Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade" mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons," interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation," underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.

Beyoncé --- Chanteuses américaines --- Féministes noires américaines --- Féminisme et musique --- Gender --- Pop music --- Sexuality --- Singing --- Black feminism --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Feminism and music. --- Sex in music. --- Féminisme et musique --- Sexualité dans la musique --- Féminisme et musique --- Sexualité dans la musique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical - operas by Monteverdi and Bizet - to the contemporary - the performance art of Diamanda Galas and popular songs by Madonna - Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. This classic work features a new introduction that discusses the critical reception the book received and the debates it has inspired."--Jacket.

Feminism and music. --- Féminisme et musique. --- Geschlecht. --- Geschlechterrolle. --- Musik. --- Musique et femmes. --- Muziek. --- Sekseverschillen. --- Seksualiteit. --- Sex in music. --- Sexualität. --- Sexualité dans la musique.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

History of Italy --- Musicians --- anno 1800-1899 --- Opera --- Feminism and music. --- Heroines in opera. --- Heroes in opera --- Castrati --- Opéra --- Féminisme et musique --- Héroïnes à l'opéra --- Héros à l'opéra --- Castrats --- Opéra --- Féminisme et musique --- Héroïnes à l'opéra --- Héros à l'opéra --- Italy --- Gender --- Theatre --- Cross-dressing --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sex in music --- Feminism and music --- Sex differences (Psychology) --- Sexualité dans la musique --- Féminisme et musique --- Différences entre sexes (Psychologie) --- Sexualité dans la musique --- Féminisme et musique --- Différences entre sexes (Psychologie) --- Identité sexuelle --- Femmes et musique --- Dans la musique