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From 'Wild Tales' to 'Zama', Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? 'Moving Verses' studies the relationship between poetry and cinema in Argentina. Although both the 'poetics of cinema' and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue.
Motion pictures --- Poetry in motion pictures. --- History. --- Argentine cinema --- Experimental cinema --- Latin American film/cinema studies --- Intermediality --- Adaptation studies
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Arts --- Art and society --- Art and society. --- Arts. --- Fine arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Arts, Daghestan --- Art and sociology --- Society and art --- Sociology and art --- Art --- Social aspects --- fine arts and multimedia --- experimental cinema --- museums --- arts and education --- Humanities --- Arts, Primitive
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In his doctoral dissertation, Christoph Seelinger provides an overview of strategies for legitimizing and functionalizing documentary death scenes in narrative cinema. Seelinger's chronological arc begins with the earliest animal deaths on camera, such as the filmed execution of the female elephant Topsy in »Electrocuting an Elephant – Thomas A. Edison« (1903), and it continues to the glossy snuff videos of the Islamic State's media department in the 2010s. Between these two poles, the author – with the same academic scrutiny – looks at established arthouse films, but all also at countless representations of station cinema that have been dismissed as trash and exploitation and have so far eluded academic research. The result is a foray through the more ostracized regions of cinema history and, in the process, nothing less than the first detailed history of the intrusion of real depictions of death into the fiction of the feature film. Christoph Seelinger liefert in seiner Promotionsschrift einen Überblick über Legitimations- und Funktionalisierungsstrategien dokumentarischer Toten- und Todesszenen im Erzählkino. Seelingers chronologischer Bogen beginnt bei den frühesten animalischen Toden vor laufender Kamera wie beispielsweise der filmisch festgehaltenen Hinrichtung des Elefantenweibchens Topsy in »Electrocuting an Elephant – Thomas A. Edison« (1903) und er führt bis zu den Hochglanz-Snuff-Videos der Medienabteilung des Islamischen Staates in den 2010er Jahren. Zwischen diesen beiden Polen betrachtet der Autor mit derselben medienwissenschaftlichen Hinwendung arrivierte Arthouse-Filme, vor allem aber auch zahllose als Trash und Exploitation abqualifizierte Vertreter des Bahnhofskinos, die einem akademischen Zugriff bislang entzogen waren. Das Ergebnis ist ein Streifzug durch die verfemteren Regionen der Kinogeschichte und dabei nichts weniger als die erste auführliche Geschichte des Einbruchs realer Todesdarstellungen in die Fiktion des Spielfilms.
Experimental films --- Humanities --- Benjamin, Walter, --- Kracauer, Siegfried, --- Germany --- death and cinema --- death and photography --- snuff films --- death in film --- Learning and scholarship --- Classical education --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Ginster, --- Kracauer, S. --- Krakauėr, Z. --- Krakauėr, Zigfrid --- Banyaming, --- Benjamin, W. --- Benʼyamin, Varutā, --- Binyamin, Ṿalṭer, --- Holz, Detlef, --- Peñcamin̲, Vālṭṭar, --- Penyamin, Palt'ŏ, --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe --- Film theory & criticism --- Film: styles & genres --- Death and cinema; Mondo; experimental cinema; death and photography; grindhouse; Walter Benjamin; genre cinema; crossing borders; transgression; Siegfried Kracauer; Georges Bataille; dying in film; snuff; fairground cinema; exploitation cinema; staging death; film history; death scenes; death in film
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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Richard Abel --- film --- filmtheorie --- Frankrijk --- twintigste eeuw --- 791.41 --- Film criticism --- Motion pictures --- Critique cinématographique --- Cinéma --- History. --- Histoire --- Critique cinématographique --- Cinéma --- 791.43 <44> --- Filmkunst. Films. Cinema--Frankrijk --- Crítica cinematográfica --- Cine --- -Filmkunst. Films. Cinema--Frankrijk --- 791.43 <44> Filmkunst. Films. Cinema--Frankrijk --- -Audio-visual materials --- -791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Historia. --- 791.43.01 --- #SBIB:309H522 --- #SBIB:309H524 --- -Motion pictures --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Audiovisuele communicatie: kritiek --- Audiovisuele communicatie: semiotiek --- History --- History and criticism --- Evaluation --- -Cinema --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Motion pictures. --- Motion picture plays. --- Film criticism. --- Motion picture plays --- History and criticism. --- France. --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Action française. --- Aeschylus. --- Andrew, Dudley. --- Aragon, Louis. --- Arquillière. --- Barrabas (1920). --- Bergson, Henri. --- Bernstamm, Serge. --- Bloc National government. --- Bonnotgang. --- Boris, Georges. --- Bresson, Robert. --- Bébé series. --- Caille, Alexis. --- Candide. --- Canudo, Ricciotto. --- Castle, Irène. --- Charpentier, Roger. --- Cinéa. --- Cinéopse. --- Comoedia. --- Corneille. --- Crisp, Donald. --- Dadaism. --- Delluc, Louis. --- Derain, Lucie. --- Destiny (1921). --- Dulac, Germaine. --- Dullin, Charles. --- Eagleton, Terry. --- Eisenstein, Sergei. --- Etiévant, Henri. --- Excelsior. --- Faure, Elie. --- Fescourt, Henri. --- Films Albatros. --- Fleg, Edmond. --- Gallimard. --- Gaugin, Paul. --- Grave, Jean. --- Hansen, Miriam. --- Hériat, Philippe. --- Impressionist painting. --- Janowitz, Hans. --- Kaufman, Boris. --- Marxism. --- Nazimova. --- Offenbach, Jacques. --- Paracelsus. --- animated film. --- avant-garde, concept of. --- film industry crisis. --- Accords Matignon. --- Arabesques (1929). --- Artaud, Antonin. --- Bailby, Léon. --- Bancroft, George. --- Baudelaire, Charles. --- Beaumont, Henry. --- Blonde Venus (1932). --- Borger, Lenny. --- Brasillach, Robert. --- Bunuel, Luis. --- Cahiers du film, Les. --- Carné, Marcel. --- Censorship Commission. --- Cheronnet, Louis. --- Ciboulette (1931). --- Cinéma du peuple. --- Cinémagazine. --- Cognasse (1931). --- Comédie française. --- Crainquebille (1923). --- Dalio, Marcel. --- Dekorba, Maurice. --- Doumergue, Gaston. --- Ducaux, Annie. --- Duvivier, Julien. --- Ehrenberg, Ilya. --- Epstein, Jean. --- Epstein, Marie. --- Experimental Cinema. --- Fayard, Arthème. --- Fondane, Benjamin. --- Forfaiture (1937). --- Frankfurt School. --- French Communist Party. --- Hawks, Howard. --- Hepburn, Katherine. --- Hurricane (1937). --- Ivens, Joris. --- Jaubert, Maurice. --- Jezebel (1938). --- Jouvenal, Henry de. --- Madone des sleepings. --- Mon Film. --- Musset, Alfred de. --- Nanook (1922). --- Oedipus Rex. --- amour, Philippe. --- animation film. --- documentary film. --- fascism. --- film: and poetry. --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- -History --- CINEMA --- CRITIQUE CINEMATOGRAPHIQUE --- THEORIE CINEMATOGRAPHIQUE --- CINEMA FRANCAIS --- FRANCE --- ANTHOLOGIES --- HISTOIRE --- 1907-1929 --- Historia
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