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"In 1961, Martin Esslin named a body of plays that lacked plot, character depth, and details of time and space the 'Theatre of the Absurd'. Esslin explained that this type of theatre, minimalist in the extreme, constituted a response to the existential crisis of Europe, which was in the midst of recovering from World War II. But the fact that this body of theatre lacked details of time and space means that we may break the ties that anchor the Theatre of the Absurd irremediably to the historical context of post-World War II Europe. How can the Theatre of the Absurd speak meaningfully to us in the twenty-first century? This book explores this question by combining the avant-garde that Martin Esslin named in 1961 in his signature work The Theatre of the Absurd with gender studies, queer theory, and psychoanalysis, and avant-garde studies. The Theatre of the Absurd is capable of subverting post-millennial institutions and ideologies, including the Prison Industrial Complex and the West's domination of the Islamic world in a post-9/11 era"--

European drama --- Experimental drama --- History and criticism --- European drama - 20th century - History and criticism --- Experimental drama - History and criticism

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'Speaking in Tongues 'presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. ' Speaking in Tongues' draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of 'Performance: A Critical Introduction'; T'heories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present'; and 'The Haunted Stage: The Theatre as Memory Machine', among many other books.

Theatrical science --- anno 1900-1999 --- anno 2000-2099 --- Italy --- Deaf -- Interpreters for --- Deaf -- Translating services --- Doven -- Tolkdiensten --- Doven -- Tolken voor --- Gebarentaaltolken --- Interpreters for the deaf --- Interprètes pour les sourds --- Language and languages in literature --- Langue et langues dans la littérature --- Sign language interpreters --- Sourds --Traducteurs pour les --- Taal en talen in de literatuur --- Tolken in de gebarentaal --- Tolken voor doven --- Drama --- Dialect drama --- Dialect drama, Italian --- Experimental theater --- Experimental drama --- Theater --- History and criticism --- History --- Interpreters for the deaf. --- Language and languages in literature. --- History and criticism. --- Dialect drama [Italian ] --- 20th century --- Developing countries --- Deaf --- Deaf, Interpreters for --- Translators --- Avant-garde drama --- Literature, Experimental --- Alternative theater --- Avant-garde theater --- Dialect literature --- Criticism --- Translating services --- Means of communication --- Drama - History and criticism --- Dialect drama - History and criticism --- Dialect drama, Italian - History and criticism --- Experimental theater - History - 20th century --- Experimental drama - History and criticism --- Theater - Developing countries - History - 20th century --- Interpreters for deaf people