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"From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto's unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space."--Publisher's website.

Art --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Exhibition techniques. --- Display techniques --- exhibition spaces --- nineteenth century --- Japan --- America --- twentieth century --- museum lighting --- Western Europe --- 1700-1899

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"The increasing trend towards collaborations between practising artists and museum curators has in some cases involved the rehanging of existing collections or redesigning of gallery spaces. In this way the probing instinct of the creative mind counterbalances the sense of permanence and order associated with the museum in a constructive dialogue involving elements of the past, present and future."--BOOK JACKET.

museology --- Museology --- Art --- kunst --- musea --- museologie --- collecties --- verzamelingen --- 069 --- Artists and museums --- Art, Modern --- Installations (Art) --- Museums --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Museums and artists --- Art museums --- Exhibition techniques --- Philosophy --- Display techniques

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Boccioni, Umberto ; Balla, Giacomo ; Rousseau ; Kokoschka, Oskar ; Marc, Franz ; Klee, Paul ; Macke, August ; Delaunay, Robert ; Kandinsky, Wassily ; Leger, Fernand ; Larionov, Michail ; Gontcharova ; Feininger, Lyonel ; Picabia, Francis ; Lissitzky, El ; Schwitters, Kurt ; Moholy-Nagy, Laszlo ; Calder, Alexander ; Miro, Joan ; González, Julio ; Picasso, Pablo ; Fontana, Lucio ; Hamilton, Richard ; Klein, Yves ; Oldenburg, Claes ; Spoerri, Daniel ; Tinguely, Jean ; Rauschenberg, Robert ; Ultvedt, Per Olof ; Raysse, Martial ; de Saint Phalle, Niki ; Richter, Gerhard ; Fischer-Lueg, Konrad ; Beuys, Joseph ; Pascali, Pino ; de Maria, Walter ; Gilbert & George ; Kounellis, Jannis ; Schum, Gerry ; Flanagan, Barry ; Long, Richard ; Smithson, Robert ; Oppenheim, Dennis ; Heizer, Mike ; Buren, Daniel ; Artschwager, Richard ; Ruthenbeck, Reiner ; Sonnier, Keith ; Broodthaers, Marcel ; Vostell, Wolf ; Maciunas, George ; Brecht, George ; Ben ; Whitman, Robert ; Segal, George ; Merz, Mario ; Judd, Donald ; de Dominicis, Gino ; Toroni, Niele ; Förg, Gunther ; Fabro, Luciano ; De Maria, Nicola ; Scholte, Rob ; Nordman, Maria ; Nauman, Bruce ; Kosuth, Joseph ; LeWitt, Sol

Museology --- Art --- Art, Modern --- Exhibition techniques. --- 069 --- kunst --- musea --- tentoonstellingen --- twintigste eeuw --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Exhibition techniques --- Display techniques

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In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century.

Visual communication in art. --- Art --- Exhibition techniques. --- Collectors and collecting. --- Montage --- Museology --- collections [object groupings] --- installations [exhibitions] --- Visual communication in art --- Exhibition techniques --- Collectors and collecting --- Art collectors --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Display techniques --- visuele communicatie

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contemporary art --- exhibitions --- biennials --- art history --- visual culture --- art --- Art --- Biennials (Art fairs) --- Exhibition techniques --- Philosophy --- History --- Exhibitions --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Biennales (Art fairs) --- Art fairs --- Exhibition techniques. --- Exhibitions. --- Display techniques in art --- Exhibition techniques in art --- Display techniques