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i know it isn't fair, but some time ago I came up with an all-purpose response to that question of questions that we are faced with so often that we've come to forget or overlook what we're really being asked. You know the one. It's usually raised when you're in a group, and someone in some sort of petty authority say a waiter or a tour guide or a stewardess is presiding. Tis person is talking to you all, explaining something the daily specials, how we'll all meet back here at the bus in forty-?ve minutes, that you can't use the bathroom while we're taxiing and at some point they ?nally stop. And then they ask it: Does anyone have any questions?  Now, if I am part of this group and feeling especially put-upon by this person or otherwise disruptive, I will raise my hand. Yes?  they will inevitably ask. And I will say it: Um, why does evil exist?  And, wow, that really throws them for a loop. Um ¦  Like I said, it isn't fair. Fish in a barrel, really. But they asked, and I'm asking. Uh, what do you mean?  Tey always say that, too.

Graphic arts --- grafische vormgeving --- Good and evil in art. --- Graphic design. --- Graphic Design. --- Evil in art

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i know it isn’t fair, but some time ago I came up with an all-purpose response to that question of questions that we are faced with so often that we’ve come to forget or overlook what we’re really being asked. You know the one. It’s usually raised when you’re in a group, and someone in some sort of petty authority—say a waiter or a tour guide or a stewardess—is presiding. Tis person is talking to you all, explaining something—the daily specials, how we’ll all meet back here at the bus in forty-?ve minutes, that you can’t use the bathroom while we’re taxiing—and at some point they ?nally stop. And then they ask it: “Does anyone have any questions?” Now, if I am part of this group and feeling especially put-upon by this person or otherwise disruptive, I will raise my hand. “Yes?” they will inevitably ask. And I will say it: “Um, why does evil exist?” And, wow, that really throws them for a loop. “Um…” Like I said, it isn’t fair. Fish in a barrel, really. But they asked, and I’m asking. “Uh, what do you mean?” Tey always say that, too.

Graphic arts --- grafische vormgeving --- Good and evil in art. --- Graphic design. --- Graphic Design.

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Le XXe siècle. La succession des avant-gardes artistiques. C'est-à-dire, sur fond de soubresauts sublimes, la lente agonie de la peinture...Le XXe siècle. La croyance au Progrès infini de l'Homme, de l'Espèce et des sociétés. Les idéologies laïques du Bien. Le retour mal déguisé, dans nós philosophies et nos morales, des vieilles hérésies que l'Eglise catholique eut à combattre depuis ses débuts. C'est-à-dire, dans le réel, l'irruption abrupte de la monstruosité: stalinisme, nazisme, multiplication accélérée des charniers humains...Quel lien entre l'extinction d'un art et la fin d'un monde? Entre cette longue éclipse que connaît l'art pictural et le tragique naufrage de nos civilisations? Quel même mortel virus a atteint la peinture et l'image que l'homme se donne de lui-même à travers ses religions, ses idéologies et ses politiques? C'est à ces questions que ce livre s'efforce de répondre.Jacques Henric est romancier. Cela signifie que la Peinture et le Mal est, certes, un essai sur l'art puisqu'il y est question de Titien, Tintoret, Watteau, Poussin, Greco, Goya, Seurat, Toulouse-Lautrec, Cézanne, Duchamp, Mondrian, Pollock... Mais que c'est aussi l'ébauche d'un roman, un journal intime, un traité de morale, un pamphlet politique, un cri d'alarme et de colère. Superbement écrit, l'ensemble se situe dans la continuité des essais sur l'art de Malraux et de Georges Bataille.

Painting --- Good and evil in art. --- Peinture --- Bien et mal dans l'art --- Psychological aspects. --- Aspect psychologique --- Good and evil in art --- Psychological aspects --- Psychoanalyse --- cultuur en religie --- cultuur en religie. --- Cultuur en religie. --- Painting - Psychological aspects

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Allegories --- Art, Medieval --- Good and evil in art --- Allégories --- Art médiéval --- Bien et mal dans l'art --- 091.31:7.04 --- Medieval art --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- Evil in art --- Allégories --- Art médiéval --- Good and evil in art.

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Thematology --- Comparative literature --- Esoteric sciences --- Art --- anno 500-1499 --- Devil --- Devil in art --- Devil in literature --- Good and evil in art --- Diable --- Diable dans l'art --- Diable dans la littérature --- Bien et mal dans l'art --- History of doctrines --- Histoire des doctrines --- Devil in literature. --- Devil in art. --- Good and evil in art. --- 235.2 --- Kwade engelen. Demonen. Demonologie. Duivel. Satan. Lucifer. Asmodeus. Beëlzebub. Mephistoteles --- 235.2 Kwade engelen. Demonen. Demonologie. Duivel. Satan. Lucifer. Asmodeus. Beëlzebub. Mephistoteles --- Diable dans la littérature --- Evil in art --- Beelzebub --- Beelzebul --- Lucifer --- Satan --- Satanael --- Satanail --- Demonology --- Devil - History of doctrines - Middle Ages, 600-1500 --- DIABLE --- DEMON --- VIE SPIRITUELLE --- EUROPE --- VIE RELIGIEUSE --- MOYEN AGE