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Fanny Fern
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ISBN: 0805739815 0805795383 Year: 1993 Publisher: New York Twayne Publishers

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Shame the devil
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ISBN: 1438435886 144169787X 9781441697875 9781438435886 9781438435879 1438435878 9781438435886 Year: 2011 Publisher: Albany, N.Y. Excelsior Editions/State University of New York Press

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The remarkable and true story of the nineteenth-century novelist, journalist, and feminist Fanny Fern.


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Performatively speaking : speech and action in antebellum American literature
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ISBN: 9780813936970 9780813936963 0813936969 9780813936987 0813936985 0813936977 Year: 2015 Publisher: Charlottesville London University of Virginia Press

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Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect.


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Creating a new ideal of masculinity for American men : the achievement of sentimental women writers in the mid-nineteenth century.
Authors: ---
ISBN: 0773452044 9780773452046 Year: 2008 Publisher: Lewiston Mellen

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Transatlantic women : nineteenth-century American women writers and Great Britain
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ISBN: 9781611682762 Year: 2012 Publisher: Durham, NH University of New Hampshire Press

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Fictions of mass democracy in nineteenth-century America
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ISBN: 9781107107809 Year: 2015 Publisher: Cambridge Cambridge University Press

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The Modern Feminine in the Medusa Satire of Fanny Fern
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ISBN: 3031412761 Year: 2024 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.

Surface and depth : the quest for legibility in American culture
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ISBN: 0195157761 0199787786 0195313240 1280502770 9786610502776 160256941X 019803587X 0190289066 Year: 2003 Publisher: Oxford [etc.] Oxford University Press

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The idea of a common American culture has been in retreat for a generation or more. Arguments emphasizing difference have discredited the grand synthetic studies that marginalized groups and perspectives at odds with the master narrative. Surface and Depth: The Quest for Legibility in American Culture is a fresh attempt to revitalize an interpretive overview. It seeks to recuperate a central tradition while simultaneously recognizing how much that tradition has occluded. The book focuses on the American zeal for knowing or making accessible. This compulsion has a long history stretching back to Puritan anti-monasticism; to the organization of the landscape into clearly delineated gridwork sections; and to the creation of a national government predicted on popular vigilance. It can be observed in the unmatched American receptivity to the motion pictures and to psychoanalysis: the first a technology of visual surfaces, the second a technique for plumbing interior depths. Popular literature, especially the Western and the detective story, has reinscribed the cult of legibility. Each genre features a plot that drives through impediments to transparent resolution. Elite literature has adopted a more contradictory stance. The landmarks of the American canon typically embark on journeys of discovery while simultaneously renouncing the possibility of full disclosure (as in Ahab's doomed pursuit of the "inscrutable" white whale). The notorious modernism of American literature, its precocious attraction to obscurity and multiple meaning, evolved as an effort to block the intrusions of a hegemonic cultural dynamic. The American passion for knowability has been prolific of casualties. Acts of making visible have always entailed the erasure and invisibility of racial minorities. American society has also routinely trespassed on customary areas of reserve. A nation intolerant of the hidden paradoxically pioneered the legal concept of privacy, but it did so in reaction to its o

Criticism and the color line : desegrating American literary studies
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ISBN: 0813522633 Year: 1996 Publisher: New Brunswick, N.J. Rutgers University Press

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Keywords

American literature --- Thematology --- African Americans in literature. --- African Americans --- Race in literature. --- Race relations in literature. --- Racism in literature. --- Whites --- Intellectual life. --- African American authors --- History and criticism. --- White authors --- Intellectual life --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Poe, Edgar Allan, 1809-1849. The Narrative of Arthur Gordon Pym --- Race relations in literature --- Racism in literature --- Racisme dans la littérature --- Racisme in de literatuur --- Rassenverhoudingen in de literatuur --- Relations raciales dans la littérature --- Styron, William, 1925-2006. The Confessions of Nat Turner --- Zwarte Amerikanen in de literatuur --- History and criticism --- Twain, Mark --- Douglass, Frederick --- Criticism and interpretation --- Du Bois, William Edward Burghardt --- Howells, William Dean --- Stein, Gertrude --- Cooper, Anna Julia Hayward --- Stowe, Harriet Elizabeth Beecher --- Wright, Richard --- Poe, Edgar Allan --- Melville, Herman --- AUTEURS NOIRS AMERICAINS --- NOIRS AMERICAINS DANS LA LITTERATURE --- RELATIONS INTERETHNIQUES DANS LA LITTERATURE --- LITTERATURE AFRO-AMERICAINE --- TWAIN (MARK) --- FERN (FANNY) --- HOWELLS (WILLIAM DEAN) --- DU BOIS (WILLIAM EDWARD BURGHARDT), 1868-1963 --- COOPER (ANNA JULIA HAYWOOD) --- BEECHER-STOWE (HARRIET), 1811-1896 --- MELVILLE (HERMAN) --- POE (EDGAR ALLAN), 1809-1849 --- DOUGLASS (FREDERICK), 1817?-1895 --- STEIN (GERTRUDE), 1874-1946 --- HISTOIRE ET CRITIQUE --- Relations interethniques --- Dans la littérature

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