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Fille d'Hiroshima et Nagasaki créée en 1970, la personnage de BD de la jeune électronicienne Yoko Tsuno aurait pu visiter l'Expo '70 d'Osaka. Parmi les 60 millions de visiteurs de ce capharnaüm métaboliste high-tech, elle aurait pu s'émerveiller du pavillon interactif que Pepsi-Cola commandite au collectif d'artistes EAT (Experiments in Art and Technology). Mais pourquoi une multinationale du soda confiait-elle, en pleine guerre du Viêt Nam, sa vitrine éphémère à des représentants de la " contre-culture " ? Spécialiste de l'histoire des médias et de l'émergence de la cyberculture, Fred Turner fournit ici quelques clefs de lecture du moment où, aux USA, le naufrage des communautés néo-rurales hippies s'apprête à réinventer la Silicon Valley.
Constructions pour expositions. --- Exposition internationale --- Pepsico --- Experiments in art and technology --- Exposition universelle --- Bâtiment d'exposition --- Architecture de spectacle --- Architecture éphémère --- Art numérique --- Cybernétique --- Image de marque --- Espace sensoriel --- Osaka --- Constructions pour expositions
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"In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects that were at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s --Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the U.K. The subjects covered range from collaborative projects between artists and scientists to commercial ventures and experiments in intermedia, onto to multi-disciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, or remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world include John Cage, Hans Haacke, Robert Irwin, John Latham, Bernd and Hilla Becher, Sol LeWitt, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined."--Provided by publisher.
Art and society. --- Art and technology. --- Art et société. --- Art et technologie. --- Art --- Art, Modern --- Art, Modern. --- Artist Placement Group --- Artist Placement Group. --- Experiments in Art and Technology (Organization) --- Experiments in Art and Technology (Organization). --- Los Angeles County Museum of Art. --- Histoire. --- History. --- 1900-1999. --- Kunst --- essays --- technologische wetenschappen --- technologie --- begrippen met betrekking tot het creatieve proces --- Kinetische kunst --- experimenteren --- onderzoeken [bepalen] --- modern [stijlen en perioden] --- interdisciplinarity --- electronic art --- electronic [technology-related concept] --- creating [activity] --- kunstenaars --- onderzoekers --- performance-kunstenaars --- Haacke, Hans --- Schneeman, Carolee --- Cage, John --- Becher, Bernd und Hilla --- anno 1960-1969 --- creativiteit --- performances [live] --- politieke kunst --- Irwin, Robert --- Rainer, Yvonne --- Nakaya, Fujiko --- Whitman, Robert --- Rauschenberg, Robert --- Turrell, James --- Latham, John --- Los Angeles County Museum of Art --- EAT --- anno 1970-1979 --- technology [general associated concept] --- creativity --- performance art --- political art --- Los Angeles County Museum of Art [Los Angeles, Calif.]
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Arcangel, Cory ; Ascott, Roy ; Bailey, Jeremy ; Barry , Judith ; Bilal, Wafaa ; Blas , Zach ; Breuning , Olaf ; Bridle , James ; Bunting, Heath ; Bureau of inversive Technology ; Catala, Antoine ; Chernyshev, Aristarkh ; Cortright, Petra ; Cosic, Vuk ; Coupland, Douglas ; CTG ; Cybernetic Serendipity ; Domanovic, Aleksandra ; Dulaart, Constant ; Experiments in Art and technology ; Farocki, Harun ; Hadjithomas, Joana ; Joreige, Khalil ; Hempton, Celia ; Henrot, Camille ; Hill, Gary ; Hirsch, Ann ; JODI ; Kac, Eduardo ; Kaprow, Allan ; Kawano, Hiroshi ; Khaled, Mahmoud ; Laric, oliver ; Leegte, Jan robert ; Lialina, Olia ; Longson, Tony ; Lund, Jonas ; Magid, Jill ; Model Court ; Mohr , Manfred ; Molnar, vera ; Mouchette ; Musson, Jayson ; Nake, Frieder ; Nathanson, Joshua ; Novitskova, Katja ; Oehlen, Albert ; Paglen, Trevor ; Rafman, Jon ; Roth, Evan ; Ruff, Thomas ; Ruthner, Alex ; Satterwhite, Jacobly ; Schwartz, Lilian ; sedgley, Peter ; Simon, terry ; Stark, Frances ; Steyerl, Hito ; Sturtevant ; Syms, Martine ; Trecartin, Ryan; Ulman, Amelia ; VanDerBeek, stan ; Wagenknecht, Addie ; Weiner, lawrence; Wiggen Ulla ; the Yes Men ; Young-Hae Chang Heavy Industries --- MAD-faculty 16 --- kunst en technologie --- hedendaagse kunst
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