en croisant les sources et les points de vue. Un troisième volet se veut plus réflexif, allant des conflits familiaux autour des vocations religieuses féminines jusqu'à la question des droits de l'enfant au Togo.
Violence familiale --- Enfants --- Dans l'art. --- Dans la littérature. --- Violence envers --- Family violence --- Family violence in literature. --- Family violence in literature
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In 'The Dark Thread', scholars examine a set of important and perennial narrative motifs centered on violence within the family as they have appeared in French, English, Spanish, and American literatures. Over fourteen essays, contributors highlight the connections between works from early modernity and subsequent texts from the eighteenth through the twentieth centuries in which incidents such as murder, cannibalism, poisoning, the burial of the living, the failed burial of the dead, and subsequent apparitions of ghosts that haunt the household unite "high" and "low" cultural traditions. This book questions the traditional separation between the highly honored genre of tragedy and the less respected and generally less well-known genres of histoires tragiques, gothic tales and novels, and horror stories.
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Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Bridget Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book tackles crucial questions related to Victorian ideas of nationhood, national health, inequality, newspaper coverage of murder, contested models of masculinity and the portrayal of the female domestic murderer at the fin de siècle.
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In 'The Dark Thread', scholars examine a set of important and perennial narrative motifs centered on violence within the family as they have appeared in French, English, Spanish, and American literatures. Over fourteen essays, contributors highlight the connections between works from early modernity and subsequent texts from the eighteenth through the twentieth centuries in which incidents such as murder, cannibalism, poisoning, the burial of the living, the failed burial of the dead, and subsequent apparitions of ghosts that haunt the household unite "high" and "low" cultural traditions. This book questions the traditional separation between the highly honored genre of tragedy and the less respected and generally less well-known genres of histoires tragiques, gothic tales and novels, and horror stories.
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''Challenges readers to acknowledge the extent to which violence figured in medieval texts and, with this recognition, to reconsider what the works teach us not only about the treatments and troping of victims in the medieval world but also how these patterns are a part of the social history of domestic violence.
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The Offenses Against the Person Act of 1828 opened magistrates' courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat "private" family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists' engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë's The Tenant of Wildfell Hall in the context of
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Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.
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American literature --- English literature --- Family violence --- Family violence in literature --- Littérature américaine --- Littérature anglaise --- Violence familiale --- Violence familiale dans la littérature --- History and criticism --- History and criticism --- Histoire et critique --- Histoire et critique
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