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women [female humans] --- Iconography --- Homo sapiens [species] --- eroticism --- Spero, Nancy --- anno 1900-1999 --- United States --- Feminism in art --- Human figure in art --- Words in art --- Friezes --- Féminisme dans l'art --- Corps humain dans l'art --- Mots dans l'art --- Frises --- Exhibitions --- Exhibitions. --- Expositions --- Spero, Nancy, --- Féminisme dans l'art --- human figures [visual works] --- kunstsociologie --- United States of America
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Art and society. --- Art --- Video surveillance in art. --- Privacy in art. --- Art and computers. --- Technology --- Feminism in art. --- Art and technology. --- Art et société --- Art --- Vidéosurveillance dans l'art --- Vie privée dans l'art --- Art et ordinateurs --- Technologie --- Féminisme dans l'art --- Art et technologie --- Political aspects. --- Social aspects. --- Aspect politique --- Aspect social
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motion pictures [visual works] --- Photography --- scripts [writing] --- Iconography --- Homo sapiens [species] --- Simpson, Lorna --- anno 1900-1999 --- United States --- Women photographers --- Photography, Artistic --- Feminism in art --- Femmes photographes --- Photographie artistique --- Féminisme dans l'art --- Exhibitions --- Expositions --- Simpson, Lorna, --- Etats-Unis --- Social conditions --- Pictorial works --- Conditions sociales --- Ouvrages illustrés --- Féminisme dans l'art --- Ouvrages illustrés --- Exhibitions. --- Pictorial works. --- human figures [visual works] --- United States of America
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Photography, Artistic --- Self-portraits, American --- Parody in art --- Dolls in art --- Feminism in art --- Photographie artistique --- Autoportraits américains --- Parodie dans l'art --- Poupées dans l'art --- Féminisme dans l'art --- Exhibitions --- Expositions --- Sherman, Cindy --- Exhibitions. --- kunst --- twintigste eeuw --- Lucas Sarah --- Groot-Brittannië --- installaties --- fotografie --- video --- lichamelijkheid --- seksualiteit --- 7.071 LUCAS --- Autoportraits américains --- Poupées dans l'art --- Féminisme dans l'art --- Lucas, Sarah
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De auteur van dit boek, professor kunstgeschiedenis aan het Columbia University, beschrijft in zes hoofdstukken Cindy Shermans zeer diverse oeuvre. Deze monografie biedt tevens een uitgebreid visueel overzicht.
Photography, Artistic --- Self-portraits, American --- Parody in art --- Feminism in art --- Photographie artistique --- Autoportraits américains --- Parodie dans l'art --- Féminisme dans l'art --- Exhibitions --- Expositions --- Sherman, Cindy --- Criticism and interpretation --- Sherman, Cindy °1954 (°Glen Ridge, New Jersey, USA) --- Fotografen ; 2de h. 20ste eeuw ; Cindy Sherman --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Thema's in de kunst ; zelfportretten ; vrouwentypes --- Simulation Art --- Kunstenaars en modellen --- Thema's in de fotografie ; "zelfportretten" met andere identiteit --- 77.092.07 --- 7.07 --- Fotografen A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Photography, Artistic. --- Sherman Cindy --- fotografie --- lichamelijkheid --- kunst --- 77.071 SHERMAN --- Text by Rosalind Krauss ; With an essay by Norman Bryson --- Autoportraits américains --- Féminisme dans l'art --- anno 1900-1999 --- United States --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Sherman, Cindy. --- Criticism and interpretation. --- Exhibitions. --- United States of America --- Artists --- Drawing --- Images of women --- Book
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The first volume in the new Plural series, this publication seeks to critically dissect the term 'activism,' which today seems to have become a catchword for any woman's empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
Feminism and art --- Feminism in art --- Art, Modern --- kunst --- kunsttheorie --- kunstgeschiedenis --- kunst en feminisme --- feminisme --- activisme --- kunst en activisme --- cultuursociologie --- cultuurfilosofie --- fotografie --- film --- documentaire --- twintigste eeuw --- eenentwintigste eeuw --- 7.036/039 --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art and feminism --- Art --- Feminism and art. --- Feminism in art. --- Art, Modern. --- economics --- ecology --- social stratification --- feminism --- emancipation --- maternity --- women [female humans] --- art [fine art] --- racial discrimination --- gender issues --- resistance [political activity] --- 7.01 --- Kunst en feminisme --- Kunst en activisme --- Kunst ; theorie, filosofie, esthetica --- #breakthecanon --- art [discipline] --- Feminismus. --- Frauenkunst. --- Féminisme dans l'art. --- Féminisme et art. --- Feminism --- Feminist art --- Gender --- Queer --- Body --- Menstruation --- Racism --- Film directors --- Sexism --- Theatre --- Telework --- Trauma --- Second feminist wave --- Care work --- Book --- Discrimination --- Intersectionality --- Empowerment --- Féminisme et art. --- Femmes artistes.
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"Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the twentieth century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, all wanted to work, and as they rose to these challenges, their art further undermined conventions. Their depictions of children symbolise joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze towards a newfound role, expressive of powerful maternity and female subjectivity. These dramatic modernist compositions, with their fluid brushwork and bright hues, push at the boundaries of form, colour and spiritual meaning"--
Expressionism (Art) --- Women painters --- Feminism in art --- Modersohn-Becker, Paula, --- Kollwitz, Käthe, --- Münter, Gabriele, --- Werefkin, Marianne, --- Art --- Expressionist [style] --- anno 1920-1929 --- Germany --- Modersohn-Becker, Paula --- Heemskerck, van, Jacoba --- Reylaender, Ottilie --- Barrera-Bossi, Erma --- Münter, Gabriele --- Werefkin, von, Marianne --- Kollwitz, Käthe --- Painters --- Women artists --- Kollwitz, Käthe, --- Münter, Gabriele, --- Von Werefkin, Marianne, --- Verevkina, Marianna Vladimirovna, --- Werefkina, Mariamna Wladimirowna, --- Verefkina, Mariamna Vladimirovna, --- Веревкина, Марианна Владимировна, --- Becker, Paula Modersohn-, --- Becker-Modersohn, Paula, --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Post-impressionism (Art) --- Kollwitz, Käthe --- Kollwitz, Käthe Schmidt, --- Kʻo-le-hui-chih, --- Kolʹvit︠s︡, Kėte, --- Kollwitz, Kaethe, --- 柯勒惠支克特, --- Кольвиц, Кете, --- Кольвиц, Кэте, --- Колльвиц, Кэте, --- Kollʹvit︠s︡, Kėte, --- Ḳolṿits, Ḳeteh, --- קולוויץ, קיתה --- קולוויץ, קטה --- קולביץ, קטה --- קולויץ, קטה --- Werefkin, Marianne --- Münter, Gabriele --- Painting, German --- Drawing, German --- modernisme. --- vrouwelijke kunstenaars. --- Duits expressionisme. --- Modersohn-Becker, Paula. --- Werefkin, Marianne von. --- Münter, Gabriele. --- Kollwitz, Käthe. --- Van Heemskerck, Jacoba. --- Reylaender, Ottilie. --- Bossi, Erma. --- Duitsland. --- modernisme --- vrouwelijke kunstenaars --- Duits expressionisme --- Werefkin, Marianne von --- Van Heemskerck, Jacoba --- Bossi, Erma --- Duitsland --- DESIGN / Graphic Arts / General. --- Expressionism (Art). --- Expressionnisme (Art) --- Feminism in art. --- Femmes peintres --- Féminisme dans l'art --- Women painters. --- 1900-1999. --- Germany.
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