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Experimental poetry --- Experimental poetry, English --- 1900-1999
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"Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-line report on the rapid development of this poetry in the period between 2015 and 2020, with a particular focus on the relationship of poetry to violence and its representation ... Ultimately, Hayward argues that the lessons this poetry teaches is never to write a "worthy" narrative when a fucked up collage will do. Rather than a cohesive "account" of a "school" of poets, or a "contribution" to the boring tittle-tattle of aesthetic debates over British poetry as an institution, Wound Building is a front-line report on the local disasters of a contemporary UK poetry caught in the grip of the historical cataclysm of capitalist culture. Wound Building is further concerned with aesthetic problems related to Marxism, anarchism, contemporary trans politics, and class, though its "theoretical" preoccupations are subordinated to its desire to provide a ground-level view on the writing itself, its production, its intellectual aporia, and the ways it finds itself outstripped by the ongoing "march of events" ... "--
Experimental poetry, English. --- Political poetry, English --- History and criticism.
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In an age of globalization, computerization, and commodification, why read poetry? This most literary, most artificial, and least profitable genre seems ill suited to meet today's challenges. Or is it? This volume, which collects papers and poems read at a conference on British and North American experimental poetry, demonstrates the opposite. Scholars and poets from five countries discuss the nature and the function of poetic experiment in our rapidly changing world: What is poetry's relation to science? What is, what can "experiment" in verse? How transnational is current poetry? And what happened to the "lyric I"? This volume speaks to the importance of "Another Language" - the language of poetic experimentation.
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English poetry --- Experimental poetry, English --- Literary form --- Poetics --- History and criticism. --- History and criticism. --- History --- History
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Experimental poetry, English --- Philosophy in literature --- Postmodernism (Literature) --- History and criticism --- Milton, John --- Milton, John --- Criticism and interpretation. --- Philosophy.
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This book discusses contemporary British poetry in the context of metamodernism. The author argues that the concept of metamodernist poetry helps to recalibrate the opposition between mainstream and innovative poetry, and he investigates whether a new generation of British poets can be accurately defined as metamodernist. Antony Rowland analyses the ways in which contemporary British poets such as Geoffrey Hill, J. H. Prynne, Geraldine Monk and Sandeep Parmar have responded to the work of modernist writers as diverse as T. S. Eliot, H. D. and Antonin Artaud, and what Theodor Adorno describes as the overall enigma of modern art.
English poetry --- Experimental poetry, English --- Modernism (Literature) --- Post-postmodernism (Literature) --- History and criticism. --- Literary movements --- Literature, Modern --- Crepuscolarismo --- English experimental poetry --- English literature
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Art de conter en litterature --- Christelijke bedevaarders en bedevaarten in de literatuur --- Christian pilgrims and pilgrimages in literature --- Medieval rhetoric --- Middeleeuwse retorica --- Pèlerins et pèlerinages chrétiens dans la littérature --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Storytelling in literature --- Vertelkunst in de literatuur --- Chaucer, Geoffrey --- English poetry --- Middle English, 1100-1500 --- History and criticism --- Experimental poetry [English ] --- Tales [Medieval ] --- Chaucer, Geoffrey, - d. 1400. - Canterbury tales. --- Experimental poetry, English - History and criticism. --- CHAUCER (GEOFFREY), d. 1400 --- CANTERBURY TALES
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