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Jack Lynch contends that forgery, fakery and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface.
Debatte. --- Englisch. --- Fälschung. --- Geistesleben. --- Literarische Fälschung. --- Rezeption. --- Geschichte 1700-1800. --- Gro�britannien.
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Betrug --- Contrebande --- Contrefaçon --- Forgery --- Forgery. --- Fraud --- Fraud. --- Fraude --- Fälschung --- Schmuggel --- Smuggling --- Smuggling. --- Fälschung --- Schmuggel --- Histoire --- Histoire --- History --- History --- Histoire --- Schmuggel --- Betrug --- Fälschung --- Betrug --- History
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Fälschung. --- Geschichtsklitterung. --- Histoire --- History --- History --- Irrtum. --- Weltgeschichte. --- Erreurs, inventions, etc. --- Errors, inventions, etc. --- Errors, inventions, etc.
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Ancient Greek coins --- Coins, Greek --- Fälschung --- Katalog. --- Münze --- Forgeries --- Caprara --- Catalogs. --- Caprara, --- Caprara. --- Caprara (Krimineller) --- Griechenland (Altertum) --- Fälschung. --- Münze. --- Caprara (Krimineller). --- Griechenland (Altertum). --- Contrefaçons de monnaies grecques. --- Namaak van munten (Griekse).
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In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources, Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who’s who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find’s authenticity finally convinced scholars and curators that the grave was a fraud. Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth.
Royal Ontario Museum. --- ROM --- America --- Ontario --- Discovery and exploration --- Norse. --- Antiquities. --- Archaeological museums and collections. --- Hoaxes --- Museums --- Vikings --- Fälschung --- Funde --- Wikinger --- Grab --- SOCIAL SCIENCE / Archaeology. --- Begräbnisstätte --- Begräbnisplatz --- Grabstätte --- Grablege --- Gräber --- Bestattung --- Friedhof --- Gräberfeld --- Bodenfund --- Bodenfunde --- Archäologische Funde --- Ausgrabung --- Bodendenkmal --- Verfälschung --- Fälschungen --- Nachahmung --- Plagiat --- Original --- Northmen --- Humbugs --- Deception --- Fraud --- Practical jokes --- Archaeological collections --- Anthropological museums and collections --- Antiquities --- Acquisitions --- Collection and preservation
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English literature --- Literary forgeries and mystifications --- Romanticism --- Frauds, Literary --- Literary frauds --- Literary hoaxes --- Literary mystifications --- Mystifications, Literary --- Authorship --- Errors and blunders, Literary --- Forgery --- Hoaxes --- Literary curiosa --- Anonyms and pseudonyms --- Imaginary books and libraries --- Pasticcio --- History and criticism --- Literary forgeries and mystifications. --- English literature. --- Romanticism. --- Authentizität. --- Literarische Fälschung. --- Literatur. --- Romantik. --- 1700-1899. --- Geschichte 1760-1845. --- Great Britain. --- Englisch.
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001.95 --- 655 <064> --- 655 <064> Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tentoonstellingscatalogi. Museumcatalogi --- 655 <064> Graphic industries. Printing. Publishing. Book trade--Tentoonstellingscatalogi. Museumcatalogi --- Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tentoonstellingscatalogi. Museumcatalogi --- Graphic industries. Printing. Publishing. Book trade--Tentoonstellingscatalogi. Museumcatalogi --- 001.95 Wetenschappelijk bedrog en mystificatie --- Wetenschappelijk bedrog en mystificatie --- Antike --- Archäologie --- Barock --- Frühe Neuzeit --- Fälschung --- Klassische Moderne --- Kunstfälschung --- Kunstgeschichte --- Mediengeschichte --- Wissenschaftsgeschichte
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Art --- Art --- Art --- Arts --- Arts --- Arts --- Auteurschap. --- Autorschaft. --- Beweis. --- Faux et supercheries littéraires --- Faux --- Forgery --- Forgery. --- Fraud in science --- Fraud in science. --- Fraude scientifique --- Fälschung. --- Kunstvoorwerpen. --- Literary forgeries and mystifications --- Literary forgeries and mystifications. --- Vervalsing. --- Wetenschappen. --- Faux --- Forgeries --- Forgeries. --- Faux --- Forgeries --- Forgeries.
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Canterbury
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20.15 conservation, restauration and forgery of works af art. --- Antiquités --- Art --- Art --- Art --- Banknote. --- Briefmarke. --- Counterfeits and counterfeiting. --- Counterfeits and counterfeiting. --- Faux et supercheries littéraires. --- Forgery of antiquities. --- Forgery of antiquities. --- Fälschung. --- Kunst. --- Kunstfälschung. --- Kunsthandwerk. --- Kunstvoorwerpen. --- Literary forgeries and mystifications. --- Literary forgeries and mystifications. --- Vervalsers. --- Vervalsing. --- Faux. --- Faux. --- Forgeries. --- Forgeries.
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