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"Humans make sense of the world through language and the words that compose our stories. Engaging with writers like Dante, Gerard Manley Hopkins, Flannery O'Connor, and Marilynne Robinson, this volume encourages us not only to understand how stories nourish our faith, but to discover how our stories are part of God's great story"--
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Religious faith, myths and legends have always been present in literature. However, their role has changed over time. Since the middle of the nineteenth century, with the diminishing role of religion in European society, writers with some kind of belief system, whether religious or political, have tended to use myth in two different ways. They have either retold the old, familiar myths of the past so that they carry fresh messages relevant to a contemporary audience or created their own, new ...
Faith in literature. --- Mythology in literature. --- Myth in literature.
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Faith in literature --- Faith and reason --- Borges, Jorge Luis, --- Borges, Jorge Luis, --- Religion --- Criticism and interpretation
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Faith in literature. --- Irony in literature. --- Religion in literature. --- Balzac, Honoré de,
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"Irish detectives are idiosyncratic characters, conforming neither to obsolete, stereotypical crime fiction devices nor to sentimentalized notions of Irishness engendered by the American imagination and popular culture representations. As these detectives attempt to reconcile and evaluate standards of religious and legal justice, assessing and ranking their value in a search for absolutes to incorporate in the basis of their own, individual systems, Irish noir makes use of heritage and genre in the establishment of a new approach: one which considers what it means to be both an individual and the product of social systems, both acculturated and globalized, both affected by the past and assuming a role in progress, both aware of imperfections of the self and the world and desirous of having a positive impact"--
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Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, 'Neither Believer Nor Infidel' examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre.
Faith in literature. --- Skepticism in literature. --- Melville, Herman, --- Criticism and interpretation.
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Faith in literature --- Poets, French --- Biography --- Jammes, Francis, --- Jammes, Francis --- ジャム, フランシス --- ジャムス, フランチス --- Pays Basque (France) --- Basque (France) --- Basque Country (France) --- Basque Provinces (France) --- In literature.
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As seventeenth-century England wrestled with the aftereffects of the Reformation, the personal frequently conflicted with the political. In speeches, political pamphlets, and other works of religious controversy, writers from the reign of James I to that of James II unexpectedly erupt into autobiography. John Milton famously interrupts his arguments against episcopacy with autobiographical accounts of his poetic hopes and dreams, while John Donne's attempts to describe his conversion from Catholicism wind up obscuring rather than explaining. Similar moments appear in the works of Thomas Browne, John Bunyan, and the two King Jameses themselves. These autobiographies are familiar enough that their peculiarities have frequently been overlooked in scholarship, but as Brooke Conti notes, they sit uneasily within their surrounding material as well as within the conventions of confessional literature that preceded them. Confessions of Faith in Early Modern England positions works such as Milton's political tracts, Donne's polemical and devotional prose, Browne's Religio Medici, and Bunyan's Grace Abounding to the Chief of Sinners as products of the era's tense political climate, illuminating how the pressures of public self-declaration and allegiance led to autobiographical writings that often concealed more than they revealed. For these authors, autobiography was less a genre than a device to negotiate competing political, personal, and psychological demands. The complex works Conti explores provide a privileged window into the pressures placed on early modern religious identity, underscoring that it was no simple matter for these authors to tell the truth of their interior life—even to themselves.
Polemics in literature. --- Faith in literature. --- Autobiography --- Authors, English --- Religion and literature --- English literature --- Religious aspects. --- Religious life. --- History --- History and criticism. --- Cultural Studies. --- Literature.
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