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Fairy-tale films beyond Disney : international perspectives
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ISBN: 9780415709293 0415709296 9780415709309 041570930X Year: 2016 Publisher: New York Routledge

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Film and fairy tales : the birth of modern fantasy : [from the Blue Bird to Harry Potter]
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ISBN: 9781780762517 Year: 2013 Publisher: London ; New York I.B. Tauris Publishers

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Fairy tale films
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ISBN: 0874217814 9786612896965 0874217822 1282896962 9780874217827 9781282896963 9780874217810 6612896965 Year: 2010 Publisher: Logan, Utah Utah State University Press

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In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, ""the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)."" As Jack Zipes says further in the foreword, "Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles,


Book
New approaches to teaching folk and fairy tales
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ISBN: 1607324814 9781607324812 9781607324805 1607324806 Year: 2016 Publisher: Logan Utah State University Press

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"Invaluable hands-on materials and pedagogical tools from an international group of scholars who share their experience in folk and fairy-tale texts and films in a wide range of academic settings. Groundbreaking scholarly perspectives on how to teach fairy tales in a variety of courses and disciplines "--Provided by publisher.


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The enchanted screen : the unknown history of fairy-tale films
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ISBN: 9780415990615 0415990610 9780203927496 9781135853907 9781135853945 9781135853952 9780415990622 0415990629 1135853940 9786613046079 0203927494 1135853959 1283046075 Year: 2011 Publisher: New York : Routledge,

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The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.


Book
Marvelous geometry : narrative and metafiction in modern fairy tale
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ISBN: 0814335721 9780814335727 9780814332627 0814332625 Year: 2009 Publisher: Detroit : Wayne State University Press,

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Fairy tales transformed?
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ISBN: 081433928X 9780814339282 0814334873 9780814334874 9780814334874 Year: 2013 Publisher: Detroit, MI Wayne State University Press

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"Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres." -- Publisher website.


Book
Queer enchantments
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ISBN: 0814338542 9780814338544 0814335098 9780814335093 9780814335093 Year: 2013 Publisher: Detroit


Book
Contemporary fairy- tale magic : subverting gender and genre
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ISBN: 9004418997 9004418989 9789004418981 9789004418998 Year: 2020 Publisher: Leiden, The Netherlands ; Boston : Brill Rodopi,

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"For centuries, fairy tales and folktales have given us- children and adults- the opportunity to escape from reality by transporting us to magical worlds of flying broomsticks, enchanted forests, spells, ogres, talking animals, princes, princesses, castles and dragons".


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Enchantements désenchantés : les contes queer de Jacques Demy
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ISBN: 9782753541221 2753541221 275356146X Year: 2015 Volume: *50 Publisher: Rennes : Presses universitaires de Rennes,

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L’intérêt du public n’a jamais faibli pour Jacques Demy, un des cinéastes les plus singuliers de la Nouvelle Vague, auteur entre autres de Lola, Les Parapluies de Cherbourg, Les Demoiselles de Rochefort, Peau d’Âne et Une chambre en ville. Aucune monographie nouvelle, pourtant, ne lui a été consacrée en France depuis plus de vingt ans, comme s’il ne devait être l’objet que des somptueux livres d’images qui se sont multipliés sur sa vie et son œuvre. L’étude finement détaillée de l’universitaire américaine Anne E. Duggan vient combler ce manque et stimuler la réflexion en s’attachant principalement à cinq films analysés en profondeur (aussi bien Lola, Les Parapluies de Cherbourg et Peau d’Âne que les moins connus The Pied Piper et Lady Oscar) pendant que d’autres films du cinéaste sont évoqués plus rapidement. L’approche théorique d’Anne Duggan rompt radicalement avec le consensus critique établi autour de l’œuvre de Demy, puisqu’elle choisit de se placer dans le double éclairage des études sur le conte (dont elle retrouve les archétypes jusque dans Lola et dans Les Parapluies de Cherbourg) et des queer studies qui, dans la continuation des gender studies, cherchent à identifier une pratique artistique fondée sur le refus des marges et des frontières. Le livre d’Anne Duggan est une contribution majeure au renouvellement du discours critique sur Demy. C’est aussi un superbe hommage à la complexité d’une œuvre cinématographique dont on ne se lasse pas d’explorer les faces les plus secrètes.

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